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A tough inner-city school, proud of its inclusivity, suddenly explodes in a rapidly escalating culture war.Sex secrets, hip-hop and hope fight for centre stage in a vibrant, loud and proud, real talk rollercoaster.Tom Wright's hard-hitting new play tackles contemporary issues in a school setting, published to coincide with Coventry's year as City of Culture.
People find me. When it's dark.1863. An asylum.A woman locked in a windowless cell, with no memory as to who she is, or how she arrived there.When spiritualist medium Mrs Lyall requires a new assistant, this nameless woman seems the perfect candidate.But as the woman's past begins to reveal itself, so do new powers neither are prepared for.Alistair McDowall's haunting new play The Glow was the 2018 Pinter Commission, an award given annually by Lady Antonia Fraser to support a new commission at the Royal Court Theatre.This edition was published to coincide with the world premiere at London's Royal Court Theatre in January 2022.
Bloomsbury Semiotics offers a state-of-the-art overview of the entire field of semiotics by revealing its influence on a wide range of disciplinary perspectives. With four volumes spanning theory, method and practice across the disciplines, this definitive reference work emphasizes and strengthens common bonds shared across intellectual cultures, and facilitates the discovery and recovery of meaning across fields. It comprises: Volume 1: History and SemiosisVolume 2: Semiotics in the Natural and Technical SciencesVolume 3: Semiotics in the Arts and Social SciencesVolume 4: Semiotic MovementsWritten by leading international experts, the chapters provide comprehensive overviews of the history and status of semiotic inquiry across a diverse range of traditions and disciplines. Together, they highlight key contemporary developments and debates along with ongoing research priorities. Providing the most comprehensive and united overview of the field, Bloomsbury Semiotics enables anyone, from students to seasoned practitioners, to better understand and benefit from semiotic insight and how it relates to their own area of study or research.Volume 4: Semiotic Movements explores relationships between semiotics and closely related contemporary movements, strengthening the dialogue and collaboration between them. The movements examined include communication theory, systems theory, digital humanities, phenomenology, translation studies, multimodality studies, cognitive linguistics, and cognitive science.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.When you are born, the first thing you do is scream. Be it a response to fear, anger, sadness, or happiness, the scream is a declaration of being alive. The metal vocalist cupping the microphone blares out a deafeningly harsh scream. The drill instructor screams out commands to their soldiers. And then there's the bloodcurdling screams we know from horror films. A scream has many meanings, but it is an instinctive and reflexive action that, at its core, reveals raw emotion.Investigating popular and alternative cultures, art, and science, Michael J. Seidlinger tracks the resonance of the scream across media and literature and in his own voice. Object Lessons is published in partnership with an essay series in The Atlantic.
In a desperate attempt to bring some spark back to their all-too-cosy married life, professional millennials Michael and Phil switch a sherry on the couch for a night on the town. Their goal: to get in with Generation Z by trying to get off with one.Enter fit, sexy, confident Quasim. But the 'just for one night' adventure brings shocking revelations as Michael and Phil discover more about the 20-year-old boy in their bed than they ever wanted to know, and their suburban dream is shaken to its core.Following the sold out runs of critical hits Undetectable (nominated for 3 Off West End Awards) and My Dad's Gap Year (nominated for 4 Off West End Awards), Tom Wright's darkly comedic and wildly sexy new play is his most provocative show to date.
Dry Swallow explores surrogacy, consumption, and substance abuse, while provoking the question: who's allowed a healthy life?
It's harder to kill people when there's a peace process on.Ulster Loyalist Alan Black is kept awake every night by his neighbour McCorrick's dog barking. To add to his difficulties, McCorrick refuses to acknowledge that he even owns a dog, let alone one that is creating a disturbance.In a Northern Ireland he barely recognises, where politics has proved just to be the continuation of war by other means, a disconsolate Alan sets out to rid himself of the incessant noise. As he seeks help from authority figures, he finally - as a very last resort - turns to the only voice he can really trust, Eamonn Holmes.Coinciding with the 100th anniversary of the partition of Ireland and the foundation of Northern Ireland, Yes So I Said Yes is a blackly comic, ferocious, dystopian satire about what it's like to feel alone in a place where everyone else is conspiring to erase you and your history.This edition was published to coincide with the production at London's Finborough Theatre in November 2021.
An award-winning, tender exploration of questioning authority, suspending shame through intimacy, and very bad advice.
Introducing readers to the conversation between Christian theology and the arts, this handbook offers a survey of the current research in this field, and opens avenues for future work. Across the chapters there is a concern for the cultural and political embeddedness of theology and the arts, the relationship between form and content (in both art and theology), and a robust understanding of the world as the theater of God's glory. A thorough-going commitment to Scripture is also woven into the many different habits of thought that are represented in this volume.Part I surveys different approaches to the theology-arts conversation. Part II focuses on how particular art forms bringing theological issues to the surface and how theological and denominational traditions shape the making and receiving of the arts. Part III delves into key topics in the current theology-arts scene and asks how artistic and theological performance can both speak to theological and artistic knowing and help to celebrate and interrogate embodied, lived reality. Overall, this volume presents the theology-arts conversation from a distinctly Christian perspective, as a witness of the gospel of Christ to the world.
This book offers readers a comprehensive research companion to study of modern theology, covering the major contexts, developmental trajectories, movements of thought, concerns, figures, and key texts which mark Christian theology from Enlightenment to the present.Two main parts focus on (I) the contexts, trajectories, movements, and concerns of modern theology, and (II) the major theologians of the modern period. A cross reference system connects related articles across both parts, to allow readers to move with ease between the articles. The book also has a glossary of key terms and concepts, and a bibliography of pertinent primary and secondary sources at the end of the volume. The list of contributors is diverse and ecumenial, bringing together essays by leading scholars in the field.This is an indispensable resource for students and researchers alike.
"When Ann joins Sophie's running club she's thrown into a world of regimented training and pure focus. The two girls couldn't be more different, but soon their shared passion makes them inseparable - dreaming in lanes and lap-times, waking up picturing Olympic medals, each day stronger and faster... But set head to head in the run up to the World Championships, they find themselves and their friendship put to the ultimate test. As their relationships, their bodies and their very identities are pulled into public scrutiny, does being exceptional come at too high a price? A gripping exploration of the underside of women's athletics, Fair Play is the new work from Ella Road (The Phlebotomist) - 'the most promising young playwright in Britain' (The Telegraph). This edition was published to coincide with the world premiere at Bush Theatre, London, in December 2021."--Publisher's description.
The aim of this book is to enable students, educators and designers in the early stages of their careers to learn and practise design in a socially responsible manner. It responds to the rise of academic debate and teaching in the areas of social design, sustainable design, ethical design and design futures. Citizen Designers is a practically and pedagogically focused book, with each chapter addressing a particular area or issue within design practice and education, with an overview framing essay, interviews with practitioners and educators, and assignment briefs through which the reader can understand the process by which a brief is set, met and critiqued.
In a remote Russian town, Olga, Masha and Irina long for life in Moscow - but their plans go nowhere. Disaster, deception, meaningless self-sacrifice - in Chekhov's heartbreaking masterpiece, each new twist of fate sees the sisters' control over their destiny slip away.This version of The Three Sisters has been radically re-worked. It is set in modern day Russia, with modern language and it re-imagines the sisters' dreams and the world around them. This compelling version of the Russian classic by renowned Australian director Benedict Andrews premiered at the Young Vic on 8 September 2012. Benedict Andrew's version of Three Sisters was third in the Guardian's top ten best theatre picks of 2012.
We just wait. Old light. And new light. We just wait. For each other, patiently wait.Patient Light follows a day in the life of a young person in Peterborough and how their vision of the future is blinded by carrying the weight of the world on their shoulders. It concerns the everyday, mundane things that we carry in our head and rarely, if ever, say out loud. Presented as a stream of consciousness, the play examines our need for aspiration, and how to use the world's frustrations to your advantage. This edition was published to coincide with the production by Eastern Angels in October 2021.
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