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This book examines hidden aspects of the science performance and considers the ways that theatrical performance matters to the imagination and exploration of the mysteries of the natural world. While the first volume prioritizes public, outward-facing work, this collection addresses the localized, inscrutable, and intimate aspects of the science performance. This volume explores the importance of creative and scientific processes in the human quest to know the universe and our place in it. Interdisciplinary science dialogues have long been shaped by social intersections of identity. The essays, interviews, and creative works included in this book investigate the ways in which a diverse and inclusive body of science performers might inform approaches to unseen forces, contribute to the development of novel scientific understanding, and disrupt male-dominated disciplinary hierarchies. Scholars and artists in this volume address questions pertaining to the mysteries of the body and mind, scientific wonders, the ethics of the science performance, observable versus inferred phenomena, and obscure science objects. Featuring interviews with a range of people, including science-integrative playwrights such as Lauren Gundersen (The Catastrophist, Silent Sky, Emilie: La Marquise du Châtelet Defends Her Life Tonight, Background), this book's conversations propose shifts in perspective necessary to establish and maintain sustainable cultures of science and art.

This open access book is the first to systematically explore competition policy in fintech markets. Drawing from the expertise of law scholars, economists, and social and natural scientists from the EU and the US, this edited collection explores the competitive dynamics, market organisation, and competition law application in fintech markets. It is the 17th volume in the Swedish Studies in European Law series.The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Swedish Network for European Legal Studies.

Robert Forczyk covers the development of armoured warfare in North Africa from Rommel's Gazala offensive in 1942 through to the end of war in the desert in Tunisia in 1943. The war in the North African desert was pure mechanized warfare, and in many respects the most technologically advanced theatre of World War II. It was also the only theatre where for three years British and Commonwealth, and later US, troops were in constant contact with Axis forces.World War II best-selling author Robert Forczyk explores the second half of the history of the campaign, from the Gazala offensive in May 1942 that drove the British forces all the way back to the Egyptian frontier and led to the fall of Tobruk, through the pivotal battles of El Alamein, and the final Allied victory in Tunisia. He examines the armoured forces, equipment, doctrine, training, logistics and operations employed by both Allied and Axis forces throughout the period, focusing especially on the brigade and regimental level of operations.Fully illustrated throughout with photographs, profile artwork and maps, and featuring tactical-level vignettes and appendices analysing tank data, tank deliveries in-theatre and orders of battle, this book goes back to the sources to provide a new study of armoured warfare in the desert.

"Highly recommended as a sobering but enlightening account." Richard B. Frank, author of Downfall: The End of the Japanese Empire In the 44 months between December 1941 and August 1945, the Pacific Theater absorbed the attention of the American nation and military longer than any other. Despite the Allied grand strategy of "Germany first," after the Japanese attack on Pearl Harbor, the U.S. especially was committed to confronting Tokyo as a matter of urgent priority. But from Oahu to Tokyo was a long, sanguinary slog, averaging an advance of just three miles per day. The U.S. human toll paid on that road reached some 108,000 battle deaths, more than one-third the U.S. wartime total. But, by the summer of 1945, on both the American homefront and on the frontline, there was hope for surrender. Atomic bombs dropped on Hiroshima and Nagasaki on August 6 and 9 seemed sure to force Tokyo to capitulate to the Allies' demands made in Potsdam. What few understood, however, was the vast gap in the cultural ethos between East and West at that time. The Japanese cabinet refused to surrender and vicious dogfights were still fought in the skies above Japan. This fascinating new history tells the dramatic story of the final weeks of the war, detailing the last brutal battles on air, land and sea with evocative first-hand accounts from pilots and sailors caught up in these extraordinary events. Award-winning author and historical aviation expert Barrett Tillman expertly details the first weeks of a tenuous peace and the drawing of battle lines for the forthcoming Cold War as Soviet forces concluded their invasion of Manchuria. When the Shooting Stopped retells these dramatic events, drawing on accounts from all sides to relive the days when the war finally ended and the world was changed forever.

The riveting story of Appleton Oaksmith, a swashbuckling sea captain whose life intersected with some of the most important moments, movements, and individuals of the mid-19th century, from the California Gold Rush, filibustering schemes in Nicaragua, Cuban liberation, and the Civil War and Reconstruction.

The Big House Anthology is a celebration of the last decade of work and plays by a unique theatre company, featuring five original plays that offer a chance for stories with diverse casts to contribute to the canon of theatre's literatureAs a UK-based theatre company, The Big House works on the frontline, empowering care leavers and other disadvantaged young people through the power of performance. Their plays are born from the hearts and minds of young people, with this anthology providing five very different plays, concerning: a runner struck down by M.S; a rapper who spits and snarls and tries to find it in herself to forgive; a teenager who fights for wealth, status and respect in the underworld of county lines; a cackling cowboy they call Corona; and a dog: tracked, murdered, and stuck in a stew.Moving and redemptive, this practical anthology offers plays that instill real hope that young lives can be moved from the margins to the centre of our society, and to turn painful histories into lives well lived. With powerful material that is perfect for young people to perform and study in order to appreciate a diverse range of POVs, collection is perfect for students and enthusiasts alike.Framed and introduced by members of the company discussing their practice, this is a book for students, educators, artists, theatre-practitioners, service providers and storytellers to tell stories that are rarely told, let alone with such fierce authenticity.

'Fascinating. life affirming' Times Literary Supplement'Without exaggeration, an awe-inspiring achievement' Nigella LawsonChosen as an Irish Times Book of the YearIn this profoundly moving and remarkable book, journalist Hayley Campbell explores society's attitudes towards death, and the impact on those who work with it every day. 'If the reason we're outsourcing this burden is because it's too much for us,' she asks, 'how do they deal with it?' Would facing death directly make us fear it less?Inspired by her own childhood fascination with the subject, she meets embalmers and a former death row executioner, mass fatality investigators and a bereavement midwife. She talks to gravediggers who have already dug their own graves and questions a man whose job it is to make crime scenes disappear. Through Campbell's incisive and candid interviews with people who see death every day, she asks: Does seeing death change you as a person? And are we all missing something vital by letting death remain hidden?'Moving, funny, and liable to unexpectedly cause me to tear up' Neil Gaiman 'Essential, compassionate, honest' Audrey Niffenegger

SHORTLISTED FOR THE WATERSTONES DEBUT FICTION PRIZE 2022FINALIST FOR THE BARNES & NOBLE DISCOVER PRIZE 2022FINALIST FOR THE URSULA LE GUIN PRIZE FOR FICTION 2022WATERSTONES AND ESQUIRE BEST BOOKS OF 2022'Haunting and luminous . An astonishing debut' - Alan Moore, creator of Watchmen and V for Vendetta'A powerfully moving and thought provoking read. At times sublime, strange and deeply human' Adrian Tchaikovsky, bestselling author of the Children of Time seriesSiberia, 2031. After a virus, unearthed from melting permafrost, unleashes a deadly plague upon humanity, those left alive are forced to adapt to a new world, and do so in myriad moving and inventive ways. Among those adjusting to this new normal are an aspiring comedian, employed by a theme park designed for terminally ill children, who falls in love with a mother trying desperately to keep her son alive; a scientist who, having failed to save his own son from the plague, gets a second chance at fatherhood when one of his test subjects - a pig - develops human speech; and a widowed painter and her teenage granddaughter who must set off on cosmic quest to locate a new home planet. A story of unshakeable hope that seamlessly crosses literary lines, How High We Go in the Dark follows a cast of intricately linked characters spanning hundreds of years as humankind endeavours to restore the delicate balance of the world.Wonderful and disquieting, dreamlike and all too possible. [How High We Go in the Dark] reaches far beyond our stars while its heart remains rooted to Earth, and reminds us that our wellbeing depends on the wellbeing of our world - Samantha Shannon, author of The Priory of the Orange Tree

If you're looking for fresh, playful ideas to spark your baby's curiosity, build their confidence and support their development, look no further! Written by the experts at My First Five Years, this unique book of 60 activities explains the why behind different types of play, and shows you how to make the most of short, daily moments together. You might be wondering why your baby loves to show you objects they've found, or why they prefer some toys to others. Have you questioned why they can roll from their back onto their tummy, but not the other way around? This book breaks down the science of early childhood development into concise summaries, and includes easy, realistic ideas for play that make the most of development opportunities. The book is split into six streams of development - social and emotional, gross motor, fine motor, sensory, language and cognitive - and each chapter includes a summary of the underlying science followed by simple, fun play ideas you can do at home with your baby. Beautifully illustrated and full of tips and advice, this book is perfect for building the foundations for your baby's lifelong learning, development, health and wellbeing.

While Southern California punk bands were saying, "Our band could be your life," Los Angeles's hair metal acts were insisting, "Our band could be your fantasy." They weren't out to change the world as much as conquer it, and no one embodied that more than its breakout stars, Motley Crue. On their sophomore record Shout at the Devil, they invited listeners to let their ids run wild, propping the door open for gender play, sexual abandon, and a healthy distrust of authority. As more women entered the workforce - not only because upper-middle class white women had made this a central demand of their feminism but also because industrial job opportunities for men were declining. This book demonstrates how Shout at the Devil showed men rejecting manual labor in favor of being beautiful, entertaining, and sexually available. What followed were era-defining culture wars about gender roles, sexual expression, and freedom of speech.