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THE BOMB - A Partial History is a season of plays from leading contemporary dramatists, charting the political history of the Nuclear Bomb and its proliferation from 1940 to the present day.FIRST BLAST (1940 - 1992) features plays by John Donnelly, Elena Gremina, Amit Gupta, Zinnie Harris & Ron Hutchinson. It is the first year of World War II, and in Whitehall two émigré Jewish scientists are waiting for a meeting to get the British establishment to take their nuclear research seriously. The following plays then trace the history of the Labour party wrestling with the decision to build the Atomic Bomb, the Cuban missile crisis from a Russian perspective, China's war with India and the subsequent development of India's bomb, the break-up of the Soviet Union and the unilateral disarmament of Ukraine.SECOND BLAST (1992 - 2012) features plays by Lee Blessing, Ryan Craig, David Greig, Zinnie Harris, Diana Son & Colin Teevan. A contemporary take on the non-proliferation debate looking at Israel and Iran's nuclear capability, the 'axis of evil' speech and its affect on North Korea, the U.K.'s continuing reliance on Trident in the post Cold War era, through to the current negotiations with Iran and weapons' inspections there.

The act of creation requires us to remix existing cultural content and yet recent sweeping changes to copyright laws have criminalized the creative act as a violation of corporate rights in a commodified world. Copyright was originally designed to protect publishers, not authors, and has now gained a stranglehold on our ability to transport, read, write, teach and publish digital materials. Contrasting Western models with issues of piracy as practiced in Asia, Digital Prohibition explores the concept of authorship as a capitalist institution and posits the Marxist idea of the multitude (à la Antonio Negri and Michael Hardt, and Paulo Virno) as a new collaborative model for creation in the digital age. Looking at how digital culture has transformed unitary authorship from its book-bound parameters into a collective and dispersed endeavor, Dr. Guertin examines process-based forms as diverse as blogs, Facebook, Twitter, performance art, immersive environments, smart mobs, hacktivism, tactical media, machinima, generative computer games (like Spore and The Sims) and augmented reality.

Dark Age Liguria surveys the history of the Liguria region from c. 400 to c. 1050 AD, to provide a detailed case study of what happened here as Roman imperial rule ended. The book pulls together all the surviving evidence, written, archaeological, artistic and ecological, to propose that, in contrast with later periods, Ligurians looked north as much as they gazed out to sea. Genoese history under Byzantines, Lombards, Carolingians and Ottonians is compared with that of other coastal settlements, including Albenga, Noli, Perti and Savona and the less-studied but fascinating inland valleys, the Aveto, Polcevera, Stura and Vara. The book draws also on more than fifteen years of fieldwork in and around the small town of Varese Ligure (La Spezia province) to suggest some new methods for investigating the Dark Age past.

To this day The White Hart and The Red Lion are two of the most popular names for a public house in England - both talismans that served as the insignia for Richard II and the banished Henry Bolingbroke, Duke of Lancaster, who usurped the throne in 1399.Nick Asbury acted in the Royal Shakespeare Company's famed Histories cycle which staged Shakespeare's vision of the deposition of Richard II through to the notorious Battle of Bosworth in 1485. With fellow RSC actors for company,Nick travels the country visiting the buildings, landscapes and former sites of war and intrigue that feature in the plays, and asks the question: what is it about the England of Shakespeare's Histories that continues to fascinate? From Alnwick to Eastcheap, Windsor Castle to a Leicester car park, this is his snapshot of England and its people, then and now.

Presented here are four epic history plays from Sir Arnold Wesker, which touch on the age-old conflicts caused by religion, science and the Establishment.Set in the Jewish ghetto of Venice, 1563, Shylock (1972) is based on the same three stories from which Shakespeare wove his play, The Merchant of Venice. The core plot remains, but the relationships and characterisations are very different. Caritas (1980) is at once the story of a monastic young woman in the fourteenth century but also a metaphor for the wrong decisions which can imprison us for life. In 1144 a young boy was found brutally murdered in Thorpe Wood. The Jews were accused of slaughtering a Christian child touse his blood for Passover and mock the crucifixion. Blood Libel (1991) investigates a calumny which persists to this day. Meanwhile Longitude (2002) tells of the eighteenth-century race to accurately measure longitude - and claim a £20,000 reward from Parliament.

In 1930s Berlin - an intriguing city of Jazz and overground cabaret overpowered by the rise of Hitler and World War II - the daughter of a Jewish family falls in love with their black shabbes goy (a term used for those who assist Jews on the Sabbath with tasks forbidden to Jews within Jewish law). Fast-forward to the tale of a mixed-race couple in seemingly unprejudiced modern-day Brooklyn, where the same family is coping with a number of calamities. Shalom Baby is a touching and very funny exploration of love, family and friendship.

Performing Live Comedy is for anyone who has ever thought about getting up onstage and being funny or for those who have already started. It offers a breakdown of the process of live comedy and provides a basic toolbox for the student and aspirant comedian, covering all aspects of live comedy such as stand-up, music, double acts, ventriloquists and magicians. Gender, sexuality, ethnicity and disability are also covered in this book as well as ethical considerations on what we should or should not joke about. The book breaks down the entire process of live comedy from writing a simple one-liner to creating a complete act, from organizing an open spot at the local comedy club to getting into the Edinburgh Festival and running your own venue. Performing Live Comedy is full of advice and original interviews with comedians and writers currently involved in the comedy industry such as Shazia Merza, Henning Wehn, Ed Aczel, Paul Zerdin and Lucy Greaves.

The second volume in the Reading and Studying Literature series, co-published with the Open University, introduces students to European romanticism and Victorian culture. Each period is discussed in terms of an overarching theme, providing a clear focus for study and discussion and introducing readers to an important theoretical concept in literary studies. European romanticism is approached through a consideration of the evolution of the idea of the romantic author and the romantic inner life, using readings from Wordsworth on Grasmere, Shelley lyric poetry and Thomas de Quincey's Confessions of an English Opium Eater. The book goes on to explore Victorian culture through a reading of ideas of 'home' and 'abroad', in the work of Emily Bronte, Arthur Conan Doyle and Robert Louis Stevenson. The featured theoretical concept of this volume is 'the author'.

Keith Waterhouse is one of Britain's most popular writers in nearly every field. This collection brings together for the first time his most celebrated plays from a career spanning more than forty years.Our Song is a warm, tender, romantic drama, infused with moments of great humour. Pulling himself out of the rut of his middle-aged executive lifestyle, Roger Piper stumbles into a sixteen-month tempestuous affair.Billy Liar tells the story of a funeral parlour worker with a humdrum life, who spends most of his time dreaming of ways to escape his drab existence in Yorkshire. Adapted from his celebrated novel.Jeffrey Bernard is Unwell Gambler, journalist, fervent alcoholic, four-times married Jeffrey Bernard writes the'Low Life' column for the Spectator magazine. Locked in The Coach and Horses in Soho overnight, he has time to reflect on a dissolute life.Good Grief is a sensitive, wryly humorous study of a middle-aged widow, coming to terms with bereavement, who finds the courage to break with the past.Mr and Mrs Nobody is an adaptation of George and Weedon Grossmith's comic novel The Diary Of A Nobody and Mrs Pooter's Diary. A respectable Victorian clerk has lofty social aspirations.

Original illustrations by Jean Cocteau and Andrzej KlimowskiTwo of the seven monologues by Jean Cocteau (1889-1963) in this edition were written for Édith Piaf. The other five were written for Cocteau's friend, the celebrated actor Jean Marais, to perform on radio. Although perhaps a minor part of Cocteau's output of films, plays, poems and ballet scenarios, these exquisite miniatures remain a fascinating form of his dramatic expression.Georges Feydeau (1862-1921) is best known for his enduring farces, such as A Flea In Her Ear, yet he wrote over 20 monologues for actors to perform at charity concerts and in fashionable drawing rooms. The six included in this volume were written over a period of 16 years from 1882.Peter Meyer's translations of eleven of these monologues were commissioned by the BBC and performed on radio by leading actors including Eileen Atkins, Jill Bennett, Richard Briers, Judi Dench, Alec McCowan and Timothy West. The Liar and I Lost Her have been newly translated for this volume.

Includes the plays Flesh to a Tiger, Skyvers and The White Witch Barry Reckord's place in the history of black playwriting in the United Kingdom unfortunately has been almost unrecognised previously. Reckord was among the first modern Caribbean playwrights to have work produced in England. As a Jamaican abroad in the '50s and '60s he laid a solid foundation for later emerging Caribbean playwrights such as Trinidadian Mustapha Matura, Guyanese Michael Abbensetts and Jamaican Alfred Fagon in the '70s, all of whom appreciated how well Reckord's work had paved their way forward. No scripts of Reckord's impressive body of work have been made available previously, many incomplete manuscripts exist but this is the first complete volume of Reckord plays. Here we present three, each from a different decade. These are 'Flesh to a Tiger', 'Skyvers' and 'The White Witch', each with an introduction by a prominent authority on the subject or author.

Expert evidence frequently wins or loses cases. The importance of handling that evidence properly is therefore paramount. Fundamental to this is the application of privilege. Indeed, thorny privilege issues relating to expert documents, drafts, communications, instructions, collateral use, joint statements, statements of replaced experts, amongst other issues, come up time and again in practice.This book approaches 'expert privilege' as a subcategory of privilege of its own. This is not because it is defined by a uniform subset of rules that apply to all situations in which expert material is at issue, but precisely because it is not. Neither can assumptions about privilege in expert evidence be based on other areas of application. Instead, 'expert privilege' is a highly idiosyncratic and problematic area. None of the traditional privilege texts are dedicated to this important subject. A book dealing with 'expert privilege' as a subject area of its own is therefore highly overdue. This is the first such book.This book provides an overview of the issues, cases and rules that feature in this complex area, with the touchstone of practicality kept very much in mind throughout. The order in which issues are discussed follows the process by which expert evidence is prepared, from instruction through to collateral use. The intended readership is solicitors and counsel practicing in England and Wales in all the areas of civil, commercial litigation that use expert evidence. This book will also be of interest to practitioners in other common law countries and academics who are interested in English procedural law.

Self-Translation: Brokering originality in hybridculture provides critical, historical and interdisciplinary analyses ofself-translators and their works. It investigates the challenges which thebilingual oeuvre and the experience of the self-translator pose to conventionaldefinitions of translation and the problematic dichotomies of "original" and"translation", "author" and "translator". Canonical self-translators, suchSamuel Beckett, Vladimir Nabokov and Rabindranath Tagore, are here discussed inthe context of previously overlooked self-translators, from Japan to SouthAfrica, from the Basque Country to Scotland. This book seeks therefore to offera portrait of the diverse artistic and political objectives and priorities ofself-translators by investigating different cosmopolitan, post-colonial andindigenous practices. Numerous contributions to this volume extend the scope ofself-translation to include the composition of a work out of a multilingualconsciousness or society. They demonstrate how production within hybridcontexts requires the negotiation of different languages within the self,generating powerful experiences, from crisis to liberation, and texts thatoffer key insights into our increasingly globalized culture.

Near the end of his life, Michel Foucault turned his attention to the early church Fathers. He did so not for anything like a return to God but rather because he found in those sources alternatives for re-imaging the self. And though Foucault never seriously entertained Christianity beyond theorizing its aesthetic style one might argue that Christian practices like confession or Eucharist share family resemblances to Foucaultian sensibilities. This book will explain how to do theology in light of Foucault, or more precisely, to read Foucault as if God mattered. Therefore, it will seek to articulate practices like confession, prayer, and so on as techniques for the self, situate "the church as politics" within present constellations of power, disclose theological knowledges as modes of critical intervention, or what Foucault called archaeology, and conceptualize Christian existence in time through mnemonic practices of genealogy.

During the late 18th and early 19th centuries, there was a tubercular 'moment' in which perceptions of the consumptive disease became inextricably tied to contemporary concepts of beauty, playing out in the clothing fashions of the day. With the ravages of the illness widely regarded as conferring beauty on the sufferer, it became commonplace to regard tuberculosis as a positive affliction, one to be emulated in both beauty practices and dress. While medical writers of the time believed that the fashionable way of life of many women actually rendered them susceptible to the disease, Carolyn A. Day investigates the deliberate and widespread flouting of admonitions against these fashion practices in the pursuit of beauty. Through an exploration of contemporary social trends and medical advice revealed in medical writing, literature and personal papers, Consumptive Chic uncovers the intimate relationship between fashionable women's clothing, and medical understandings of the illness. Illustrated with over 40 full color fashion plates, caricatures, medical images, and photographs of original garments, this is a compelling story of the intimate relationship between the body, beauty, and disease - and the rise of 'tubercular chic'.

Using examples of real students' successful group projects, this succinct and supportive guide will help students tackle group assignments with confidence. Bite-sized chapters take students from forming a group and establishing roles through to dealing with conflict and delivering a group assessment. The book contains practical advice on making decisions and active listening, alongside opportunities to reflect on progress and identify opportunities for improvement. This is an essential resource for all students who are expected to produce a group project as part of their course, regardless of their level or discipline.

Ten years after the publication of Shinn Plays: One comes this second volume of his plays, bringing together some of the playwright's most acclaimed work to date.The volume includes:Now Or Later (Royal Court, London, 2008) examines religion, freedom of expression and personal responsibility, focused around a US presidential election.Four (Royal Court, London 1998) is set on the 4th July public holiday and is about four isolated young people searching for connection.Picked (Vineyard Theatre, New York, 2011) takes as its centre a young actor who is selected to star in a major movie and the impact this then has on his life and identity.On The Mountain (South Coast Rep, Costa Mesa, 2005) is about a teenager whose mother is starting out on a new relationship, while both are battling with the memories of the past.The anthology also features an introduction by the author.

"A fascinating biography of a fascinating woman." - Booklist, starred review"This definitive look at a remarkable figure delivers the goods." - Publishers Weekly, starred review"A brilliant analysis." - Jericho Brown, Pulitzer Prize winnerFeatured in Ms. Magazine's "Most Anticipated Reads for the Rest of Us 2022" (books by or about historically excluded groups)Born in New Orleans in 1875 to a mother who was formerly enslaved and a father of questionable identity, Alice Dunbar-Nelson was a pioneering activist, writer, suffragist, and educator. Until now, Dunbar-Nelson has largely been viewed only in relation to her abusive ex-husband, the poet Paul Laurence Dunbar. This is the first book-length look at this major figure in Black women's history, covering her life from the post-reconstruction era through the Harlem Renaissance.Tara T. Green builds on Black feminist, sexuality, historical and cultural studies to create a literary biography that examines Dunbar-Nelson's life and legacy as a respectable activist - a woman who navigated complex challenges associated with resisting racism and sexism, and who defined her sexual identity and sexual agency within the confines of respectability politics. It's a book about the past, but it's also a book about the present that nods to the future.