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The book proposes a responsive, effective protection framework for asylum seekers in the European Union. It does so by taking a three-fold approach: firstly, it sets out an integrated analysis of asylum solidarity, reflecting on the past, present and future. Secondly, it interrogates the nature of asylum solidarity as a legal concept, focusing on the notion of fairness. Finally, it sets out the future design of the EU asylum regime. This is based on a broader understanding of solidarity, which allows for a more balanced system. Thought-provoking and solution focused, this is an important new statement on EU asylum law.

This book provides the first comprehensive appraisal of the paradigm shift towards mandatory sustainability requirements in EU public procurement law.Traditionally, EU public procurement law focused on 'how to buy', dictating procedural rules so that public buyers in the Member States did not discriminate against suppliers and service providers from other Member States. Mandatory green and social requirements mean that, with a view to achieving sustainable development goals and mitigating climate change, the EU will limit this discretionary power for public buyers, pushing them to acquire more sustainable goods and services.Based on legal analysis informed by economic perspectives, the book aims to contribute to an understanding and critical discussion of the EU legislator's move towards regulating 'what to buy'. The book discusses the role of the Public Procurement Directives in relation to this paradigm shift, as well as various other sectoral legislative instruments that have been revamped or newly introduced in light of the European Green Deal.The paradigm shift is analysed from different perspectives, including subsidiarity, alternative regulation, economics and public purchasing. The book includes novel sectoral studies on transport, food, clothing, and construction, discussing how change is taking place and what its major challenges are for the future. Chapters on Italy, the Netherlands, Spain, and more, offer case studies of Member States that have already introduced mandatory requirements and highlight lessons learnt.This is an essential book for professionals working with public procurement law in academia and practice, and to those engaged in achieving public policy objectives in light of climate change and social injustice.

Michael Powell and Emeric Pressburger were true visionaries of British film, creating glorious technicolor cinematic masterpieces including A Matter of Life and Death (1946), Black Narcissus (1947) and The Red Shoes (1948). Delving into their magical, mystical and obsessive worlds, this lavishly illustrated publication - which ties in with a major BFI exhibition and film programme - presents fresh perspectives on the film-making duo, shining the spotlight not only on them, but also on their circle of talented collaborators, including cinematographer Jack Cardiff, designers Alfred Junge and Hein Heckroth and composers Brian Easdale and Allan Gray. The book's high profile contributors consider the concept of influence, too: those who had an impact on Powell and Pressburger's creative development, and the vast range of contemporary voices - from director Martin Scorsese to musician Kate Bush - who have found themselves haunted by their stories and images. Drawing on the BFI's stunning design and archive collections, as well as key objects held in other public and private collections, many of the images presented here are unique, previously unseen and unpublished.

The world of theatre criticism is rapidly changing in its form, function and modes of operation in the twenty-first century. The dominance of the internet has led to a growing trend of selfappointed theatre critics and bloggers who are changing the focus and purpose of the discussion around live performance. Even though the blogosphere has garnered suspicion and hostility from some mainstream newspaper critics, it has also provided significant intellectual and ideological challenges to the increasingly conservative profile of the professional critic.This book features 16 commissioned contributions from scholars, arts journalists and bloggers, as well as a small selection of innovative critical practice. Authors from Australia, Canada, Croatia, Germany, Greece, Italy, Latvia, Russia, the UK and the US share their perspectives on relevant historical, theoretical and political contexts influencing the development of the discipline, as well as specific aspects of the contemporary practices and genres of theatre criticism.The book features an introductory essay by its editor, Duska Radosavljevic.

Look, gang, what we need to keep sight of is, this isn't about us. It's not personal...It's about the children.When two 9-year-old boys kiss in the school playground of a small town, two sets of parents are told to 'do something about it' - but neither of them are entirely sure what.Amira is sending inclusive children's books to the school library, whilst her wife Chloe dreams of a kitchen island. Sarah is trying her best not to upset the Mum WhatsApp group, and her husband Matt just really wants to do the right thing - as soon as he can work out what that is. Luckily, here to guide our helpless humans are two cherubic winged guardians of the gays, summonsed to attend to a disturbance in the queer atmos and intervene only where strictly necessary. but where's the fun in being an ethereal being if you can't drop in and cause a scene wearing latex?The Boys Are Kissing is a riotous comedy about angelic intervention, children's birthday parties gone sour, and whether it ever really is 'just about the children', written by 503Five 2019-20 alumni Zak Zarafshan.This edition was published to coincide with the world premiere at Theatre503, London, in January 2023.

Finalist for the Susan Smith Blackburn Prize 2023I can imagine myself in the future looking back on this all.And looking back I can feel when the fire was lit.Fifteen-year-old Roxy is burning. Lost somewhere between the bonfire of girlhood and the sharp edge of womanhood, she gathers her friends and begins meddling in witchcraft to search for answers. Shadows are lurking, ready to swallow those she loves most in the world. As friendships fray, fire crackles and blood bubbles, the group unravel the bonds that unite and the secrets that surround them. Maryam Hamidi's Moonset is a blazing, coming-of-age tale filled with love, rage and self-discovery, as four young women search for the power they were promised. Moonset is published in Methuen Drama's Plays For Young People series which offers suitable plays for young performers and audiences at schools, youth groups and youth theatres. This edition was published to coincide with the Citizens Theatre production at Tron Theatre and Traverse Theatre, Scotland, in February 2023.

The Beatles' shared sense of humour helps explain their appeal during the 1960s and endurance in the following decades. Each member was skilled in irony, sarcasm, wordplay, and other nonsense. Their songs consistently show how the music itself is informed by comedic genres, including parody, satire, surrealism, and observational humour. The band demonstrated a gift for timing and deadpan wit in feature films and interviews reveal an aptitude for self-awareness, improvisation, and winning one-liners. The Beatles were indeed masters of play, a point illustrated by now-iconic photo shoots and musical experimentation. Subsequent artists and fans have taken these cues, engaging in their own forms of Beatle play.The Beatles and Humour explores the band's humour, comedy, and other forms of play in both music and non-musical discourse. Chapters situate the Beatles within the history of British arts, while also considering the diverse components and effects of their output and reception from the 1960s to today.

This volume is a critical exploration of cross-cultural Bible film reception presented through an analysis of the responses of UK and South African audiences to The Lumo Project: The Gospel of Mark (2014) and Son of Man (2006). Victoria Olaide Omotoso places emphasis on audience reception and highlighting the non-Western experience of biblical films by examining the responses of audiences from different cultural contexts to identical media, with a cross-cultural audience discourse facilitated by cultural dynamics: fidelity to the (biblical) text, ethnicity, music, and gender. By examining historic and cinematic debates, audience responses and filmmaker responses, Omotoso explores the ethnicity of Jesus, theological contexts and implications, and the presentation of Jesus in an androcentric world.Omotoso adopts the concepts of universality and particularity as frameworks to determine the ways through which the filmmakers attempt to identify their cinematic visions and locations. She defines universality as a phenomenon through which the filmmaker seeks to place the narrative within a trans-cultural frame for a global audience; in contrast, her definition of particularity is envisioning a unitary and specific cultural context for the narrative. By exploring fidelity to the text, the ethnic identity of Jesus, musical contexts, masculinity and female agency, the universal and particular are shown as complex, contested, and shifting concepts within the process of cross-cultural audience reception, which frequently destabilizes the intentions of the filmmakers.

Of all avian groups, birds of prey in particular have long been a prominent subject of fascination in many human societies. This book demonstrates that the art and materiality of human engagements with raptors has been significant through deep time and across the world, from earliest prehistory to Indigenous thinking in the present day. Drawing on a wide range of global case studies and a plurality of complementary perspectives, it explores the varied and fluid dynamics between humans and birds of prey as evidenced in this diverse art-historical and archaeological record. From their depictions as powerful beings in visual art and their important roles in Indigenous mythologies, to the significance of their body parts as active agents in religious rituals, the intentional deposition of their faunal remains and the display of their preserved bodies in museums, there is no doubt that birds of prey have been figures of great import for the shaping of human society and culture. However, several of the chapters in this volume are particularly concerned with looking beyond the culture-nature dichotomy and human-centred accounts to explore perspectival and other post-humanist thinking on human-raptor ontologies and epistemologies. The contributors recognize that human-raptor relationships are not driven exclusively by human intentionality, and that when these species meet they relate-to and become-with one another. This 'raptor-with-human'-focused approach allows for a productive re-framing of questions about human-raptor interstices, enables fresh thinking about established evidence and offers signposts for present and future intra-actions with birds of prey.

The European Arrest Warrant ('EAW'), the cornerstone of European criminal law, is twenty years old. This collection brings together the leading commentators in the field to assess its merits, successes and suggest improvements. Taking a holistic approach, it looks at the EAW from all the different perspectives of its operation. Discussions range from fundamental rights, to constitutional issues and questions of national diversity, and to the external dimension of the EAW. This is an important assessment of the EAW, destined to become the point of reference in the field.

Everyone wanted Madonna's Erotica to be scandalous, even pornographic. In the midst of the early 1990s culture wars, conservatives wanted it to be proof of the decline of family values. The target of conservative loathing, gay men reeling from the AIDS epidemic wanted it to be a celebration of a sexual culture that had rapidly slipped away. And of course Madonna herself, who released the album at the same time as her actually pornographic coffee-book table simply titled Sex, knew sex sells.But Erotica is more sentimental than sexual. At a time when sex was deadly, this sentimentality was not kitsch, but a way of sustaining a sexual culture. In this book, Michael Dango shows how Erotica marks an inflection point in multiple narratives. It is the album in which Madonna began more directly addressing her gay audience, at the same time that gay politics was transitioning from a sexual liberation framework to a rights-based framework that would ultimately culminate in same-sex marriage. To tell this story, Dango draws on his own experiences positioned between two generations of gay people-between a generation decimated by AIDS and a generation that grew up assuming they would be able to get married-as well as works of queer theory, which emerged in the academy at the same time as Madonna emerged on the music scene.

Featuring readings of contemporary utopian poetry and fiction from authors such as Juliana Spahr, Mohsin Hamid, Bong Joon-ho, Kim Stanley Robinson, Lidia Yukavitch, and Cory Doctorow, this book investigates the commons - a form of organisation based on collectivity, communalism and sharing - as a type of transition between capitalist precarity and crisis and anti-capitalist futures. Each of the texts under examination was written in opposition to a particular crisis of the capitalist present - inequality, political representation, mobility, and climate change - and develops a particular mode of utopian 'commoning'.Through its examination of these writers, crises and texts, this book reaffirms the use of utopianism as a tool for generating and representing alternative futures for a world in the midst of ongoing planetary crisis.

Teaching English to the speakers of other languages (TESOL) sits at the nexus of constant change, which makes it vitally important for language teachers to engage in continuous development to survive professionally. Central to moving with the proverbial times, is keeping abreast with the sociopolitical milieu in which teachers are embedded. However, most teacher education activities are often associated with what is perceived as "best practices" that are expected to be adopted (often uncritically) for classroom application and practice, with the intention of "training" teachers to become "technicians" in their respective classrooms. However, in reality, TESOL practitioners often find themselves in situations that require them to be reflexive practitioners and to negotiate sites of political struggles and social injustice. Given that a socially situated understanding of TESOL teacher education is often overlooked, this volume highlights the sociopolitical dimensions of TESOL teacher education. In the first part of the volume, the chapters introduce the theoretical underpinnings of the sociopolitical agenda proposed by this volume. Building upon these theoretical underpinnings, the chapters in the second part of the volume subsequently realize the proposed agenda by situating it within actual TESOL teacher education contexts that are characterized by power imbalances and neoliberally-inflected educational injustices.

A groundbreaking investigation into issues of gender, power and representation of sovereignty in French Baroque dance repertoires -- in particular, court ballet -- and in today's performances of them. Mark Franko uses powerful interpretive tools derived from historiography and critical theory, especially the work of German-Jewish philosopher Walter Benjamin, to offer the reader both a historical and a theoretical interpretation of this genre of dance in France (c. 1600-1750), as well as its aftermath and legacy today. Through doing so, he reaches conclusions about how sovereignty and power were both perceived by viewers at the time and how they were represented through dance, given that it was the noble class who devised and performed court ballets. Other thinkers whose work is interrogated to further our understanding of the performance of power in French Baroque court ballet include: Ernst Kantorowicz, Judith Butler, Louis Marin, Eric Auerbach, Georgio Agamben, Jacques Derrida, Pierre Klossowski, Guy Debord, Carl Schmitt, Michel Foucault With wide breadth, and work by historians, philosophers, political scientist, critical theorists, musicologists and dance historians, this is the culmination of a career's-worth of scholarship and research in the field.

This book analyses what elements of legal regulation would best resolve the longstanding issues of imposition of terms and unfair terms in boilerplate 'contracts of adhesion'. The problem is not a new one, first recognised by Sir Frederick Pollock, but it has persisted over the intervening years. So though the question is a longstanding one, the answer provided by the book is truly innovative. It adopts a 'law in context' methodology to offer solutions. The new methodological approach is combined with insights from global regulatory theory and cutting edge solutions such as private collectivised proceedings and remedies, streamlined adjudication, and administrative enforcement systems. It takes a global approach, looking at models in the US, Canada, the UK, and the EU. As the use of boilerplates is set only to increase as privatisation and globalisation spread, the answers provided by this book are much needed.

In this ground-breaking two-volume set, world-leading experts produce a rich, authoritative depiction of the world's press, its freedom, and its limits.We want press freedom but we also want freedom from the press. A powerful press may expose a corrupt government or aid it. It may champion citizens or unfairly attack them. A vulnerable press may lack supporters and succumb to conformity. It may resist, and overcome tyranny. According to common belief, press freedom involves social responsibilities to equip public debate and render government transparent. Is this attitude valid given that the press is usually a private, commercial actor?Globally, the health, authority, and viability of the press varies dramatically. These patterns do not conform to traditional divisions between North and South, East and West. Instead, they are much more complex. How do we measure successful press regulation? What concessions can the state and/or society demand from the press? What constitutes the irreducible core of press freedom?The contributions in Volume 1 look at key jurisdictions in Europe; whereas Volume 2 goes beyond Europe to analyse the situation in key jurisdictions in Asia, Africa, the Americas and Oceania. Each volume can be used independently or as part of the complete set.This work will be incredibly valuable to policymakers and academics who seek to capture the global picture for the purposes of effecting change.

This book adopts a transnational methodology to reflect on the legalisation of international economic relations. A Liber Amicorum for Professor Francis Snyder, it outlines the ways in which legal scholarship has taken his legacy further in relation to the concept of transnational law, the 'law in context' method, and the evolution of sustainability law. The lens is both theoretical and practical, delving into international investment law, financial/monetary law, free trade agreements, indigenous rights, and food law, and covering case studies from EU law, WTO law, American law, Chinese law, and Indonesian law.The chapters explore how Snyder's ideas have advanced legal research and determined change in regulation, impacting trade relationships worldwide. Part I of the book gives an overview of the actors, the norms, and the processes of transnational economic law, discussing sites of governance, legal pluralism, and soft law. Part II takes stock of the 'law in context' research method, looking not only at the way in which it can be refined and used by academics, but also at the practical implications of such a method to improve regulatory settings and promote social and policy goals (including the emerging generation of FTAs, such as TPP, TTIP, and RCEP). Part III focuses on sustainability law, assessing Francis Snyder's contribution to systemic changes and reforms in China and the Asia Pacific region.The book is a must have for any academic or practitioner interested in an up-to-date account of the recent developments in transnational trade law research.

Ladies, Gentlemen, and then all the legends that have realised gender is a trap - introducing the Sound of the Underground.Out to the electric night, where the base line jumps in the backstreet light and the beat goes round and round. The sound of the underground is the sound of duct tape, lighting cigarettes, jangling tips and a whole lot of chaos. This is not your average night at the theatre. Legends of the London Queer club scene come out from under the gutter to take over the Royal Court Theatre. Expect punk, profanity and a fierce fight about workers' rights written by Travis Alabanza and co-created and directed by Debbie Hannan. Hold for applause. Bring some change. Tip generously. Travis Alabanza's first play for the Royal Court spotlights London's iconic underground club culture and questions what it means to get your money's worth when it comes to art.This edition was published to coincide with the world premiere at London's Royal Court Theatre in January 2023.

This book explores the quasi-religious nature of consumerism and how American Christianity interacts with consumerism. The author uses mixed methods to unpack the nexus between the Christian faith and consumption and how habitual discretionary consumption functions as a pseudo-faith in America.

The Autocratic Turn in Uganda analyses two interrelated outcomes: autocratisation, manifest in the deepening of personalist rule or Musevenism, and the regime resilience that has made Museveni one of Africa's current-longest surviving rulers. How has this feat been possible, and what has been the trajectory of Museveni's increasingly autocratic rule? Surveying that trajectory since 1986, the book takes as its primary focus the years since 2005; bringing to the fore the 'autocratic turn', placing it within a broader comparative lens, and enriching it with comparative references to cases outside of Uganda. While positing the notion of 'autocratic adaptability' as a defining hallmark of Museveni's rule, the book examines the factors and forces that have made that adaptability possible, analysing the dynamics around three keys themes: institutions, resources, and coalitions. Through empirical research, each chapter seeks to demonstrate how either one or two of these three variables have functioned in propelling autocratization and assuring regime resilience - producing theoretical and and comparative implications that reach beyond Uganda.

This book provides strong, diverse context that supports educators in driving theory to practice when engaging with English Language Learners.