Bøker utgitt av Bloomsbury India

Polycoloniality is a study of the activities of non-British European powers and players - primarily the Portuguese, the Dutch, the French, the Danish, the 'Germans' (representatives of the Austrian and Prussian empires), the Swedish and the Greek - in Bengal from the late 13th to the early 19th century, and their role in shaping Bengal's brush with 'colonial modernity' prior to, and possibly more foundationally than, the English.Much of the traditional historiography of colonialism, in South Asia in general and Bengal in particular, and the resultant postcolonial commonsense, is woefully mononational, with the focus being almost exclusively on England and its colonial exploits. This is obviously factually incorrect and inadequate, with the multiple European nations named above having had simultaneous colonial contact with Bengal from the 16th century, and there having been a steady flow of Europeans, primarily Italians, to Bengal from at least the late 13th century. More importantly, it is these multiple European players, rather than the English, who can be credited with the setting up of the first cosmopolitan cities in Bengal, its first colleges and universities, the beginnings of print culture in Bengali, the foundations of the modern linguistic, literary and cultural registers of Bengal, the first instances of social and political reforms, etc.Apart from an elaboration of all the above, can Polycoloniality, or a re-look at Bengal's colonial history through the lens of plurality, also offer a template to understand the multinational forms of current new-imperialism more fittingly than postcolonial commonsense can?

This book intends to motivate non-regular readers to overcome previously held inhibitionsabout reading and not let past experiences keep them away from the gift of reading. There is a deliberate attempt at illustrating the book with plenty of illustrations to tempt word-phobic readers. It helps simplify the reading process and urges the reader through simple techniques to approach reading in a manner that enhances comprehension.This entails giving up some deeply entrenched old habits that are counterproductive and equipping ourselves with better skills. To achieve this, beyond just tips, the book also provides physical tools that help the reader overcome old habits like regression, lack of preview, subvocalizing, slow reading, and self-doubt.It also helps the reader to rise above the bare minimum reading limited to their subject and become flexible readers capable of changing gears when required.The benefits of being well read and being able to fight guilt are also highlighted with the intention that having completed this book urges the non- regular reader to continue in their quest of more fulfilling reading. This book intends to help people acquire an altered approach to reading so that parents and significant caretakers in the lives of young learners do not inadvertently demotivate budding readers. An investment of 100 minutes of your time could make a positive change in how you read and what you do hereafter.

Remember, Repeat, Inhabit looks at three questions in relation to the idea of the viewer: What happens when one reads someone else's reading of someone else?What happens when something repeats itself in Kieslowski's work?Is there a possibility of an ontology of space?The book attempts to understand the idea of 'viewing' from the inside, not simply as an ontological premise but definitely affected by it. Three differing contexts are looked at-a French madman's notion of the 'self', a Polish filmmaker's notion of the 'everyday' and an Indian performance artist's notion of 'memory'. Through these on-the-surface contrasting artists and texts, a particular idea of a 'viewer' emerges. This viewer is the key to an understanding of something almost elemental in the nature of the idea of 'viewing' in the contemporary context of twenty-first-century Delhi.

Democratic Accommodations: The Minority Question in India analyses the complex story of the accommodation of claims, interests and rights of minorities in India. It aims at what India-being one of the most ethnically and culturally diverse nations of the world-can offer to other nations, particularly to the countries of Europe that are confronted with ethnocultural and ethno-religious assertion. The authors have endorsed the argument that all plural democracies-and all democracies can only be plural in the present historical conjuncture despite the attempts by regimes to make them majoritarian-must work out their own strategies of accommodation by evolving a policy matrix that is suited to the dynamics of their own societies. The book is organised along four rubrics-laws, institutions, policies and political discourse-to understand Indian democracy's distinct response to diversity. The rich and nuanced exploration of the Indian approach to the minority question presented in this book will advance the international debate on diversity and multiculturalism and help policymakers in pluralistic democracies to develop their own particular strategies to deal with minority claims.

Few other Hindu gods guide a regional consciousness, pervade walks of everyday life and define a collective psyche the way Lord Jagannath does in Odisha and its contiguous areas. Jagannath is metonymic of Odisha and the Odia way of life, arguably much more than any other god for a particular geography or its peoples.While not derecognising the historical and the spiritual aspects of Jagannath, Bonding with the Lord attempts to look at the deployment of Jagannath in contemporary cultural practices involving the sensorium in the widest sense. The project of a cultural Jagannath not only materialises him in people's everyday practices but also democratises scholarship on him. The expansion of the scope of research on Jagannath to cultural expressions in a more encompassing way rather than confining to 'elitist' religious/literary sources makes him an everyday presence and significantly enhances his sphere of influence. Jagannath's 'tribal' origin, his association with Buddhism and Jainism and his avatari status make him an all-encompassing, multilayered symbol and a treasure trove for multiple interpretations.

India in Translation, Translation in India seeks to explore the contours of translation of and in India-how Indian texts travel around the world in translation, how Indian texts travel across languages in the subcontinent and how texts from various languages of the world travel to India. The book poses pertinent questions like:· What influences the choice of texts and the translations, both within and outside India? · Are there different ideas of India produced through these translations? · What changes have occurred over the last two hundred odd years, from the time of colonialism and anti-colonial struggle to that of globalisation? · How does one rate the success or otherwise of a translation?· What is the role of these translations in their host languages, in their cultural and literary polysystems?The book includes eighteen essays from eminent academics and researchers who examine the numerous facets of the rich and varied translation activity. It shows how borders-both national and subnational, and generic-are created, how they are reinforced and how they are crossed. While looking at the theory, methodology and language of translation, the essays also enunciate the role of translations in political, social and cultural movements.

Narrated by some of the most celebrated doctors from across the world, Dear People, with Love and Care, Your Doctors weaves together inspirational and personal stories of medical excellence and brilliance, interjected with feelings of triumph, loss, fear, strength, valour and empathy.

Citizens around the world use crowdsourced platforms to hold governments accountable, to fill gaps in infrastructural and municipal services, and to call attention to issues that impact everyday lives, such as sexual violence and environmental injustice.Crowdsourcing, Constructing and Collaborating brings together individuals and groups engaged in building and sustaining platforms for online collaboration and participation, to explore and reflect on the methods, challenges and potentials of the technology of crowdsourcing, and mapping of social impact. It brings together people directly involved in a range of projects from around the world-I Paid A Bribe, Environmental Justice Atlas, HarassMap, Intolerance Tracker, Visualizing Palestine, and Humanitarian Tracker-to critically reflect on the tactics, methods, challenges and opportunities of crowdsourcing and crowd-mapping as tools for social, environmental and political change.In an accessible and visually engaging style, it shows how participatory digital media become crucial components of journalistic, scholarly and activist practices, addressing a range of topical challenges, including economic corruption, sexual harassment, political violence and environmental conflict, in diverse geographic contexts.

This book explores the dilemma of Bond's 'two selves' and his existential search for an identity. This exploration, analysed across six chapters, is informed by a variety of postcolonial, historical, informational and critical texts on Bond and Anglo-Indians. Arup Pal focuses on four key literary works of Bond-The Room on the Roof, A Flight of Pigeons, Scenes from a Writer's Life and A Handful of Nuts-from the perspective of the author's developing sense of personal, national and cultural identity. He traces the journey that the author and his protagonists embark on in order to seek and ultimately define their sense of being.

Shakespeare and Indian Theatre: The Politics of Performance looks at the performance history of Shakespeare productions in India which date back to the mid-eighteenth century when the British officers in India staged Shakespeare's plays along with those of other English playwrights for entertainment. This became part of a larger imperialistic design that was evolving during the latter part of the nineteenth century to establish moral and cultural superiority over India through English education and literature. Shakespeare was used as a convenient ploy for achieving this aim. However, India's engagement with Shakespeare performance for over two hundred years has not been uniform throughout. From being 'imitative' during the first half of the nineteenth century to popular during the later nineteenth and early twentieth centuries to 'urban-folkish' in the post-Independence India, productions of Shakespeare's plays have undergone interesting transformations. The book looks at Shakespeare in Bengali and Parsi theatre at length. Other theatre traditions like Marathi, Kannada, Malayalam and Hindi which are equally rich and have registered a considerable influence of Shakespeare have been included.

Art and History: Texts, Contexts and Visual Representations in Ancient and Early Medieval India seeks to locate the historical contexts of premodern Indian art traditions. The volume examines significant questions, such as: What were the purposes served by art? How were religious and political ideas and philosophies conveyed through visual representations? How central were prescription, technique and style to the production of art? Who were the makers and patrons of art? How and why do certain art forms, meanings and symbols retain a relevanceacross context? With contributions from historians and art historians seeking to unravel the interface between art and history, the volume dwells on the significance of visual representations in specific regional historical contexts, the range of symbolic signification attached to these and the mythologies and textual prescriptions that contribute to the codification and use of representational forms. Supplemented with over 60 images, this volume is a must-read for scholars andresearchers of history and art.

Against the Nation invites readers to explore South Asia as a place and as an idea with a sense of reflection and nuance rather than submitting to conventional understanding of the region merely in geopolitical terms. The authors take the readers across a vast terrain of prospects like visual culture, music, film, knowledge systems and classrooms, myth and history as well as forms of politics that offer possibilities for reading South Asia as a collective enterprise that has historical precedents as well as untapped ideological potential for the future.

The Distant Shores of Freedom analyses literary works in English written by Vietnamese refugees in the US. Fiction and memoirs by Vietnamese Americans recover stories and memories that are often different from mainstream American ones and that difference enables readers to think of the US war in Vietnam from perspectives that are missing in mainstream representations. Dwelling not only on the war and its aftermaths, Vietnamese American writings also ponder over the existential issues of exile; the idea of home; the pain of marginality and racism; the question of community formation within the US; and the complexity of diasporic lives.Subarno Chattarji raises critical questions such as who gets to speak and write, and to what ends and purposes? Who reads Vietnamese American writings and how can we account for these publications in the US over a period of time? What can and cannot be written or spoken? What is remembered and what is silenced? What traumas and memories are articulated? These questions point towards a larger context of diaspora studies as well as 'the rituals of cultural memory' that complicate our understanding of the Vietnam War and its aftermaths.

Debating Women's Citizenship, 1930-1960 is about the agency of Indian feminists and nationalists whose careers straddle the transition of colonial India to an independent India. It addresses some of the critical aspects of the encounter, engagement and dialogue between the Indian state and its women citizens, in particular, how this generation conceptualised the relationship between citizenship, equality and gender justice, and the various spheres in which the meaning and application of this citizenship was both broadened and narrowed, renegotiated and pursued. The book focuses on a cohort of nationalists and feminists who were leading members of the All India Women's Conference (AIWC) and the National Federation of Indian Women (NFIW). Drawing on the richness and depth of life histories through autobiography and oral interviews, together with archival research, this book excavates the mental products of these women's lives, their ideas, their writings and their discourse, to develop a deeper and more nuanced understanding of the feminist political personas of this generation, and how these personas negotiated the political and social terrains of their time. The book attempts to produce a new picture of this era, one in which there was far more activity and engagement with the state and with civil society on the part of this generation than previously acknowledged.

Political Representation in India: Ideas and Contestations, 1908-1952 maps extensive and wide-ranging debates, marked by contestations and strident demands on political representation in colonial India. Further, it explores these themes during the Constitution-framing process. These debates, previously overlooked, are significant for they helped shape the institutional structures of political representation in the form of the electoral system of Indian democracy. It assists in providing an answer to why and how independent India came to adopt its current electoral system characterised by the First-Past-The-Post (FPTP) system. It also analyses how and why the alternatives to FPTP, primarily any form of proportional representation, were rejected. Moreover, the book simultaneously provides a rich and detailed description of how communities, and religious, caste and ethnic categories came to be defined as their demands for political representation were conceded. It also briefly deals with the issue of delimitation of constituencies during the colonial and the immediate post-independence period.

Time, Doubt and Wonder in the Humanities addresses a serious lacuna in humanities studies. It affirms our commitment to wonder and adventure in living by confronting the subtext that lies within the manifold worldly, social and political vicissitudes and tribulations. The essays in this volume speak to our times and make sense of the idea of temporality in general by using wonder as an inclusive metaphor, which engulfs fortitude, anguish, joy, providence, submission, precariousness and revulsion. Wonder could lead to curiosity to inspiration to doubt to questioning to indignation to seeking of justice. The book offers a benchmark in thinking about why we must take literature and art seriously in times of great political turmoil. It affirms that the shape and contour of literary studies shall depend on how the coming generation maintains a delicate balance among inspiration, doubt and faith.

The journey of a boy that began from a little- known village of Mathak in Gujarat, India, culminated in the creation of East Africa’s biggest business groups to straddle the industrial world of steel, cement, infrastructure and aviation. This is the inspiring story of Narendra Raval, endearingly known as ‘Guru’, who began from the most humble beginnings to reach the zenith of his career through tireless hard work, an inherent business acumen and sheer tenacity.His autobiography, in collaboration with his dear friend and colleague, Kailash Mota, traces four decades in the life of Guru Bhai Narendra Raval. It is hard to believe that the astute businessman, who successfully built aUS$400 million industrial empire, began his work life as a young, teenage priest in Nairobi, Kenya. Today, Guru Bhai runs his business empire with more than 4,500 employees spread across East Africa. He was also featured among the top 50 richest men in the Forbes Africa 2015 list.A fascinating, awe-inspiring autobiography, A Long Walk to Success is a legacy of wisdom and guidance for young entrepreneurs inspiring to walk in Guru Bhai’s footsteps.

Heiress Kamila Mughal is humiliated when her brother's best friend snubs her to marry a social climbing nobody from Islamabad. Roya discovers her fiancé has been cheating on her and ends up on a blind date on her wedding day. Beautiful young widow Begum Saira Qadir has mourned her husband, but is she finally ready to start following her own desires? Inspired by Jane Austen and set in contemporary Pakistan, Austenistan is a collection of seven stories; romantic, uplifting, witty, and heartbreaking by turn, which pay homage to the world's favourite author in their own uniquely local way.

There are at least 239 stories waiting to be told at length - those of the families of 239passengers of MH370, how their lives took a turn on March 8th 2014 when MH370disappeared.This is the story of one person, Naren, who lost his wife, Chandrika on that flight.The probability of survivors diminished with each passing day. As the months went by,Naren remained pre-occupied, wrestling over what to believe. Some friends arguedinsistently against doomsday conclusions and spoke of their dreams as the basis tokeep up hope. Many others, including Naren's daughter, preferred silence overpredictions. The one argument against which there was no counter was: Where is theevidence? Where is the debris? Where are the passengers?Life After MH370 documents Naren's experience with loss, grief, trauma and sorrow.The struggle with 'ambiguous loss' morphs into a ceaseless search, for the scent of acover-up, for the truth, for that explanation that satisfies and helps one move on. A lossthat meant critically resizing shared dreams, reconfiguring relationships and attemptingto find a purpose that anchor him in the present.There is the hint of a promise in KS Narendran's story - of existential truths about livingand dying that might help anyone who comes upon this book.