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Described by his contemporaries as the greatest pianist of the era, Josef Hofmann performed on world stages for more than fifty years, enjoying phenomenal success. Using previously unpublished letters, documents, interviews, and testimonies, Elizabeth Carr uncovers Hofmann¿s world from child prodigy to established artist and private citizen.

Building on the groundbreaking research of Irreducible Mind and Beyond Physicalism, Edward Kelly and Paul Marshall gather a cohort of leading scholars to consider the significance of extraordinary experiences for our understanding of reality. Currently emerging as a middle ground between warring fundamentalisms of religion and science, an expanded science-based understanding of nature finally accommodates empirical realities of spiritual sorts while also rejecting rationally untenable overbeliefs.The vision sketched here provides an antidote to the prevailing postmodern disenchantment of the world and demeaning of human possibilities. It not only more accurately and fully reflects our human condition but engenders hope and encourages ego-surpassing forms of human flourishing. It offers reasons for us to believe that freedom is real, that our human choices matter, and that we have barely scratched the surface of our human potentials. It also addresses the urgent need for a greater sense of worldwide community and interdependence - a sustainable ethos - by demonstrating that under the surface we and the world are much more extensively interconnected than previously recognized.

Based on original analysis from leading experts on presidential elections, Making of the Presidential Candidates 2024 describes all of the systematic aspects of the nomination campaign today: party rules, fundraising, media attention, voter coalitions, prospects for female candidates, and more.

The book discusses the unprecedented influence of Richard Wagner's operas on a number of prominent avant-garde artists of the late nineteenth century.

Based on original analysis from leading experts on presidential elections, Making of the Presidential Candidates 2024 describes all of the systematic aspects of the nomination campaign today: party rules, fundraising, media attention, voter coalitions, prospects for female candidates, and more.

Historical Dictionary of the British Monarchy, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 800 cross-referenced entries that cover significant events, places, institutions, and other aspects of British culture, economics, politics, and society.

Reveals the candid thoughts and feelings of those most directly involved in adoptions: the adoptee, the adopters, and the birth parents.Adoption Unfiltered authors Sara Easterly (adoptee), Kelsey Vander Vliet Ranyard (birth parent), and Lori Holden (adoptive parent) interview more than 30 adoptees, 20 birth parents, a dozen adoptive parents, and several industry professionals¿all sharing candidly about the challenges in adoption. While finding common ground in the sometimes-contentious space of adoption may seem like a lofty goal, it reveals the authors¿ optimistic aim: working together with truth and transparency to move toward healing. Flipping the typical script, in which adoptive parents take the lion¿s share of the narrative, this book leads with adoptee stories then moves on to stories of challenges and perspectives of birth parents¿so often marginalized and silent. The third section offers narratives from adoptive parents who are working through their unique challenges. We also hear from adoption professionals, who share the challenges of operating ethically amid rampant unethical practices in the unregulated world of finding infants and children for homes. Finally, we hear from activists and adoption-competent therapists, offering their ideas to make adoption policies and practices better for all involved. Adoption is a beautiful experience but has challenges just like any other relationship or family system. The unique perspectives found here can help to smooth out the rough spots, celebrate the joys, and provide comfort and confirmation for everyone involved in the adoption journey.

In the hierarchy of British jazz musicians, the super-virtuoso guitarist, composer, and bandleader John McLaughlin holds an unassailable position at the very top.Across dozens of official studio and live albums that encompass solo acts, Mahavishnu Orchestra, Shakti, and co-headlining group projects, GRAMMY-Award winner John McLaughlin has consistently enthralled and surprised with boundary-pushing, genre-defying music. He was Miles Davis¿s guitarist of choice on epochal albums In A Silent Way, Jack Johnson, Bitches Brew, and Live Evil. Drawing on hundreds of sources and interviews with key collaborators, Matt Phillips takes us on an exciting journey through McLaughlin¿s entire career: his early years; his flirtations with the European avant-garde; groundbreaking work with Miles Davis and Tony Williams; the electrifying fusion groups The Mahavishnu Orchestra and Shakti; special projects with the likes of Chick Corea, Sting, Herbie Hancock, Wayne Shorter, Carlos Santana, and Jeff Beck; hugely popular acoustic collaborations with Paco De Lucia, Larry Coryell, and Al Di Meola; and his 4th Dimension band. His highly virtuoso style brought about a revolution in guitar playing, carving out one of the most critic-proof and prolific careers in modern times. This is the first major book about McLaughlin to illuminate his entire output from 1980¿2020. Including never-before-seen photographs, it¿s a thrilling ride through the life of a master musician.

Putting the New Materialist figure of diffraction to use in a set of readings - in which cultural texts are materially read against their contents and their themes, against their readers or against other texts - this volume proposes a critical intervention into the practice of reading itself. In this book, reading and reading methodology are probed for their materiality and re-considered as being inevitably suspended between, or diffracted with, both matter and discourse. The history of literary and cultural reading, including poststructuralism and critical theory, is revisited in a new light and opened-up for a future in which the world and reading are no longer regarded as conveniently separate spheres, but recognized as deeply entangled and intertwined. Diffractive Reading ultimately represents a new reading of reading itself: firstly by critiquing the distanced perspective of critical paradigms such as translation and intertextuality, in which texts encountered, processed or otherwise subdued; secondly, showing how all literary and cultural readings represent different 'agential cuts' in the world-text-reader constellation, which is always both discursive and material; and thirdly, the volume materializes, dynamizes and politicizes the activity of reading by drawing attention to reading's intervention in, and (co)creation of, the world in which we live.

While this book begins with the analysis of engineering as a profession, it concentrates on a question that the last two decades seem to have made critical: Is engineering one global profession (like medicine) or many national or regional professions (like law)? While science and technology studies (STS) have increasingly taken an ';empirical turn', much of STS research is unclear enough about the professional responsibility of engineers that STS still tends to avoid the subject, leaving engineering ethics without the empirical research needed to teach it as a global profession. The philosophy of technology has tended to do the same. This book's intervention is to improve the way STS, as well as the philosophy of technology, approaches the study of engineering. This is work in the philosophy of engineering and the attempt to understand engineering as a reasonable undertaking.

This first-ever collection of original essays devoted to philosopher, theologian, and poet Jean-Louis Chretien's work, this interdisciplinary collection includes Chretien's collaborators, successors, and Anglophone interpreters and explores themes of temporality, prayer, and religious reading.

Film Figures offers the reader fresh insights into cinematic worlds through the figural analysis of narrative film. Figural analysis is concerned with what we don't see in what we see; the unconscious aspects of what we see on the screen. Warwick Mules provides a set of concepts and a taxonomy of figures suited to such an analysis. Each chapter undertakes an extensive analytical reading of a key film guided by a concept to follow the negentropic movement of figures through the world of the film.Drawing on the work of Deleuze, Lacan and Benjamin, and highlighting key moments in the appearance of the figure in cinema history, Film Figures offers new concepts to engage in film analysis. In readings of films by Murnau, Hitchcock, Lang, Lynch and Haneke, the book explores technological, cultural and philosophical concerns through the plight of figures as symptomatic of the estrangement of modern life.

Trump Fiction: Essays on Donald Trump in Literature, Film, and Television examines depictions of Donald Trump and his fictional avatars in literature, film, and television, including works that took up the subject of Trump before his successful presidential campaign (in terms that often uncannily prefigure his presidency) as well as those that have appeared since he took office. Covering a range of texts and approaches, the essays in this collection analyze the place Trump has assumed in literary and popular culture. By investigating how authors including Bret Easton Ellis, Amy Waldman, Thomas Pynchon, Howard Jacobson, Mark Doten, Olivia Laing, and Salman Rushdie, along with films and television programs like The Fresh Prince of Bel-Air, Sesame Street, Sex and the City, Two Weeks Notice, Our Cartoon President, and Pose have approached and shaped the discourse surrounding Trump, the contributors collectively demonstrate the ways these cultural artifacts serve as sites through which the culture both resists and abets Trump and his rise to power.

Exploring a variety of female superhero narratives, including Wonder Woman comics and television shows like The Secrets of Isis, The Bionic Woman, and Buffy the Vampire Slayer, this book argues that twentieth-century superheroine stories historically depicted education as the path to female liberation and empowerment.

Fallible Man is the second book in Paul Ricoeur's early trilogy on the will and the most accessible of his early writings. While the descriptive approach of Freedom and Nature set aside all normative questions, Fallible Man removes those brackets to examine the bad will, asking what makes evil a possibility. Combining rigor and originality, Ricoeur locates the possibility of evil in a self that is fundamentally in conflict with itself. Edited by Scott Davidson, A Companion to Ricoeur's Fallible Man clarifies and contextualizes the central arguments developed in Ricoeur's philosophy of the will, providing insight into his formative influences and themes. The collection gathers an international group of scholars who specialize in Ricoeur's thought to shed light on an impressive range of themes from Fallible Man that resonate with contemporary debates in philosophy and religion.

Young adult literature uses literary sidekicks in new and exciting ways, which changes how sidekicks are understood. Three ways authors elevate sidekicks include letting sidekicks "evolve" over the course of multiple texts, using parallel novels to add complexity to a sidekick's characterization, and telling a story from the sidekick's perspective.

Fusing riveting testimony from African American veterans with the most incisive research of current military scholars, Black Veterans, Politics, and Civil Rights in 20th-Century America: Closing Ranks explores the intersecting characteristics of civil rights struggle and political activism that was reflected in the lives of ex-GIs throughout Twentieth Century American history. The volume examines black veterans' social and political activities throughout the 20th Century, from the World Wars, through the Korean and Vietnam War, and ends with the Persian Gulf War. Presenting the full flesh and blood experiences of black veterans who came from backgrounds and from all walks of life, each essay captures how race, gender, ethnic, class, disability, generation, and region shaped their experiences in the nation's military during times of war and how these issues profoundly affected the postwar politics they embraced while trying to realize the true meaning of equality in America. With original essays by emerging scholars in the field of study, Closing Ranks is a foundational text for reassessing the relationship between the ex-GI and the modern nation state and providing readers with a vivid window into the harsh realities that black citizen-soldiers have faced during war and its aftermath for nearly a century.

This book explores the subjective experience of Black girls within the educational context. Based on interviews, diary entries, and focus groups, the author argues that as a result of their intersectional identities, Black girls experience unique challenges and obstacles in the educational setting.

In this edited collection of essays, ten experts in film philosophy explore the importance of transcendence for understanding cinema as an art form. They analyze the role of transcendence for some of the most innovative film directors: David Cronenberg, Karl Theodor Dreyer, Federico Fellini, Werner Herzog, Stanley Kubrick, David Lynch, Terrence Malick, Yasujiro Ozu, and Martin Scorsese. Meanwhile they apply concepts of transcendence from continental philosophers like Alain Badiou, Gilles Deleuze, Martin Heidegger, Michel Henry, Edmund Husserl, Karl Jaspers, Søren Kierkegaard, Maurice Merleau-Ponty, Friedrich Nietzsche, and Jean-Paul Sartre. Each of the ten chapters results in a different perspective about what transcendence means and how it is essential to film as an art medium. Several common threads emerge among the chapters. The contributors find that the limitations of human existence are frequently made evident in moments of transcendence, so as to bring characters to the margins of their assumed world. At other times, transcendence goes immanent, so as to emerge in experiences of the surprising nearness of being, as though for a radical intensification of life. Film can also exhibit "ciphers of transcendence" whereby symbolic events open us to greater realizations about our place in the world. Lastly, the contributors observe that transcendence occurs in film, not simply from isolated moments forced into a storyline, but in a manner rooted within an ontological rhythm peculiar to the film itself.

This book evaluates the Turkish nation-building process from the Ottoman Empire to today, considering the role of Islam in this process. It gives insight into what has changed and not changed in this process. The book explains to readers that the Islamisation of the country is not a coincidence. Rather, Islamism has been grown symbiotically with the secular Republican regime through the organizational power of Islamic sects and with the assistance of the West. How we live as a nation today is not a revolution of Islamists, as some scholars have remarked. Rather, it is a continuation of the Turkish nation-building process with further Islamisation.

The Democratic Arts of Mourning reflects on the variety of ways in which mourning affects political and social life. In recent decades, political theorists have increasingly examined and explored the themes of loss, grief, and mourning. With an introduction that contextualizes the turn to mourning in previous scholarship on the politics of tragedy, this book includes twelve chapters that clarify the intertwinement between politics and mourning. The chapters are organized into five thematic sections that each shed light on how democratic societies relate to loss, grief, suffering, and death. Collectively, the chapters explore the concept of mourning and its relationship to civic rituals, memorials, taboos, social movements, and popular music. Chapters examine how social groups defend their members against experiences of grief or mourning, or how poetic expressions-such as ancient Greek tragedy-can address the catastrophes of human life. Other chapters explore the politics of symbols and bodies, and how they can become fraught objects that stand in for a society's undigested-unmourned-losses and absences. The book concludes with an interview with Bonnie Honig, whose own work on mourning has been deeply influential in contemporary political theory.

In this book, the authors trace corporate communication and integrated marketing communication (IMC) historically and situate industry practices today to draw attention to the need for companies to reach audiences beyond traditional stakeholders.

This book is an analysis of terrorism, a summary of its historical evolution, and an evaluation of its contemporary character. The struggle against terrorism has taken on a military character, and a Clausewitz perspective is necessary to show how warfare subordinates use of force to political considerations.

Moses: Man Among Men? examines the nature of Moses¿ relationships with other male characters by utilizing the theory of hegemonic masculinity and homosociality. In doing so, this book considers the way in which Moses is pictured as an idealized figure by comparison to other male characters in his story.

In this original study, Rachel Coventry expands Heidegger's philosophy of art to include his ontological account of poetry and technology. Following Heidegger's definition of technology as preventing authentic poetic language, alongside his argument that poetry can successfully confront technology, Coventry considers the possibility of great poetry in the digital age.This approach takes us beyond conventional literary criticism, using different case studies from contemporary poetry including eco-poetry, digital poetry, and post-internet poetry. Heidegger and Poetry in the Digital Age asks provocative questions to progress the philosophical study of poetry, tracing new lines of thought in Heidegger studies and critical studies of contemporary poetry. Can eco-poetry and the digital co-exist? Do poetic movements that use modern technology provide us with a way to overcome the negative effects of technology? What are the ontological consequences of employing new formats for poetry? This book examines these tensions to provide a phenomenological account of digital poetry that grounds poetic metaphor in Heidegger's metaphysics.