Bøker utgitt av Bloomsbury Academic

Metaphysical thought has been excluded from much of the discourse on modern art, especially abstract painting. By connecting ideas about faith with the initiators of abstract painting, Joseph Masheck reveals how an underlying religiosity informed some of our most important abstract painters.Covering Wassily Kandinsky, Kazimir Malevich, Piet Mondrian, and El Lissitzky, Masheck shows how 'revealed religion' has been an underlying but fundamental determinant of the thinking and practice of abstract painting from its very originators. He contextualizes their art within some of the historical moments of the early 20th century, including the Russian revolution and the Stalinist period, and explores the appeal of certain themes, such as the Passion of Christ.A radical new theorization of the influence of religion over visual art, Faith in Art asks why metaphysics has been eliminated from the discussion where it might have something to say. This is a new way of thinking about a hundred years of abstract painting.

This collection covers a diverse and multi-disciplinary range of topics on how masculinities might be re-imagined outside of patriarchal power structures. Crucially, the book highlights the lived complexity of both patriarchies and masculinities as plural and situated, exploring questions of how they are constructed, negotiated and re-negotiated in daily practice; of how performative regimes interact, contradict and overlap with each other across a range of contexts. Contributors engage with theoretical frameworks engaging with feminist theory, contemporary politics of gender, bodies and marginalised experiences of masculinites. Global case studies are wide-ranging and include analysis of masculinity among communities such as drag artists, InCels and e-sports enthusiasts, as well as in the context of the body, for instance in relation to alcoholism and physical disability. In an era of resurgence of typically hegemonic patriarchal figures in the form of 'strong men' leadership, this book seeks to uncover what an alternative vision of masculinity could look like - one that is firmly rooted in a gender equality and feminist discourse.

From faithful apostle and seductress to feminist icon, Mary Magdalene's many complex roles in Christian history have fascinated us for 2000 years. Illustrated in full colour, this visual history reveals how images and presentations have created a Mary who is often far different from the real woman, the first witness of the Resurrection in the gospels, or even from her appearances in the works of the Church Fathers.Beginning with the earliest sources, uncover who the real Mary was, and what she meant in her own time, before embarking on a fast-paced tour of Magdalene's depictions in great works of art, forgotten masterpieces and contemporary visual culture. Considering relics, statuary, paintings, sculpture and recent works for stage and screen, discover how Mary Magdalene has been seen across time as a witness, a sinner, a penitent, a contemplative, a preacher and a patroness.Above all her complex roles, Mary has emerged as a powerful feminist icon, the closest person to Jesus himself, with a visual history as rich and varied as the roles she has fulfilled in numerous contexts of faith and worship for two millennia.

Driven by an intercultural vision and comparative research, this is the first volume to bring together African and Western philosophical approaches to current issues in language, logic, metaphysics and ethics.Featuring contributions from an international line up of scholars across four continents including leading contemporary African philosophers, and new work from Saul Kripke in collaboration with Romina Padro, these chapters cover a wide range of topics. They advance our understanding of the linguistic, logical, metaphysical and ethical contributions of African philosophical thought in comparison with Western traditions, fostering discussion about how they relate, and are distinct, from one another.Reinvigorating the debate in cross-cultural and global philosophy, this is a groundbreaking resource for any scholar or student of each sub-discipline.

This volume of the BDMP series charts the genesis of three iconic Beckett plays: Not I (1973), That Time (1976) and Footfalls (1976), all translated into French by their author. Including analyses of abandoned archival precursors - the 'Kilcool' drafts (1963) and the 'Petit Odéon' Fragments (1967-1968) - the book covers a crucial period in Beckett's playwriting career, during which his long-held ambition to stage a mouth babbling in the dark became a catalyst for some of his most innovative work. This volume provides a comprehensive guide to the history of the three plays, tracking their development from compositional manuscripts through to publication and performance. The book contends that these plays should be seen as stagings of the subject-object breakdown explored in Beckett's early writing. Drawing on the notes he took on psychology and psychoanalysis in 1934-1935, it examines the many psychological and psychoanalytic concepts that are used in the author's later stagings of the mind. The plays are analysed through the lens of enactive cognition: not as representations of particular psychological conditions, but as pieces which encourage active interpretation on the part of their audiences. By staging minds in states of breakdown that resist diagnosis, Not I / Pas moi, That Time / Cette fois and Footfalls / Pas enact the subject-object breakdown that is such a key part of Beckett's aesthetics.

Examines the dilemma of whether ancient Near Eastern images - while providing unique aspects of the world-views of the cultures from which the Bible arose - can be interpreted in a way that traceably relates them to the biblical text. To avoid the danger of using images merely as illustrations for concepts found in the Bible, one first needs to behold the image with its own right to been seen. The essays within this volume describe the methods developed by Othmar Keel for bringing imagery into a dialogue with texts from the ancient Orient and their own interpretation, including previously unpublished material from Keel. The contributions begin with an overview of the scholarly work of Keel and the development of his aims and methods, including a revision of an article dealing with semiology in the interpretation of art. The book proceeds to address the research history of iconology in art history, presenting the methodology of Erwin Panofsky and one of his influential predecessors, Charles Clermont-Ganneau, in contrast with Keel's three methodological steps leading from iconographic analysis to iconology. Contributors then present two case studies of how Keel's method can be applied to interpret Egyptian and Mesopotamian images, allowing insights into the worldview of an ancient culture and the aim of iconology. The book concludes with a report about how iconographic analysis and iconology is taught on University level.

'It really is terrific - just what the profession needs' * - Quod, Planning ConsultancyBy way of self-contained 'articles' focusing on the problems practitioners face on a daily basis, the authors share best practice, new ideas, updates on new developments and advice and solutions for problem areas explaining how to overcome common obstacles and thereby helping you navigate the Planning Act 2008 regime.The Fourth Edition covers:- The Examining Authority and the Secretary of State- National Policy Statements- Nationally Significant Infrastructure Projects- Requirement for Development Consent- Pre-application Procedures- Information and Surveys- Making an Application- Contents of a Development Consent Order- Compulsory Purchase- Environmental Impact Assessment and Habitats- Regulations Assessment- Pre-examination, Examination and Post-examination- Correction of Errors, Changes and Revocation- Legal Challenges- EnforcementIt also includes the Planning Act 2008, consolidated and up to date to January 2022.Francis Taylor Building (ftb) is a leading set of barristers' chambers specialising in infrastructure law, environmental law, planning law, compulsory purchase, land valuation and other areas of the law.*Review of the National Infrastructure Planning ServiceThis title is included in Bloomsbury Professional's National Infrastructure Planning Service online service.

"I haven't come here to drink tea - Toni, we're off out to find the nearest happy hour. Lucy and David are dating. Or at least, they're trying to. Faced with first-date disasters, a few crossed wires and Lucy's mum, what they really need is a bit of space, a bit of fun - and ideally some independence. Escaping for the weekend to a caravan park in Somerset, it's time for them to find out if their spark will finally catch, or burn everything to the ground. Written by Graeae's Write to Play graduate Michael Southan, Kerbs gets real about romance, sex and disability, while tackling the universal challenge faced by anyone experiencing a new relationship: letting someone in"--

I don't agree with everything they say, but we do have a lot in common nowadays; anyway, I can't be racist, my best friend is Black.Roger and Harry's bond is so strong they could be brothers. They share the same food, music, computer games and even dreams... Everything other than their race. Roger is black, and Harry is white. But what does that matter, right? When Roger is re-homed, Harry is left behind in the care system, and these 'brothers' grow up in opposite ends of Britain's social spectrum. Then on Harry's birthday, Runaku (Roger's reclaimed Zimbabwean birth name) returns for a dream reunion that turns into a nightmare situation. Human Nurture is an explosive new play from Ryan Calais Cameron where nothing's off-limits: from innocent primary school humiliations to race, privilege, allyship and male vulnerability.

The law of human rights permeates every area of law. This title focuses on the impact of human rights law at every stage of the criminal process. It addresses the principal human rights issues that apply during an investigation and prior to a suspect knowing that they are a suspect, powers of arrest and search, and treatment at the police station. It considers every stage of the criminal process, including appeal before the domestic courts and the European Court of Human Rights. Part 1 covers the fundamental principles of the European Convention on Human Rights and the Human Rights Act 1998 and their application in domestic law, particularly in relation to criminal appeals, as well as taking a case to the European Court of Human Rights. Parts 2 to 4 address the three broad phases of a criminal case - investigation, pre-trial and trial - providing an analysis of human rights law as it applies in each phase. This book offers a comprehensive analysis of the often complex interactions between criminal law and human rights; with a wide range of experienced contributors drawn from the legal profession and academia, under the general editorship of Ben Douglas-Jones KC, Daniel Bunting, Paul Mason and Benjamin Newton.

From a range of academic and practice-led perspectives, this book explores how a combination of place-based writing and location-based technologies are producing new kinds of experimental ambient literary experience. In so doing, it unpacks how situated literary experiences delivered through text, audio and sensor-based delivery offer distinctive new forms of reading and listening and lay the ground for a new poetics of situated writing practices.Exploring an experimental, practice-based approach to digital literary forms and its emerging poetics, this book critically examines the ecology of ambient literature from a range of perspectives, including researchers and practitioners working in the fields of digital writing, sonics, visual art, performance, literary studies, creative writing and computer science. Essays look towards the emerging field of ambient literature, drawing on contributors' own background and interests. Contributors study topics ranging from ecological and climatic challenges through critical and creative cartographies to understanding the metaphorical work of 'ambient' as a form embedded in the social, technological and literary. Including practice-based essays from writers, artists and practitioners on the use of data to write poetry and the position of the writer as maker, this book's combination of practice-led approaches and interdisciplinary research makes it a valuable and varied contribution to the field of digital writing.

I'm doing this for her because this was my sister's dream. This isn't my natural habitat. I wouldn't normally choose this. But she would have.Two sisters. One dream. The hardest open-water swim in the world.This triumphant play from Olivier Award-winning writer Morgan Lloyd Malcolm moves forwards and backwards in time across the 21 miles between Dover and Calais as a young swimmer harnesses her mind and body to make the crossing. Tackling what it means to grieve, both physically and mentally, When The Long Trick's Over encapsulates the fact that love persists whatever the distance and however perilous the journey is to the other side. And that, sometimes, it means swimming against the tide and against the things that hold you back: the old memories and oil tankers, jellyfish and Jelly Babies.This edition was published to coincide with the world premiere production by HighTide and the New Wolsey Theatre, February 2022.

This book offers a practical and approachable overview of central theories in comparative and international education (CIE). The chapters focus in depth on specific theoretical perspectives and seek to elucidate the histories, assumptions, and recent developments of these theories. The chapters also situate the theories within CIE, include specific case studies of theoretical application, and outline suggestions for further reading. Written by leading scholars from around the world, this is must-have reference work for anyone teaching, researching, studying, or working in CIE. The handbook includes chapters on a diverse collection of theories, including but not limited to: Structural-functionalism, Colonialism/Imperialism, Marxism, Human Capital Theory, Dependency/World Systems Theory, Post-Colonialism, Post-Socialism, Post-Foundationalism, Neo-liberalism, Neo-Institutionalism, Neo-Marxism, Policy Borrowing and Lending, Peace Theories, Human Rights, Constructivism, Racism, Gender, Queer Theory, Social Network Theory, Capabilities Theory, and Cultural Political Economy.

Edwidge Danticat's prolific body of work has established her as one of the most important voices in 21st-century literary culture. Across such novels as Breath, Eyes, Memory, Farming the Bones and short story collections such as Krik? Krak! and most recently Everything Inside, essays, and writing for children, the Haitian-American writer has throughout her oeuvre tackled important contemporary themes including racism, imperialism, anti-immigrant politics, and sexual violence. With chapters written by leading and emerging international scholars, this is the most up-to-date and in-depth reference guide to 21st-century scholarship on Edwidge Danticat's work. The Bloomsbury Handbook to Edwidge Danticat covers such topics as: · The full range of Danticat's writing from her novels and short stories to essays, life writing and writing for children and young adults. · Major interdisciplinary scholarly perspectives including from establishing fields fields of literary studies, Caribbean Studies Political Science, Latin American Studies, feminist and gender studies, African Diaspora Studies, , and emerging fields such as Environmental Studies. · Danticat's literary sources and influences from Haitian authors such as Marie Chauvet, Jacques Roumain and Jacques-Stéphen Alexis to African American authors like Zora Neale Hurston, Toni Morrison, and Caribbean American writers Audre Lorde to Paule Marshall. · Known and unknown Historical moments in experiences of slavery and imperialism, the consequence of internal and external migration, and the formation of diasporic communities The book also includes a comprehensive bibliography of Danticat's work and key works of secondary criticism, and an interview with the author, as well as and essays by Danticat herself.

A city under attack from a nuclear blast. As the dust settles, Louise wakes to find herself in a fallout shelter with Mark, the colleague who has saved her life. They have enough water and food to last two weeks. Now they just need to find a way of surviving each other. A chilling post-nuclear play that examines what it takes to endure catastrophe.After the End was originally published in 2005. This revised and updated edition was published to coincide with the London production at Theatre Royal Stratford East in February 2022.