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Recent developments in literary modernism have turned towards the archive to study the process of how literary narratives develop over time. This book focuses on genetic criticism, or manuscript-based studies, to show how authors D.H. Lawrence, Anaïs Nin, and James Joyce engaged with theories of the mind during their process of literary composition.Instead of applying the frameworks of psychoanalytic theory to final published texts, this book examines archival and peritextual materials prior to publication, and in doing so offers new ways to study modernism's engagement with theories of mind.This book examines D.H. Lawrence's vitriolic psychoanalytic essays, looks at how Anaïs Nin's fastidious editorial practice as a diarist was facilitated by her therapy with Otto Rank, and analyses how the complex relationship between James Joyce and his allegedly schizophrenic daughter Lucia impacted the composition of Finnegans Wake over time. In effect, this book develops the methodology of genetic criticism by studying the historical and dynamic relationship between mind and text during the early 20th century.

In the late nineteenth and early twentieth century, ideals of technological progress and mass consumerism shaped the print cultures of countries across the globe. Magazines in Europe, the USA, Latin America, and Asia inflected a shared internationalism and technological optimism. But there were equally powerful countervailing influences, of patriotic or insurgent nationalism, and of traditionalism, that promoted cultural differentiation. In their editorials, images, and advertisements magazines embodied the tensions between these domestic imperatives and the forces of global modernity.Magazines and Modern Identities explores how these tensions played out in the magazine cultures of ten different countries, describing how publications drew on, resisted, and informed the ideals and visual forms of global modernism. Chapters take in the magazines of Australia, Europe and North America, as well as China, The Soviet Turkic states, and Mexico. With contributions from leading international scholars, the book considers the pioneering developments in European and North American periodicals in the modernist period, whilst expanding the field of enquiry to take in the vibrant magazine cultures of east Asia and Latin America. The construction of these magazines' modern ideals was a complex, dialectical process: in dialogue with international modernism, but equally responsive to their local cultures, and the beliefs and expectations of their readers. Magazines and Modern Identities captures the diversity of these ideals, in periodicals that both embraced and criticised the globalised culture of the technological era.

Focusing on Alice Munro's last three collections, this book examines the differences between these volumes and the rest of her work to analyse the emergence and the difference of her 'late style'.Alice Munro has effectively reshaped the short story as a form. This book focuses on Munro's art of recursion - an approach that has been evident throughout her career but came to the fore in her last three books, The View from Castle Rock (2006), Too Much Happiness (2009) and, especially, Dear Life (2012). This recursion and return manifest themselves not only in Munro's return to previously published pieces, but also to her discovery and meditations on her Scottish heritage, which can be read as entrance to her own understanding of herself and her life. Its provenance, displayed through archival evidence, is complex yet reveals a writer intent on a precise late style.Munro's final works serve as a coda to both her late style and to her entire career as arguably one of the finest short story writers ever to put pen to paper.

The Middle Ages have provided rich source material for physical and digital games from Dungeons and Dragons to Assassin's Creed. This volume addresses the many ways in which different formats and genre of games represent the period. It considers the restrictions placed on these representations by the mechanical and gameplay requirements of the medium and by audience expectations of these products and the period, highlighting innovative attempts to overcome these limitations through game design and play. Playing the Middle Ages considers a number of important and timely issues within the field including: one, the connection between medieval games and political nationalistic rhetoric; two, trends in the presentation of religion, warfare and other aspects of medieval society and their connection to modern culture; three, the problematic representations of race; and four, the place of gender and sexuality within these games and the broader gaming community. The book draws on the experience of a wide-ranging and international group of academics across disciplines and from games designers. Through this combination of expertise, it provides a unique perspective on the representation of the Middle Ages in modern games and drives key discussions in the fields of history and game design.

This book shows how artists and scholars are creatively responding to ecocide to redefine the complex relationship between creativity, ecological crisis and political change across the arts and in society.

Using case records of prosecutions at the Scottish High Court of Justiciary between 1918 and 1930, this book takes a quantitative and qualitative approach to understand sexual violence in Scotland at this time. Analysing legal records alongside victim and witness testimonies, Louise Heren analyses who committed sexual violence against whom, where and how and, to an extent, looks to uncover the victims' voice.Assessing how the courts responded, Sex and Violence in 1920s Scotland reveals that, despite pejorative views of working-class female behaviour, the successful conversion of prosecutions to convictions was greater than what is seen in modern sexual assault cases. In a society adjusting to post-conflict stresses, there were fears expressed in middle-class circles that those most affected by the First World War might react with violence. However, the High Court archives suggest otherwise. Cases of incest, rape and sexual assault appears to have been endemic, an opportunistic crime against older victims yet often pre-meditated against the youngest; selfish crimes that suggest toxic masculinity among some working-class men. The book concludes with the ultimate question: why did these men perpetrate sexual violence?

In this book, it is shown how faith does not need to be understood as what one believes, does, or feels when faith is understood as being in Christ by being in the Spirit. The way in which Christians and Christian theology, at least in Western traditions, including the family of Pentecostals and renewal movements, engages with the idea of faith has a problem - faith is often defined as what people must do, whether that is to believe in a list of doctrines, to do "good" works, or to love properly, in order for God to respond with forgiveness and salvation.However, this work takes a new approach with a pneumatological trajectory in constructing a theology of faith understood as life in the Spirit, overcoming a stalemated discussion on faith as belief versus works. As such, "faith is being in Christ by being in the Spirit" is the theological recognition that faith is first relationality to the Spirit by which a person is invited into life with Christ and the triune God. Faith is not what one does (beliefs, works, affections) but rather what one is, in relationality with the Spirit. Beliefs, works, and affections are best understood as those things that are the outward expressions of the relationality rather than that which brings one into relationality with God.

Based on case studies, the book creates a multidisciplinary conversation on the gendered vulnerabilities resulting from extractive industries and toxic pollution, and also charts the resilience and courage of women as they resist polluting industries, fight for clean water and seek to protect the land. While ecumenical in scope, the book takes its departure from the concept of integral ecology introduced in Pope Francis' encyclical Laudato Si'. The first three sections of the book focus on the social and ecological challenges facing minoritized women and their communities that are related to mining, pollutants and biodiversity loss, and toxicity. The final section of the book focuses on the possibilities and obstacles to global solidarity. All chapters offer a cross disciplinary response to a particular local situation, tracing the ways ecological destruction, resulting from extraction and toxic contamination, affects the lives of women and their communities. The book pays careful attention to the political, economic, and legal structures facilitating these life-threatening challenges. Each section concludes with a response from a 'practitioner' in the field, representing an ecclesial organization or NGO focused on eco-justice advocacy in the global South, or minority communities in the global North.

This volume demonstrates Hans W. Frei's unique contribution to theology and biblical hermeneutics. Divided into five parts, the volume first outlines key biographical details, including a little­known interview from 1980 (excerpted), and Frei's Jewish background while growing up in Nazi Germany. The subsequent four parts offer insights into both the centrality of biblical narrative and its fateful eclipse by modernity, as well as Frei's usage of Anselm and Barth. The scholars who contribute to this volume examine Frei's analytical rigor, his plea for a "high Christology" in the service of the church; and his shifting interpretations over the years regarding scripture's "literal sense". They examine Frei's relationship to other contemporary notables such as Paul Ricoeur, Eberhard Jüngel, George A. Lindbeck and Carl F. H. Henry, along with an alternative Roman Catholic reading of the history of biblical hermeneutics over against the one he advocates.

Using Karanga/Kalanga concepts of cosmology and philosophy as well as local narratives, this book provides new perspectives on the cultural landscape of Great Zimbabwe and contributes to the reformation of the practice, interpretation, and construction of archaeological narratives in Africa.

As the rise of the Anthropocene has led to serious deliberation about how energy is best produced and distributed in a world pressured by both the depletion of natural resources and global climate change, advances in technology have enabled new systems of extracting energy like High Volume Hydraulic Fracturing (HVHF), commonly known as fracking, that complicate these discussions. In this book, Barbara George explores how citizens impacted by HVHF tell stories about environmental risks, the conflict they experience in attempting to articulate these risks, and the hope for a post-carbon future in which HVHF is banned. Deep ideologies linked to history, coal, and industry permeate areas like the Rust Belt and Appalachia and, George argues, create "frames" that encourage and advocate for HVHF and make it difficult for publics in these locales to find a platform to tell their stories in a meaningful way. This book offers a case study of three communities in the United States - New York, Pennsylvania, and Ohio - and how each community frames HVHF environmental and health risks differently based on their differing sociocultural histories. Scholars of communication, environmental studies, history, and sociology may find this book of particular interest.

Tod S. Chambers argues that the descriptions bioethicists present of moral problems serve as rhetorical support for the solutions they propose and examines seven rhetorical strategies to reveal how the various choices in descriptions are driven by the theoretical perspective of the bioethicist.

Embodying Normalcy: Women's Work in Neoliberal Times examines how women in the United States do a type of unpaid work to embody the latest trends for the purpose of achieving success in neoliberal culture.

Addressing issues from slow violence, transcorporeality, food and reproductive justice or agrarianism and employing a wide range of ecolinguistics approaches, this volume brings to the fore a diversity of literary responses by African American, Latinx, Asian American, and American Indian writers to environmental injustices and their impact.