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Meet Karim, Rehaan and Ammi, three first and second generation Pakistani immigrants trying to make a living, a life and a home in the UK's cultural capital, London.Another day on Harlesden High Street and business is not going well. Karim needs to save for Ammi's operation and time is running out. Rehaan wants to marry Firoza but who will take a man with such pitiful prospects? Something has to change and it has to change soon, but what hope is there when all they can sell is toilet roll and jackfruit?Harlesden High Street is a feast for the senses, an explosive exploration of the meaning, value and significance of home.Thought-provoking, witty, carefully observed and beautifully written in verse, this is a play for everyone and anyone who has ever lived in London. Boasting one of the most diverse populations on the planet, London has an influx of thousands of immigrants every year. But what happens to this population when the country's social, financial and political climate is stretched?How are London's demographically diverse boroughs affected?What changes and sacrifices have to be made in order to survive?

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.Emotional Excess on the Shakespearean Stage demonstrates the links made between excess of emotion and madness in the early modern period. It argues that the ways in which today's popular and theatrical cultures judge how much is too much can distort our understanding of early modern drama and theatre. It argues that permitting the excesses of the early modern drama onto the contemporary stage might free actors and audiences alike from assumptions that in order to engage with the drama of the past, its characters must be just like us.The book deals with characters in the plays of Shakespeare and his contemporaries who are sad for too long, or angry to the point of irrationality; people who laugh when they shouldn't or make their audiences do so; people whose selfhood has broken down into an excess of fragmentary extremes and who are labelled mad. It is about moments in the theatre when excessive emotion is rewarded and applauded - and about moments when the expression of emotion is in excess of what is socially acceptable: embarrassing, shameful, unsettling or insane. The book explores the broader cultures of emotion that produce these theatrical moments, and the theatre's role in regulating and extending the acceptable expression of emotion. It is concerned with the acting of excessive emotion and with acting emotion excessively. And it asks how these excesses are produced or erased, give pleasure or pain, in versions of early modern drama in theatre, film and television today.Plays discussed include Hamlet, Romeo and Juliet, The Spanish Tragedy, Twelfth Night, Much Ado About Nothing, Measure for Measure, and Coriolanus.

With the advent of digital filmmaking and critical recognition of the relevance of self expression, first-person narratives, and personal practices of memorialization, interest in the amateur moving image has never been stronger. Bringing together key scholars in the field, and revealing the rich variety of amateur filmmaking-from home movies of Imperial India and film diaries of life in contemporary China, to the work of leading auteurs such as Joseph Morder and Péter Forgács-Amateur Filmmaking highlights the importance of amateur cinema as a core object of critical interest across an array of disciplines. With contributions on the role of the archive, on YouTube, and on the impact of new technologies on amateur filmmaking, these essays offer the first comprehensive examination of this growing field.

There is a blind spot in recent accounts of the history, theory and aesthetics of optical media: namely, the field of the three-dimensional, or trans-plane, image. It has been widely used in the 20th century for very different practices - military, scientific and medical visualization - precisely because it can provide more spatial information. And now in the 21st century, television and film are employing the method even more. Appearing for the first time in English, Jens Schröter's comprehensive study of the aesthetics of the 3D image is a major scholarly addition to this evolving field. Citing case studies from the history of both technology and the arts, this wide-ranging and authoritative book charts the development in the theory and practice of three-dimensional images. Discussing and analyzing the transformation of the socio-cultural and technological milieu, Schröter has produced a work of scholarship that combines impressive historical scope with contemporary theoretical arguments.

Given the extraordinary richness and range of contemporary theology, questions about the authority and inspiration of the Bible tend to garner ever increasing variety, complexity and controversy. Among those challenges include the questions posed by biblical criticism to the enterprise of Christian theology, and the place of scripture in the life of the contemporary church. Employing a range of conversation partners, this book will provide an up-to-date survey of the diverse ways in which contemporary theologians use the Bible 'to think with'. The volume enables students to compare different approaches to the reading of scripture. It also explores the ways in which the theological interpretation of scripture can be both a critical and a spiritual exercise.

The Essence of Truth is an examination of the most fundamental theme in Heidegger's philosophy: the difference between truth as 'the unhiddenness of beings' and truth as 'the correctness of propositions'. Based on a course of lectures delivered at the University of Freiburg in 1932, the book presents Heidegger's original analysis of Plato's philosophy and represents an important discussion of a fundamental subject of philosophy through the ages.

Featuring first hand accounts by international politicians and diplomats along with analyses by leading scholars, this unique collection of essays provides insights from multiple perspectives to foster better understanding of international relations during and after the Cold War.Experts from both sides of the "iron curtain" shed light on the origins, struggles, ending, and legacy of the conflict that dominated the second half of the twentieth century and that still affects current East-West relations, the securing and dismantling of weapons of mass destruction, and the instability of many regions. With a particular focus on diplomatic relations, the book looks at the origins of the conflict from Yalta to Korea, the prelude to Détente from Cuba to Vietnam, followed by the move from Détente to dialogue. It then addresses such issues as strategic weapons, the impact of the war on scientific research, intelligence, and the fall of the Berlin Wall. Lastly, it examines the legacy of the Cold War across regions of the world, including Europe, Japan, India, China, and the lessons to be drawn for today's diplomatic relations and intelligence.With contributions from Howard Baker, Jr., Sir Anthony Brenton, Susan Eisenhower, Grigoryi Karasin, Alexander Likhotal, Kishan Rana, Ying Rong, and more, the volume presents a truly international treatment of a subject of global dimensions and importance. Students of politics and international relations will find it invaluable as will Foreign Service practitioners, and instructors teaching the Cold War and foreign affairs.

During his lifetime, John F. Kennedy created a dazzling image that has been sustained since his assassination in 1963. This book examines how Kennedy succeeded in using his military service in World War II, his literary efforts, his sex appeal, his family and other attributes and achievements to develop such a potent image. It also explores the roles played by Joseph and Jackie Kennedy in bolstering his appeal. Probably no other figure in history has created such a positive impression on people throughout the world today than Kennedy. This book seeks to explain how this happened, and to consider the extent to which the image conformed to the reality of the man.

'Eric Argyle was notably surprised when rather unexpectedly his eyes opened again. If truth be told, if he was being honest with himself, he hadn't really expected this type of thing would ever be happening again.'Eric Argyle is having a bad Sunday. It's late. He's still in his pyjamas. A room full of people are staring at him. And he died at 11.42am, two days ago. An issue that people don't seem all that receptive to.Nominated for Best New Play at the Irish Times Theatre Awards, Ross Dungan's The Life and Sort of Death of Eric Argyle premiered at the Pleasance Dome in Edinburgh in August 2012 before transferring to Dublin. It debuted in London at the Soho Theatre on 2 April 2013.

Philippa Foot (1920-2010) is widely regarded as one of the most important Anglophone moral philosophers of the 20th century. She pioneered a distinctive approach to philosophical treatment of ethics using the tools of analytic philosophy. She defended the objectivity of moral judgment and took controversial positions on abortion and euthanasia. She was also a leading figure behind the revival of Aristotelian virtue ethics in contemporary philosophy. This book represents the first comprehensive and accessible introduction to Foot's work. It offers a complete chronological and thematic overview, emphasising the role Foot played in the development of contemporary virtue ethics. It situates her thought in the context of the historical development of analytic moral philosophy and discusses the various objections to her views. Foot's writings take the form of essays that take up small problems within moral philosophy. Yet John Hacker-Wright argues that there is nevertheless a coherent, systematic moral perspective throughout Foot's work that she does not make fully explicit. This is the ideal introduction for students seeking a synthetic grasp of Foot's moral vision.

Focusing on the major cases of genocide in twentieth-century Europe, including the Armenian genocide, the Holocaust and genocide in the former Yugoslavia, as well as mass killing in the Soviet Union, this book outlines the internal and external roots of genocide. Internal causes lie in the rise of radical nationalism and the breakdown of old empires, while external causes lie in the experience of mass violence in European colonial empires. Such roots did not make any case of genocide inevitable, but they did create models for mass destruction.This book enables students to assess the interplay between general causes of violence and the specific crises that accelerated moves towards radical genocidal policies. Chapters on the major cases of twentieth-century European genocide describe and analyse several key themes: acts of genocide; perpetrators, victims and bystanders; and genocide in particular regions. Using the voices of the human actors in genocide, often ignored or forgotten, this volume provides arresting new insights, while the conclusion frames European genocide in a global perspective, giving students an entry point to the discussion of genocide in other continents and historical periods.

The eponymous alchemist of Ben Jonson's quick-fire comedy is a fraud: he cannot make gold, but he does make brilliant theatre. The Alchemist is a masterpiece of wit and form about the self-delusions of greed and the theatricality of deception. This guide will be useful to a diverse assembly of students and scholars, offering fresh new ways into this challenging and fascinating play.

Evelyn Waugh: Fictions, Faith and Family is a wide-ranging survey of the prolific literary career of one of the most popular English writers of the 20th century. Michael G. Brennan here identifies three major themes as central to any understanding of Waugh's work: Catholicism, society and the concept of family. From Decline and Fall (published in 1928) to his final writings, this book draws not only on the major novels and short stories but also Waugh's substantial journalistic output, his private journals and correspondences and unpublished draft manuscripts. Through this comprehensive and systematic exploration, Brennan demonstrates the sustained creative importance of Catholicism to Waugh's literary work. In addition, the book goes on to consider how Evelyn Waugh's descendants - his son Auberon and his grandson Alexander Waugh - have echoed and developed these literary concerns in their own writing.

Based on the motion picture Humpday (written & directed in 2009 by Lynn Shelton), Straight is a razor-sharp new comedy from acclaimed writer D. C. Moore about male friendship, sexuality and how the two things can be blurred more easily than one might think . . .Lewis and Waldorf were inseparable at university. Ten years on and a lot has changed. In the middle of a drunken night out, they make a bet that will take their friendship to whole new level. You'll never look at your best friend in the same way again . . .Adapted for the stage by award-winning writer D. C. Moore, author of Town, Honest, Alaska, and The Empire (all published by Methuen Drama) Straight premieres in the Crucible Lyceum Studio, directed by Richard Wilson.

Set in a time of immense change, Dancing on the Edge tells the story of a black jazz group, the Louis Lester Band, as they rise to fame, entertaining guests at exclusive high society gatherings in 1930s London. While many recoil at the presence of black musicians in polite society, the capital's more progressive socialites, including younger members of the Royal Family, take the band under their wing.In this explosive five-part series, Stephen Poliakoff returns to television with his most ambitious work to date. Dancing on the Edge provides a new angle on an extraordinary time in history, giving us a piercingly original vision of Britain in the 1930s; a time of glamour, hardship, vibrant new music and financial meltdown. Combining the rich characterisation of Shooting The Past with the epic sweep of The Lost Prince and inspired by true stories of the era, Dancing on the Edge was produced by Ruby Film and Television for BBC2.Also included is the innovative epilogue to the whole drama, Interviewing Louis, where music journalist Stanley conducts a combative in-depth interview with Louis Lester. This funny and disturbing drama complements the main story perfectly while leading us towards a shocking and unexpected conclusion.

Your Last Breath: 1876 - Christopher leaves his young family behind to work in Norway. He will map the uncharted mountains for the very first time. 1999 - Anna's body freezes after an extreme skiing accident and her heart stops. But doctors gradually warm her until it miraculously starts beating again. 2011 - Freija, a successful business woman, has just lost her father. She travels to scatter his ashes in Norway. 2034 - Nicholas explains a medical breakthrough which saved his life as a baby, whereby the human body can be 'suspended in animation.' Spanning 150 years, Your Last Breath piece fuses movement, live piano score and video unravelling the landscapes of the heart and our own personal geographies. It was a Fringe First Winner in 2011 and will be touring, potentially to Scandinavia, in the Spring.After the Rainfall: Throughout history, the study of ants (myrmecology) has been used as an analogy for human behaviour. This piece uses myrmecology as a prism through which to view the present day. Navigating the arid Egyptian desert, continental Europe, the British Museum and a quiet village green, this piece is a patchwork of multidimensional narratives about the aftermath of the Empire. Curious Directive conjure a world where multimedia, movement and sound unpick Britain's relationship to artefacts, mining and the secret life of ants. An epic, thumping, passionate story asking questions about the relationship between our past, present and into eternity. A collaboration between Curious Directive, Watford Palace Theatre and Escalator East to Edinburgh, and it will play at the Edinburgh Festival (Pleasance Dome, 4-27 August) followed by a run at the Watford Palace Theatre.Olfactory: Over 10,000 different smells drift across our planet in various configurations. Olfactory gives you a choice to craft your identity and to decode the invisible molecules floating through the air. Who do you want to be in the future? This miniature explores our invisible relationship with perfumes and smell.

Late 14th century in the Valley of Mexico and a small, unknown tribe called the Aztecs propel themselves from nomadic mercenaries to rulers of a great empire. Passion, power and intrigue play out in this epic political thriller which charts the history of an ancient civilisation. Spanning a century and based on true events chronicled in the Aztec codices, A Soldier In Every Son - The Rise of the Aztecs is closely inspired by Shakespeare's history plays. A Compañía Nacional de Teatro de México/Royal Shakespeare Company co-production. Originally commissioned for the World Shakespeare Festival which is produced by the Royal Shakespeare Company for London 2012 Festival.

'Would you ever want to sit with me in the dark? Just sit with the lights out, barely even touching, maybe not touching at all, and just listen to me breathe?'Everybody wants a piece of Stephanie Schwartz. Her son's demanding nuggets, her boyfriend wants her to wax and her best friend's taking her to a stripping class. Now there's a rapist on Sutton Drive, an obscene caller invading her home and a portal to hell beneath her sofa. How far must she go to make it all stop? And how far is too far? A heart-breaking, taboo-busting black comedy by Joshua Conkel, 'the most important queer playwright of his generation' (Doric Wilson, the Co-Founder of Off-Off-Broadway's very first theatre, Café Cino.)

Music at Night centres on a group of people attending a musical evening to hear a new work. Each act follows a movement in the music, which inspires the listeners to react each in their own way, looking inside themselves for their true feelings and sometimes remembering significant moments from their past. As often in Priestley's work, the relations between the sexes play an important part, a theme which recurs in the other two plays. The Long Mirror recounts the meeting between a composer and a young woman who seems to have been telepathically connected to him for some time, and has experienced much of his life before actually meeting him. Her knowledge of his past can help his future as an artist and a husband. It was based on a true incident. Ever Since Paradise he described as 'A Discursive Entertainment, chiefly referring to Love and Marriage in Three Acts'. Three couples are made up of The Musicians, the Commentators and The Example, and together they illustrate various aspects of relationships, accompanied by appropriate music on two pianos.