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An examination of the hegemonic nature of civil society, in order to conceptually confront global power differences that impact marginalized people living in or coming from former colonies or the 'Global South'.

Analyses the new spirit of 'decolonial solidarity' taking hold in Israeli civil society activism, and considers its significance for the wider settler colonial project.

Throughout the 21st century, various craft practices have drawn the attention of academics and the general public in the West. In Craft is Political, D Wood has gathered a collection of essays to argue that this attention is a direct response to and critique of the particular economic, social and technological contexts in which we live.Just as Ruskin and Morris viewed craft and its ethos in the 1800s as a kind of political opposition to the Industrial Revolution, Wood and her authors contend that current craft activities are politically saturated when perspectives from the Global South, Indigenous ideology and even Western government policy are examined. Craft is Political argues that a holistic perspective on craft, in light of colonialism, post-colonialism, critical race theory and globalisation, is overdue.A great diversity of case studies is included, from craft and design in Turkey and craft markets in New Zealand to Indigenous practitioners in Taiwan and Finnish craft education. Craft is Political brings together authors from a variety of disciplines and nations to consider politicised craft.

For those living in the Soviet Union, Orwell's masterpieces, Animal Farm and Nineteen Eighty-Four, were not dystopias, but accurate depictions of reality. Here, the Orwell scholar and expert on Russian politics, Masha Karp - Russian Features Editor at the BBC World Service for over a decade - explores how Orwell's work was received in Russia, when it percolated into the country even under censorship. Suggesting a new approach to the controversial 'Orwell's list' of 1949, Karp puts into context the articles and letters written by Orwell at the time. She sheds light on how the ideas of totalitarianism exposed in Orwell's writing took root in Russia and, in doing so, helps us to understand the contemporary political reality. As Vladimir Putin's actions continue to shock the West, it is clear we are witnessing the next transformation of totalitarianism, as predicted and described by Orwell. Now, over 70 years after Orwell's death, his writing, at least as far as Russia is concerned, remains as timely and urgent as it has ever been.

Unsettling traditional understandings of housing reform as focused on the nuclear family with dependent children, Single People and Mass Housing in Germany, 1850-1930 is the first complete study of single-person mass housing in Germany and the pivotal role this class- and gender-specific building type played for over 80 years-in German architectural culture and society, the transnational Progressive reform movement, Feminist discourse, and International Modernism-and its continued relevance.Homes for unmarried men and women, or Ledigenheime, were built for nearly every powerful interest group in Germany-progressive, reactionary, and radical alike-from the mid-nineteenth century into the 1920s. Designed by both unknown craftsmen and renowned architects ranging from Peter Behrens to Bruno Taut, these homes fought unregimented lodging in overcrowded working-class dwellings while functioning as apparatuses of moral and social control. A means to societal reintegration, Ledigenheime effectively bridged the public-private divide and rewrote the rules of who was deserving of quality housing-pointing forward to the building programs of Weimar Berlin and Red Vienna, experimental housing in Soviet Russia, Feminist collectives, accommodations for postwar "guestworkers," and even housing for the elderly today.

As with the industrial revolution and the Gilded Age it created, new digital technology has changed commerce and culture, creating great wealth in the process, while being essentially unsupervised. Wheeler calls for an era of public interest oversight that embraces new protections for consumers and competition and encourages continued innovation.

Young Marx is a comedy set in 1850's London, where Karl Marx, is hiding in Dean Street, Soho. Broke and restless, the play portrays the thirty-two-year-old revolutionary as a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy.Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there's still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.Young Marx aims to demystify Karl Marx, and is full of jokes and farce. It was chosen as the first play at the opening of London's Bridge Theatre in 2017, where it played to critical acclaim.

Soviet Critical Design is the first book to explore the socialist design practice of 'artistic projecteering', which was developed by the USSR's Senezh Experimental Studio in the 1960s.Tom Cubbin examines the studio as a site for the development of the design discipline in the optimistic environment of the 1960s Soviet Thaw. He also explores how designers adapted to the fast-changing Soviet Union of the 1970s and 1980s, considering their approach to critical projects highlighting the Soviet state's treatment of citizens, urban heritage and public spaces. Drawing on previously unpublished visual material from private archives and also extensive interviews, this book presents a new history of the late socialist period in the USSR, which gives insight into the creative strategies of designers who engaged their practice as a contribution to broader discussions on alternative models for socialist existence. Cubbin shows how artistic projecteering must be read as a utopian activity which privileged the political and ideological over the functional.

The Material Culture of Tableware is a fascinating and authoritative study of patterned tableware in the US. The book undertakes a visual analysis of Johnson Brothers patterns of tableware pottery, with reference to comparable designs by other British companies, such as Spode and Adams. It examines how this practical genre reflected the aesthetic values, sense of identity and aspirations of the American consumers who purchased its products. The study also sheds light on British opinions and understandings of American culture. The book's chronological organization shows how tableware designs reflected the cultural developments of American society during the long 20th century. From status-seeking 1890s beaux-arts patterns and the nostalgic historical scenes of the 1930s, to whimsical 1960s patterns and the contemporary motifs of the 1970s, The Material Culture of Tableware tells a compelling story about who 20th century middle-class Americans were and wanted to be.

The Icelandic Sagas rank among the greatest works of world literature.

Rome - Urbs Roma: city of patricians and plebeians, emperors and gladiators, slaves and concubines - was the epicentre of a far-flung imperium whose cultural legacy is incalculable. How a tiny settlement, founded by desperate adventurers beside the banks of the River Tiber, came to rule vast tracts of territory across the face of the known world is one of the more improbable stories of antiquity. The epic scale of the Colosseum; majestically columned temples; formidable legionaries marching in burnished steel breastplates; and capricious Caesars clad in purple robes who thought themselves gods: all these images speak of a grandeur that continues to be associated with this most celebrated of ancient capitals. The glory of Rome is further underlined by enduring monuments like Hadrian's Wall, holding the line as it did against ferocious Pictish barbarians thought to be from Hyperborea: the mythic Land Beyond the North Wind. This book vividly recounts the rags-to-riches story of Rome's unlikely triumph.Perhaps the most famous example in history of modest beginnings rising to greatness, Rome's empire was never static or uniform. Over the centuries, under the 'boundless grandeur of the Roman peace' (as the Elder Pliny put it), imperial law, civilisation and language vigorously interacted with and influenced local cultures across western and central Europe and North Africa. Provincial subjects were made Roman citizens, generals and senators. In AD 98 Trajan became the first of many Romans from outside Italy to assume supreme power as Emperor. Poets, philosophers, historians and legalists - and many others besides - all participated in the brilliant intellectual constellation secured by the pax Romana. However, as Dexter Hoyos reveals, the empire was not won cheaply or fast, and did not always succeed. The Carthaginian general Hannibal came close to destroying it. Arminius freed Germania by brutally annihilating three irreplaceable legions in the Teutoburg Forest - a disaster that broke Augustus' heart. And the Romans themselves, in expanding their empire, were often ruthless. Caesar boasted of killing a million enemy fighters in his Gallic Wars, while the accusation of a Caledonian lord became proverbial: they make a desert and call it peace. Yet at the same time the Romans strove to impose moral and legal principles for directing their subjects as much as themselves, and laid down standards of government that are still valid today. Rome Victorious is a masterful new treatment of the rise of Rome - from the viewpoints both of the city itself and the people it came to rule and make its own.

Elephants have fought in human armies for more than three thousand years. Asian powers boasted of their pachyderm power, while the Romans fielded elephants alongside their legendary legions but were, perhaps, too proud to admit that mere animals contributed to victory. Elephants have gored, stomped, and sliced their way through infantry and cavalry with great success. They have also been cut, speared, bombed, and napalmed for their efforts. This is the story of their largely forgotten role in the history of warfare.Generals throughout recorded history have used elephants as tanks, bulldozers, and cargo trucks long before such vehicles existed. Until gunpowder began to reduce the utility of elephants in battle during the 17th Century, these beasts built roads, swung swords, or simply terrified opposing forces. Although some believe that elephants were mere gimmicks of warfare, Kistler discredits that notion. His book hopes to give elephants the credit they deserve for the sacrifices they have endured. Elephants have long fought for and served human masters, but it is now the elephants themselves that must be protected.

Life on the frontier in the decades before the Revolution was extremely difficult and uncertain. It was a world populated by Native Americans, merchants, fur traders, land speculators, soldiers and settlers-including women, slaves, and indentured servants. Each of these groups depended on the others in some way, and collectively they formed the patchwork that was life on the frontier. Using a wealth of material culled from primary sources, Dunn paints a vivid picture of a world caught up in the winds of change, a world poised on the edge of revolution.Life on the frontier in the decades before the Revolution was extremely difficult and uncertain. It was a world populated by Indians, merchants, fur traders, land speculators, soldiers and settlers-including women, slaves, and indentured servants. Each of these groups depended on the others in some way, and collectively they formed the patchwork that was life on the frontier. Using a wealth of material culled from primary sources, Dunn paints a vivid picture of a world caught up in the winds of change, a world poised on the edge of revolution.In the 15 years preceding the American Revolution, the existence of the frontier exerted a dominant influence on the colonial economy. The possibility of new territory in the West and the removal of the French army offered an enormous opportunity for economic expansion but such prospects were not without risk. Farmers worked endlessly to clear a few scant acres for production. Traders struggled to reach remote areas to bargain with local tribes. Merchants weighted the possibilities for enormous profit with huge risk. Native Americans faced increasing encroachment upon their traditional lands. Women and slaves played a greater role in opening the frontier than many sources have indicated.