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Basics Graphic Design 03: Idea Generation explores the many ways in which the designer can generate ideas and develop them into successful design solutions.

A new adaptation of Strindberg's thrilling psychological drama, newly politically-charged in Amy Ng's adaptation.It's Chinese New Year in 1940s Hong Kong. Julie is the daughter of the island's British Governor. With her father away for the weekend, Julie comes downstairs to join the servants as they party, initiating a sexually-charged power game with her father's butler.What starts as a game descends into a fight for survival as sex, power, money and race collide on a hot night in the Pearl River Delta.This edition was published to coincide with the premiere at Storyhouse, Chester, in February 2020.

Recommended by The Independent Anti-Slavery Commissioner, Dame Sara Thornton, in her 2020 report on "The Modern Slavery Act 2015 Statutory Defence: A call for evidence""Rarely can the talent of so many practitioners be accessed in one convenient resource." CrimelineHuman Trafficking and Modern Slavery Law and Practice, Second Edition provides guidance to those who deal directly or indirectly with those affected by modern slavery and trafficking, employ or manage a workforce, or have oversight of supply chains.It enables practitioners to deal with issues of law and procedure by providing an accessible, but comprehensive, summary of the points that need to be considered in order to plan a coherent litigation or compliance strategy.This Second Edition focuses on areas which have become of critical importance such as:- The modern slavery defence- Corporate accountability and modern slavery compliance statements- National Referral Mechanism for victims- How to identify victims of trafficking and modern slavery- How to elicit key information from victims of trafficking and modern slavery- Council of Europe Convention on Action against Trafficking in Human Beings- The EU Anti-trafficking DirectiveThis highly accessible guide draws on the expertise and experience of professionals in different disciplines, so that practitioners can receive guidance for their own practice and an understanding of the inter-relationship with other practice areas.Criminal, immigration, commercial and civil lawyers will find this an essential guide. It is also important for businesses when undertaking human rights due diligence assessments, as well as for those who work in law enforcement, the judiciary and academia.

Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts - mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema.Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams.Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.

Sloppy Craft: Postdisciplinarity and the Crafts brings together leading international artists and critics to explore the possibilities and limitations of the idea of 'sloppy craft' - craft that is messy or unfinished looking in its execution or appearance, or both. The contributors address 'sloppiness' in contemporary art and craft practices including painting, weaving, sewing and ceramics, consider the importance of traditional concepts of skill, and the implications of sloppiness for a new 21st century emphasis on inter- and postdisciplinarity, as well as for activist, performance, queer and Aboriginal practices.In addition to critical essays, the book includes a 'conversation' section in which contemporary artists and practitioners discuss challenges and opportunities of 'sloppy craft' in their practice and teaching, and an afterword by Glenn Adamson.

In this landmark publication, the world's leading expert in the legal system of Saudi Arabia explains and documents the uncodified principles of contract, tort, and property that frame the business laws of the Kingdom. Drawing on 8,500 newly published court decisions, as well as on statutory law, interviews and a wide range of other material, the book sets out to determine the actual practice of Saudi courts in these spheres, both substantively and as to reasoning and procedure. With unique insights into and understanding of this fascinating jurisdiction, this book simply must be read by all engaged with law or business in the region. Also, given its focus on how certain Islamic legal rules and principles are applied in practice, the book will prove an invaluable resource for scholars of Islamic law past and present.

An extensive, all in one guide to the key features of the most important text type of the Hebrew Bible, the Masoretic Text. The contributors examine all aspects of the Masoretic Text: its origins, transmission, history and textual forms.The handbook traces the development of the text type from ancient manuscripts found in the Judean Desert, through to the pointed medieval codices and the Second Rabbinic Bible. It outlines the main aspects of ancient and medieval scribal practice, including a brief history of the Tiberian School of scribes, the development of the vowel and cantillation system, introduction to the marginal Masorah notes, and provides descriptions of the major codices. The contributors examine the features of the Masoretic Text in the books of the bible. The volume also includes an extensive bibliography to enable further detailed study.

This book brings together twenty articles giving a comprehensive view of the work of the Aristotelian commentators. First published in 1990, the collection is now brought up to date with a new introduction by Richard Sorabji. New generations of scholars will benefit from this reissuing of classic essays, including seminal works by major scholars, and the volume gives a comprehensive background to the work of the project on the Ancient Commentators on Aristotle, which has published over 100 volumes of translations since 1987 and has disseminated these crucial texts to scholars worldwide.The importance of the commentators is partly that they represent the thought and classroom teaching of the Aristotelian and Neoplatonist schools and partly that they provide a panorama of a thousand years of ancient Greek philosophy, revealing many original quotations from lost works. Even more significant is the profound influence - uncovered in some of the chapters of this book - that they exert on later philosophy, Islamic and Western. Not only did they preserve anti-Aristotelian material which helped inspire Medieval and Renaissance science, but they present Aristotle in a form that made him acceptable to the Christian church. It is not Aristotle, but Aristotle transformed and embedded in the philosophy of the commentators that so often lies behind the views of later thinkers.

First published in 1879, Sir Edward Bunbury's A History of Ancient Geography remains the seminal work in English on its subject. In two substantial volumes of outstanding scholarship the author surveys the development of geography in ancient times from its beginnings to the fall of the Roman Empire. It contains a wealth of information drawn not just from the geographical handbooks of Strabo, Pomponius Mela, Pliny the Elder and Ptolemy but from every corner of Greek and Latin literature including contemporary travelers' accounts. Integrating topographical analyses with geography, the History remains unchallenged as a meticulously researched and thoroughly balanced treatment of its subject. This edition contains a new introduction by Duane Roller, Professor Emeritus in the Department of Classics, Ohio State University, USA.

Longlisted for the PQ Best Publication Award in Performance Design & Scenography 2023Immersion and Participation in Punchdrunk's Theatrical Worlds is a detailed account of the company's award-winning productions and their historical context. Examining Punchdrunk's role as pioneers of immersive theatre in the UK through a range of their productions including Sleep No More and The Drowned Man besides theatrical works such as Faust, The Duchess of Malfi and Kabeiroi, and cross-platform productions like The Moon Slave, The Borough and The Oracles, the book presents an original framework for understanding immersion in theatrical and mixed reality experiences.Central to the book is a study of how immersive experience is produced in interaction with physical and digital scenography for participatory audiences. Through ethnographies of the company, their designers, actors, producers and audiences, the book interrogates the relationship between the aesthetics of interaction and the experience of immersion in Punchdrunk's work. The theoretical framework that the book introduces affords analyses of material cultures and the influence of technology on interaction design in theatre and beyond, and offers a blueprint for next-generation immersive design and scenography for interactive multimedia environments.

Now updated in a five-volume set this classic grammar of New Testament Greek, begun in 1906 by James Hope Moulton and completed by William Francis Howard, and Nigel Turner, and the supplementary volume by Moulton's father supplied with it, cover every aspect of the Greek language in the New Testament. With thought-provoking analysis and a multitude of invaluable charts and indices it continues to act as an invaluable resource for advanced students of New Testament Greek today. Each of the four volumes, and the 'Winer-Moulton' volume also included, features a lengthy critical introduction and bibliography by Stanley E. Porter, one of the leading scholars of New Testament Greek, who provides critical reflection on the style and approach used in this classic work, as well as a discussion of developments in the study of New Testament Greek over the last 40 years. Volume 1: The Prolegomena introduces foundational premises upon which the subsequent three volumes build, providing a sketch of the language of the New Testament. Volume 2: Accidence and Word-Formation deals with three essential components of New Testament Greek: sounds and writing, accidence (word inflection, noun declension, and verb conjugation), and word formation. Volume 3: Syntax focuses on the construction of a sentence. Divided into two parts, it begins with a detailed discussion of nouns, adjectives, verbs and pronouns, to give the reader a clear and comprehensive understanding of the individual elements making up the language. Part Two concerns the complete sentence and its syntax, featuring sections on the ordinary simple sentence and its construction. Volume 4: Style examines the diverse styles of writing exhibited by each author of the New Testament. It explores the grammatical and other linguistic features which distinguish the work of one author from that of another, attempting to isolate and identify varying techniques.A Treatise on the Grammar of New Testament Greek is a classic work on the use of Greek in exegesis.

Thinking: Objects: Contemporary Approaches to Product Design discusses influences on modern product design such as globalization, technology, the media and the need for a sustainable future, and demonstrates how readers can incorporate these influences into their own work. The book also discusses how readers can learn to read the signals an object sends, interpret meaning and discover historical context.Thinking: Objects provides an essential reference tool that will enable you to find your own style and succeed in the industry.

Sir, God hath taken away your eldest son by a cannon shot. It brake his leg. We were necessitated to have it cut off, whereof he died.' In one of the most famous and moving letters of the Civil War, Oliver Cromwell told his brother-in-law that on 2 July 1644 Parliament had won an emphatic victory over a Royalist army commanded by King Charles I's nephew, Prince Rupert, on rolling moorland west of York. But that battle, Marston Moor, had also slain his own nephew, the recipient's firstborn. In this vividly narrated history of the deadly conflict that engulfed the nation during the 1640s, Peter Gaunt shows that, with the exception of World War I, the death-rate was higher than any other contest in which Britain has participated. Numerous towns and villages were garrisoned, attacked, damaged or wrecked. The landscape was profoundly altered. Yet amidst all the blood and killing, the fighting was also a catalyst for profound social change and innovation.Charting major battles, raids and engagements, the author uses rich contemporary accounts to explore the life-changing experience of war for those involved, whether musketeers at Cheriton, dragoons at Edgehill or Cromwell's disciplined Ironsides at Naseby (1645).

The Methuen Drama Companion to Performance Art offers a comprehensive guide to the major issues and interdisciplinary debates concerning performance in art contexts that have developed over the last decade. It understands performance art as an institutional, cultural, and economic phenomenon rather than as a label or object. Following the ever-increasing institutionalization and mainstreaming of performance, the book's chapters identify a marked change in the economies and labor practices surrounding performance art, and explore how this development is reflective of capitalist approaches to art and event production. Embracing what we perceive to be the 'oxymoronic status' of performance art-where it is simultaneously precarious and highly profitable-the essays in this book map the myriad gestures and radical possibilities of this extreme contradiction.This Companion adopts an interdisciplinary perspective to present performance art's legacies and its current practices. It brings together specially commissioned essays from leading innovative scholars from a wide range of approaches including art history, visual and performance studies, dance and theatre scholarship in order to provide a comprehensive and multifocal overview of the emerging research trends and methodologies devoted to performance art.