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Sometimes they eat cheeseSometimes they eat breadThey even eat the tiny crumbs that fall under the bedThey eat jellyThey eat egg!They eat peasAnd stinky old brie..A rat will eat anything. anything. anything.It's the eve of the mayoral election, and the kids of Hamelin aren't happy. The mayor and owner of the local pie factory has imposed a music ban, and to make matters worse, there's a serious rat problem. But, there have been whispers of a mysterious rat catcher in town. people listen to the powerful message created by his singing. his pipes... Can this curious stranger help Hamelin to find its voice once more? Conrad Murray's Pied Piper is a raucous musical re-imagining of a medieval fairy-tale. The original production featured a hugely talented cast of beatboxers, musicians and special guest performances from the local community.A Battersea Arts Centre, Beatbox Academy & rODIUM co-production conceived, written and co-directed by Conrad Murray. This edition was published to coincide with the start of the UK tour at Battersea Arts Centre, London, in October 2023.

But I do have a job. I'm a professional viscount. Things aren't looking good for Theodore 'Tug' Bungay. His mother, Lady Agrippina, has a plan to cut off his funds. His fed-up fiancée wants to drag him up the aisle. An oligarch is eyeing up his beloved Northumberland castle. Is Tug's dissolute life about to change completely? Or will he get to carry on doing exactly as he pleases without ever facing any consequences? Rory Mullarkey's riotous new play takes inspiration from Wilde and Wodehouse to create a contemporary comedy of manners set among the dwellers of south-west London who - somehow - remain our country's ruling class. This edition is published to coincide with the world premiere at London's Royal Court Theatre, in November 2023.

'Excuse me,' the man interrupted her as if there was absolutely nothing she could say to comfort him. 'I have to get on with my digging.' Then he stabbed violently at her sketchbook with his finger. 'Get it all down,' he snarled. 'Every single disgusting, pathetic detail. And shove it in their faces.'London, 1940Following a chance meeting with her former teacher, young painter Sybil Paige wins a coveted assignment from the War Artists' Advisory Committee, and so begins her journey across the length and breadth of the country, sketching everything from airfields and assembly lines to farms and factories. Sometimes it's milkmaids and poultry keepers, brave and hopeful; sometimes it's the harrowed faces of those digging through the rubble to find their loved ones and livelihoods. But armed with her sketchbook, Sybil captures it all, determined to tell the stories of the thousands of women fighting their own battles on the home front. Above all, she wants the voices of her subjects to shine through. But amidst the scenes of despair and courage, the one picture Sybil cannot paint and yet cannot purge from her brain, no matter how hard she tries, is the image of a woman folded into a chair, the crumpled telegram about her missing husband clasped in her hand. Because a self-portrait, Sybil well knows, requires the artist to find her own voice.With each new commission, Sybil grows in confidence. But, like the many people she meets and sketches, she fears the future: will it bring hope or heartbreak?

"Ghosts are not born by themselves. They are born of a silent conscience. They are as real as the ignored knowledge of crimes and the refusal to accept real responsibility. They are the distorted voice of the dead turned into mystical images. The voice of unwanted witnesses."A Present Past is a collection of short stories that brings to vivid life a post-Soviet world haunted by the secrets and crimes of its past. It features a judge overcome by the weight of his ruling, the stories within the old Soviet cemeteries, discovered objects that transport us to another time and the documents of the KGB. Seamlessly blending history with fiction, politics with individualism, reality with magic, the eleven tales explore the unacknowledged crimes of the Soviet Union and Russian State, and show how the devastating sins of the past pervade the present.

Demonstrating how Chaucer uses the Bible in The Canterbury Tales as an authoritative literary source and model for his own literary production, this book explores the ways in which the Bible was a key tool for Chaucer's self-definition and innovation as an author. Chad Schrock unravels Chaucer's Tales in the light of topics important to biblical reception in 14th-century England: authority, textuality, interpretation, translation, rephrasing and marginalia. When the Canterbury Tales are summed up in this way, they show the great extent to which Chaucer was drawing upon the Bible as a meta-poetical resource for his own poetry - its fictional tale-tellers and characters, its quotations, allusions and images, its plots, its imaginative engagement with an audience of listeners and readers, and its hidden intentions. Schrock demonstrates that the Bible is a uniquely potent literary source for Chaucer because it combines infinite authority and plenitude with unprecedented freedom of interpretive invention. As a world-making text, the Bible's authority includes the literary as subcategory but surpasses and contextualizes it, which gives Chaucer's deferential biblical invention a different kind of freedom and safety. Within Chaucer's tales, a biblical image is often where a given narrative peaks and its plot comes clear, but a biblical world also and without strain contains his biblical fictioneers and whatever they make from the Bible, whether orthodoxy or heresy, whether sin or worship.

This book surveys the growing field of secularity and non-religion, focusing on the North American context and offers an overview of a field that encompasses a wide and disparate set of people and processes. These include the religious nones and unaffiliated, atheists and agnostics, secular humanists and secular activists, and many other kinds of the "traditionally nonreligious", along with novel forms of secular identities, organizations, and worldviews. Individual chapters highlight the key topics, findings, arguments, and controversies from the past 20 years of research, including issues of secular and nonreligious identity, health, organization, family, inequality, and discrimination.The book is illustrated throughout with over 50 images and each chapter includes guidance on further reading and a glossary of key terms and concepts. This is a much-needed resource for teaching secularity and non-religion, as well as the sociology of religion. The chapters in this book were first published in the digital collection Bloomsbury Religion in North America. Covering North America's diverse religious traditions, this digital collection provides reliable and peer-reviewed articles and ebooks for students and instructors. Learn more and get access for your library at www.theologyandreligiononline.com/bloomsbury-religion-in-north-america

'Brilliant and fundamental, this is the necessary book about our prime global emergency' Ian McEwan The news is full of hotly debated and divergent claims about the impacts and risks of climate change. Lawrence Krauss, one of the world's most respected physicists and science popularizers, cuts through the confusion by succinctly presenting the underlying science of climate change.The Physics of Climate Change provides a clear, accurate and accessible perspective of climate science and the risks of global inaction. Krauss's narrative explores the history of how scientists progressed to our current understanding of the Earth's climate and its future. Its generous complement of informative diagrams and illustrations allows readers to assess which climate predictions are securely based on analysis of empirical data, and which are more speculative.The Physics of Climate Change is required reading for anyone interested in understanding humanity's role in the future of our planet.

In the age of ecological crisis, language and discourse are emerging as a new battleground in environmental debate. With the rise of new environmentalist movements and their subsequent backlash, we are now exposed to a plethora of different and often opposing discourses on the environmental crisis and our relationship with nature. This book argues for the need to develop classroom practices which aid students in critically reviewing and evaluating different perspectives on discourses of environmentalism and sustainability. Remarking that language and humanities teachers are perfectly positioned to play a key role in the development of eco-critical language awareness at this crucial juncture, this book explores how they can help students utilise essential critical thinking skills to navigate the multitude of cultural messages regarding our relationship with nature. Employing ecolinguistics as a form of eco-critical pedagogy, Emile Farmer presents key concepts underpinning ecolinguistics, before guiding readers through their application in the classroom. Serving as a bridge between environmental discourse analysis and linguistics, Ecolinguistics and Environment in Education explains how ecolinguistics can be used to carry out detailed linguistic analyses of environmentally significant messages in the classroom.

Luxury has long been seen as an expensive, elegant indulgence. However, the history of its relationship with the bodily senses has never been fully explored. Examining luxury from an experiential perspective, this book moves away from the traditional focus on luxury goods, marketing and promotion, and looks instead at the sensory evolution of luxury through time. Bringing together a range of international experts in the field, Luxury and the Senses traces the history of luxury from the over-indulgent banquets of Roman antiquity to the modern swimming pools of Southern California. The book surveys the importance of sensory triggers like scent, taste and texture to our experience of luxury, while looking at questions of gender and branding through the lens of fashion and consumption. With case studies which range from whisky drinking to perfume making, the book delves into the influence of luxury brands, and the new possibilities opened by technology and virtual reality. Highlighting the emotional and sensuous aspects of creating and consuming luxury goods and services, this is essential reading for scholars of fashion, luxury studies, and brand management.

'The gripping story of England's transformation from prissy blockers to double world champions'The Times'A must-read for any cricket lover'Nasser Hussain, Former England captain and Sky Sports commentatorThe inside story of how England became the first men's team to hold both of cricket's World Cups simultaneously, from the players and key people involved.When England lifted the T20 World Cup in November 2022, they became the first ever men's team to be One-Day International and Twenty20 world champions simultaneously. In English sport, triumphs aren't just rare - they also tend to be followed by a collapse. England's white-ball cricket side was different: a team that followed scaling the summit by doing so again. They became, as Australia's captain put it, "the benchmark" for the rest of the world. White Hot tells the full story of how England built one of the most extraordinary sides ever seen in limited-overs cricket. First in 2019 and then in 2022, they produced a series of mesmerising performances to win two World Cups. It is a story of the vision and strategy that underpinned England's transformation from white-ball stragglers into a side at the very cutting edge of their sport. It is a story of a golden generation, and the development of a system that passed on those values to the players that came next. And it is a story of how a conservative sporting culture shed its inhibitions to become a hub of innovation where players were free to be aggressive - even in the most important games. Featuring exclusive interviews with players at the heart of the 2019 World Cup win, including Joe Root and Jason Roy; the 2022 World Cup victory, like Harry Brook, Sam Curran and Alex Hales; and double world champions including Moeen Ali, Adil Rashid, Chris Woakes and Mark Wood. With insight from coaches and administrators, including Trevor Bayliss, Rob Key, Matthew Mott and Andrew Strauss, it reveals how England changed their culture, attitude to unorthodoxy and approach to risk forever. White Hot examines this incredible journey in forensic detail. This is captivating reading for cricket fans - and anyone who wants to understand how a floundering team can become record-breakers.

In an oak-panelled room in a rural Oxford gastropub, ten young undergraduates with cut-glass vowels and deep pockets are meeting, intent on restoring their right to rule - and on getting totally "chatueaued". Members of The Riot Club, an elite student dining society, the fraternity starts to fray when they discover they're a guinea-fowl short and the prostitute they've hired is suddenly banished. An apparent spoof on Oxford's notorious Bullingdon Club, whose past members include Boris Johnson, George Osborne and David Cameron, Posh is a satirical play about power, politics and privilege, and how these elements interact within British institutions. The play is published here as a Methuen Drama Student Edition with commentary and notes by Henry Bell. Posh premiered at the Royal Court Theatre, London, in 2010 and two years later opened in the West End. It was nominated for Best New Play at both the Evening Standard Awards and for the Theatregoers' Choice Awards. It was subsequently made into a film called The Riot Club (2014), starring Sam Claflin, Max Irons and Douglas Booth.

The Mountaintop is published here as a Methuen Drama Student Edition, featuring notes and commentary by Harvey Young, Dean of the College of Fine Arts, Boston University, USA. The introduction offers a discussion of key themes including race, identity, politics, magical realism, one-act plays, historical figures and martyrs.The night before his assassination, Martin Luther King, Jr. retires to room 306 in the now-famous Lorraine Motel after giving an acclaimed speech to a massive church congregation. When a mysterious young maid visits him to deliver a cup of coffee, King is forced to confront his past and the future of his people.Portraying rhetoric, hope and ideals of social change, The Mountaintop also explores being human in the face of inevitable death. The play is a dramatic feat of daring originality, historical narration and triumphant compassion.

This book revisits one of the defining judicial engagements in English legal history. It provides a fresh account of the years 1606 to 1616 which witnessed a series of increasingly volatile confrontations between, on the one side, King James I and his Attorney-General, Sir Francis Bacon, and on the other, Sir Edward Coke, successively Chief Justice of Common Pleas and Lord Chief Justice. At the heart of the dispute were differing opinions regarding the nature of kingship and the reach of prerogative in reformation England. Appreciating the longer context, in the summer of 1616 King James appealed for a reformation of law and constitution to complement the reformation of his Church. Later historians would discern in these debates the seeding of a century of revolution, followed by another four centuries of reform. This book ventures the further thought that the arguments which echoed around Westminster Hall in the first years of the seventeenth century have lost little of their resonance half a millennium on. Breaks with Rome are little easier to 'get done', the margins of executive governance little easier to draw.

Write to Be Read is for designers of engaging curriculum, interesting in improving the teaching of writing in schools today. Assumptions are challenged with reference to traditional models for teaching writing. Examples of students writing and activities are presented with self and teacher models of assessment to engage the writing lives of students.

A thrilling read set in the American West from New York Times bestseller C.J. Box, award-winning author of the Joe Pickett and Cassie Dewell series, now adapted into the hit TV shows Joe Pickett and Big Sky.A good friend and fellow game warden of Joe Pickett's has taken his own life, and Joe's been chosen to temporarily run his district. But Jackson, Wyoming is a far cry from Joe's hometown of Saddlestring, and it doesn't help that Joe feels compelled to investigate the circumstances surrounding his friend's suicide. The closer Joe comes to the truth, the more his own life spirals out of control - and he realises that if he isn't careful, he may be Jackson's next victim... Reviews for Out of Range 'Stunning scenery and modern malevolence.' Wall Street Journal'Another brilliant voice from the American West.' Toronto Globe and Mail'A book well worth putting in your sights.' Billings Gazette 'Wyoming wonderful, warden weary in Box's best yet.' Boulder Daily Camera

The new collection from firebrand poet, essayist and editor Karen McCarthy Woolf, Unsafe is a disenchanted walk on foot through the afterlives and British and American colonialism, weighing the effects of gentrification on those who live at its sharp end.

This open access book explores the complexity of the lex sportiva, the transnational legal regime governing international sports. Pioneering in its approach, it maps out the many entanglements of the transnational governance of sports with European legal processes and norms. The contributors trace the embeddedness of the lex sportiva within national law, European Union law and the European Convention on Human Rights. While the volume emphasizes the capacity of sports governing bodies to leverage the resources of national law to spread the lex sportiva globally, it also points at the fact that European legal processes are central when challenging the status quo as illustrated recently in the Semenya and Superleague cases. Ultimately, the book is also a vantage point to start critically investigating the Eurocentricity and the complex materiality underpinning the lex sportiva. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Swedish Studies Network.

"Leonard Cohen's music is studded with allusions to Jewish and Christian tradition, as well as Kabbalah and Zen. This book is about the ethos, origins, and traditions in Cohen's lyrics. He was as familiar with Christian traditions as he was Jewish. He is not concerned with confessional barriers, they simply impede access to the deep well of spiritual lore from which he draws. This is not a biography but a biographical narrative into the treatment of each song or theme, so that by the end the reader will in fact have a good understanding of Cohen's life story. Print run 25,000."--Provided by publisher.

The much-anticipated debut collection by the winner of the Outspoken Performance Poetry Prize: a tender meditation on queerness and IslamIntricately weaving Quranic verse, psychology, and the hip-hop soundtrack of their childhood, Sanah's poems reach for divinity in the body; an archive that refuses erasure.These poems traverse unruly emotional and physical landscapes, Whiteness, islamophobia, homophobia, intergenerational suffering, and the politics of therapeutic processes. In these pages, belief and unbelief, goodness and badness, the material and spiritual are intertwined, reclaiming queer love and desire as holy.How are we incarcerated by others' gazes? Who gets to be good in a society built upon hierarchy? How might we embrace each other's madnesses? Sanah Ahsan asks questions that travel to the heart of our humanness, bending the lines between psychologist and client to show us the sacred nature of our wounds. These poems kneel to the messiness of being alive, building altars to complication and presence. Refusing binaries of gender or religious doctrine, I cannot be good until you say it finds what is to be revered in the grey spaces of morality, advancing imagination and self-compassion as sites of communion.This debut collection is a call to prayer, fearlessly complicating what is good, and what is god.

A beautiful gift book and an original, modern fairy tale. Serena's adventure is full of charm and timeless magic, written in Rosemary Clunie's sparkling prose and illustrated in striking colour and collage.'Once upon a time a little girl called Serena lived in a cottage in the woods. She was friends with all the birds and animals of the forest. But what she really wanted was a special friend of her own.' When Serena meets the little blue dog, she names him Haiku and they become best of friends. But one day Haiku grows too big for Serena and her cottage in the woods. Together they travel to the edge of the forest, past fields of sunflowers and bright lakes to visit the green mountain bird, the red snake and the yellow fish. But it is the blue lady in a castle far away to the east who, by the magic of three stones, can help Serena find the answer.

Written from Alex La Guma's first-hand experiences in apartheid South Africa, In the Fog of the Seasons' End is a short but powerful novel, unflinching in its depiction of the day-to-day realities of segregation and the secret underground movement that fought against it.For Beukes and Elia, undercover protestors of apartheid, every day holds the threat of discovery and imprisonment. With the threat of torture hanging over their heads, every leaflet, every phone call, every outspoken word puts them closer to capture. As the stakes get impossibly high, the only thing holding them together is their refusal to submit to the regime - but even that is proving more difficult by the day.An intense and well-crafted plot, Alex La Guma unravels the truth behind the underground anti-apartheid movement.'The greatest South African novelist of the 20th century.' The Times'His spirit of hope lives on in the books he left us. He is a central figure alongside Chinua Achebe.' Ngugi wa Thiong'o

The digital era is characterised by technological advances that increase the speed and breadth of knowledge turnover within the economy and society. This book examines the impact of these technological advances on translation and interpreting and how new technologies are changing the very nature of language and communication. Reflecting on the innovations in research, practice and training that are associated with this turbulent landscape, chapters consider what these shifts mean for translators and interpreters. Technological changes interact in increasingly complex and pivotal ways with demographic shifts, caused by war, economic globalisation, changing social structures and patterns of mobility, environmental crises, and other factors. As such, researchers face new and often cross-disciplinary fields of inquiry, practitioners face the need to acquire and adopt novel skills and approaches, and trainers face the need to train students for working in a rapidly changing landscape of communication technology. This book brings together advances and challenges from the different but intertwined perspectives of translation and interpreting to examine how the field is changing in this rapidly evolving environment.