Bøker utgitt av Bloomsbury Academic

"Interpreting The Amistad Trials traces the signal importance of interpreters and translators in the famous 19th-century Amistad case and discusses how race, ethnicity, slavery, and colonialism shaped this story. From the recruitment process to the various oral to sign languages that mediated linguistically in the Africans' life inside and outside the courtroom, and from evidentiary documents to fraudulent translations to credible testimonies, this book demonstrates the crucial importance of translation and interpretation in the Amistad plot and outcome"--

Foreword by Alice Oseman, creator of the million-copy bestselling Heartstopper books.'This is not a book, it is a sky filled with possibility, so let its wisdom lift you and soar!' Joseph Coelho, Children's LaureateCelebrating its 21st edition, this indispensable Children's Writers' & Artists' Yearbook provides everything you need to know to get your work noticed. With thousands of up-to-date contacts and inspiring articles from dozens of successful writers, illustrators and industry insiders, it is the ultimate resource on writing and publishing for children of all ages.Packed with insights and practical tips, it provides expert advice on: - submitting to agents and publishers - writing non-fiction and fiction across genres and formats - poetry, plays, broadcast media and illustration - self-publishing - copyright, finances and contracts - marketing, prizes and festivals - and much, much more ...New content in this edition include articles on Your author brand by Tom Palmer, Getting published by Hannah Gold, Writing with empathy by Camilla Chester, What an indie bookshop can offer authors by Carrie & Tim Morris.'Between the covers of this book is everything you need to know to get published.' Julia Donaldson

Explaining how nations and narratives have been the products of transnational, cross-border forces of migration and cultural exchange, this open access volume presents a global history of the basic ideas that govern our understanding of the modern world and highlight the power of narratives in world history.From the Enlightenment forward, the nation and other global concepts have been conjured and repurposed to manage and make sense of what we now call globalisation. The authors in this volume show how social categories such as empire, race and labour were the centerpiece subjects of collective narratives. For the past two centuries, the practices of shared storytelling aimed to make sense of how groups like nations fit in the wider world. This volume explores how they created bonding narratives for co-members of these groups and bridging stories to explain how groups should relate to each other through trade, war, peace, and other worldmaking processes. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Princeton University, USA.

Times are tough for the family in the wood. They'd eat like kings if only they could.But hunger gnaws - famine stalks the land. Something quite wicked has the upper hand!Poor mother and father must do "what is best"... And Hansel and Gretel will be put to the test! Armed with their very last slice of bread. Will they eat to survive or ........leave a.................trail...................................home..................................................instead?Hansel & Gretel was first performed on the 4th December 2009 at Bristol Old Vic and was a co-production between Kneehigh and Bristol Old Vic. Carl Grose and Kneehigh put their own unique spin on the classic fairytale.

"Using bite-size theory combined with plentiful guidance and supporting activities, this book gives the reader a place to reflect on their learning and use writing as a tool for developing their thinking. Critical reflection is a fundamental skill for anyone undertaking qualifying professional programmes such as social work, nursing, health, teaching, childhood studies and youth and community work degrees. This is an essential resource for anyone wanting to improve their practice and deliver the best service possible"--

In the wake of colonial and racial exploitation, political leaders, technocrats, activists, and workers across the Third World turned to socialism to offer a new vision of post-colonial development. Against a backdrop of decolonization, white supremacy, and the Cold War, they fostered anti-colonial solidarity and created cooperative frameworks for self-reliance. In following these actors, the contributions to this volume show that "development" was not merely exported from North to South: people across the Global South collaborated with each other while engaging with a diversity of socialist ideas, from European Fabianism and Marxism to tailored African, Asian, and Latin American models. They led debates on race and inequality from the 1920s and 1930s and spearheaded local, regional, and internationalist efforts to re-envision modernity by the 1950s and 1960s. By examining the limitations and legacies of socialist development initiatives in and across the Third World, Socialism, Internationalism, and Development in the Third World offers new perspectives on the intertwined histories of socialism, development, and international cooperation, with lessons for both past and present.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by UKRI and Rice University, USA.

"This interdisciplinary anthology presents 10 chapters from a range of scholars in art history, cultural studies and anthropology to unpack the complex relationship between people and things via an object-centred model of identity. Presenting a global section of case studies, Material Selves confronts vital questions of identity, agency, and materiality, highlighting the way in which we use objects to tell stories, construct myths and make sense of our place in the world. Thus, this path-breaking volume shows how the objects with which we adorn and surround ourselves provide a model for the construction of raced, gendered, and cultured subjectivity"--

From 1770s the Vienna bread market was rocked by a series of politico-economic and technological changes that questioned the way this everyday foodstuff was sold and produced. In this book, Jonas Albrecht explores how this reconfiguration of the bread market had wide-reaching and significant consequences for a society who relied on this foodstuff to live. Before 1860 the production and selling of bread was embedded into a moral economy with distinct regulations. But as the grain market expanded and new cereal varieties arrived from the empire's peripheries reformers sought to create a 'free' market through liberalising reforms. The Moral and Market Economies of Bread shows that while terminating market regulation did mobilise and diversify Vienna's bread market in spatial terms, it intensified inequality among consumers. As opaque prices, non-transparent market procedures and diverging power relations between producers and consumers led to unrest, city officials and bakers struggled to meet the shortcomings of the free market from within. This book brings economic, social and urban histories together and employs a spatial approach and GIS methods to explore the relationship between market and society, and capitalism at large.

This transdisciplinary edited volume explores the concept of queenship in antiquity and the present. Featuring the work of scholars, educators and artists, this book gathers temporally and geographically distant ideas about queenship into a single discursive space. Invigorating the conversation around powerful historical women and their legacies, the contributors discuss 'queenship' as a concept with contemporary urgency, conducive to critical and creative interventions that address the gaps within archives and current cultural and socio-political representation. Although traditional narratives present queens of the ancient Mediterranean world as the wives, daughters, and mothers of kings - emphasizing formidable, stand-out examples such as Semiramis and Cleopatra - the ways in which royal women wielded power, whether directly or indirectly, were actually multivariate, highly nuanced and culturally specific. Current scholarship featured in this volume is concerned with teasing out modern, western assumptions that have heavily colored interpretations of gender and power in antiquity. This volume attempts to dismantle the problematic historical narratives and constructions of queenship by presenting different kinds of receptions and speculative articulations of historical queenship, thus forging new paths forward.

This analysis of the Stratford Festival examines the full history of one of the largest and oldest dedicated centres for the performance of Shakespeare in North America. In English Canada, this Festival has become the unofficial national theatre and, as such, it has drawn criticism and complaint as well as praise. This volume divides the history of the Festival into three distinct periods, beginning with the foundation of the company, moving through its middle years of expansion and securing stability and ending with an exploration of staging Shakespeare in the 21st century. Through case studies of productions, covering each Artistic Director from Tyrone Guthrie to Antoni Cimolino, it highlights issues of national identity but also the unique relationship that exists between the actor and the audience on the Festival stage. It not only explores the work of international stars such as Christopher Plummer, but also examines the work of longstanding company members William Hutt and Martha Henry, emphasizing the Festival's collective spirit. Shakespeare in the Theatre: The Stratford Festival argues that the Stratford Festival holds an influential position in the theatre world generally and in the Shakespeare performance environment specifically. Initially this was because of the innovative thrust stage built for its opening, but increasingly in the 21st century it has been due to the way that this Festival has used Shakespeare's work to articulate complex questions about national identity and used technology to reach new audiences. The work of the British and American artists who have come to the Festival has been significant, but these artists have also been influenced by the collaborative spirit and working methods established by the company. The Festival and its methods grew out of a very particular social and political climate, and when the actors and directors who trained at the Festival took their training elsewhere, they spread its impact.

"This book considers the sculptures of Louise Bourgeois (1911-2010) in light of psychoanalyst D. W. Winnicott's (1896-1971) radical ideas regarding transitional objects, potential space, and play, offering a model for exploring the complex and psychologically evocative sculptures Bourgeois produced from 1947 to 2000. Bridging themes and concerns of modernism and postmodernism, the book reveals how Bourgeois brought a decades-long study of psychoanalysis to bear upon her sculptural production that was symbolic, metaphorical, but most importantly, useful"--

"This book examines the art gallery at Cleveland House, known in the 19th century as the 'Louvre of London' due to its internationally-renowned collection of Old Master paintings. Through detailed analysis of a wide range of visual, material, textual and archival sources, the book presents the gallery as a methodological case study on the intersection of domesticity and the display of art, and the construction of the notion of 'public', 'private' and 'national' galleries in the period. The book is essential reading for researchers in Regency-era British art, museum studies, collecting studies, and the histories of interior decoration and design"--

In the 21st century, decision-making processes are increasingly being transferred from humans to machines. Algorithms and prediction capture and shape our choices about how we live and interact with others before we can register their mechanisms of reaching outcomes. The time that we would allocate to critical thinking, reflecting and assessing, evaporates. Through an examination of the work that predictive machines do when making decisions and their impact on human capacities, this cutting-edge study looks to 'uncertainty' as a central, epistemic tool for reimagining human-machine encounters. It focuses on the space of 'maybes', before prediction, as an area for critical inquiry and cultivation.Through a transdisciplinary approach that brings together design studies and philosophies of processes and technology, Betti Marenko explores how the area of uncertainty can be mapped, diagrammed and designed. By framing uncertainty as a design material, she demonstrates how it can be mobilized to create new modes of knowledge production. This book sheds light on how current computational processes can deepen contested classifications, inequalities and hierarchies, and offers alternative anticipatory design methods and stratagems based on uncertainty that can be used to avoid reduction and algorithmic capture. It offers a framework for harnessing the power of 'maybes' through design and contributes to contemporary debates around the growing intelligence and autonomy of machines. It is a timely intervention on how to reinvent critique in the algorithmic age by designing new modes of living attuned not to what is, but to what may be.

Rachel Cusk is one of the most critically acclaimed and controversial contemporary British authors. Her diverse body of work offers a striking portrait of trends in 21st-century literature, and the history of Cusk's literary output is one of experimentation and a desire to push against established cultural models. Rachel Cusk: Contemporary Critical Perspectives is the first critical guide to Cusk's work, spanning novels including Saving Agnes, A Country Life, and Second Place, her 'autofictional' Outline trilogy, and her nonfiction A Life's Work, The Last Supper, Aftermath and the Coventry essays. Rigorous and wide-ranging, this book provides an accessible and lucid introduction to Cusk's work, exploring themes of gender relations, class dynamics, maternal identity and creative freedom. The collection concludes with an in-depth interview with Cusk, conducted by Merve Emre, reflecting on her influences, writing and experiences. Mapping the formal and stylistic shift across her career and locating them within their specific contexts, this collection provides a crucial analysis of Cusk's influences, politics, and literary techniques that speak to many of the most pressing issues in contemporary literature.

A global history of dam-building, offering a revisionist narrative of international cooperation, circulation of technological expertise and power relations in the 20th century.

Focusing on the difference between lower-level perceptual processes in the "neural unconscious" and higher-order thought in the frontal lobes, this open access book shows how Herman Melville sought to reclaim the fluid world of the sensory, with its precategorical and radically egalitarian impulses. By studying this previously underexamined facet of Melville's work, this book offers an essential corrective to the "pathology paradigm," which demonizes departures from a neurological norm and feasts on pejorative categorization. The neurodiversity movement arose precisely as a response to how so-called "mental disorders" have been described, understood, and treated. Unlike standard neuroscientific or psychiatric investigation, Melville's work doesn't strive to explain typical functioning through the negative and, in the process, to shore up a regime of normalcy. To the contrary, it exploits the lack of congealed diagnoses in the 19th Century, much more neutrally asking the question: what can an atypical body-mind do? Steeped in current studies about autism, Alzheimer's, Capgras and Fregoli syndromes, Mirror-touch synesthesia, phantom limb syndrome, stuttering, and tinnitus, and fully conversant with Melville scholarship, Phenomenological Primitives demonstrates what the humanities can contribute to the sciences and what the sciences can contribute to the humanities.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded in part by Grinnell College.

This collection of topical essays by academics and industry professionals brings a unique lens to the issues broached, questions raised, and solutions offered regarding the history and advancement of digital fashion. While digital fashion's roots can be traced back to the development of the Jacquard loom, its modern-day antecedents are found in video games and Instagram filters - allowing users to apply virtual makeup, accessories, and clothes to their posts. With 12 essays and four specialist interviews, this collection begins with digital fashion's origins, its placement in the history of fashion, and its status as an aesthetic object. Part 2 focuses on the practice of making digital fashion, including NFTs, sneaker culture, cyborg vs skins and education. Part 3 provides a critical overview of digital fashion's potential to impact wider society, including questions of social equity, sustainability and African decoloniality and the future of the industry. Interviewees:Julie Zerbo, founder and Editor-in-Chief of The Fashion LawIdiat Shiole (Hadeeart), Web3 startup founder and 3D designerJonathan M. Square, writer, historian, and curator of Afro-Diasporic fashion and visual cultureMatthew Drinkwater, Head of Innovation Agency, London College of Fashion

This collection of topical essays by academics and industry professionals brings a unique lens to the issues broached, questions raised, and solutions offered regarding the history and advancement of digital fashion. While digital fashion's roots can be traced back to the development of the Jacquard loom, its modern-day antecedents are found in video games and Instagram filters - allowing users to apply virtual makeup, accessories, and clothes to their posts. With 12 essays and four specialist interviews, this collection begins with digital fashion's origins, its placement in the history of fashion, and its status as an aesthetic object. Part 2 focuses on the practice of making digital fashion, including NFTs, sneaker culture, cyborg vs skins and education. Part 3 provides a critical overview of digital fashion's potential to impact wider society, including questions of social equity, sustainability and African decoloniality and the future of the industry. Interviewees:Julie Zerbo, founder and Editor-in-Chief of The Fashion LawIdiat Shiole (Hadeeart), Web3 startup founder and 3D designerJonathan M. Square, writer, historian, and curator of Afro-Diasporic fashion and visual cultureMatthew Drinkwater, Head of Innovation Agency, London College of Fashion

"Krzysztof Poslajko offers a novel version of an anti-realist view about beliefs, rejecting the extreme proposal of eliminativism that claims beliefs do not exist. He argues we should rather say that beliefs exist, but they are not real. By arguing for the antirealist view as a revision of our common-sense view about the nature of mind, Poslajko makes the case for adopting a pragmatic metaphilosophy when we deal with philosophical questions about belief"--

Drawing from a rich body of archival documents, case studies and interviews, this book explores the ways in which graphic designers in China sought to establish graphic design as a profession and discipline from the 1980s to the present day. Yun Wang traces the impact of cultural, economic and social conditions on China's developing design industry in a period of rapid transformation, focusing on Beijing, Guangzhou and Shenzhen as industry centres. From the influence of the newly implemented reform and opening up policy in 1978, to membership of the World Trade Organization in 2001, and international events such as the 2008 Beijing Olympics, Wang maps the increased demand for design talent and the evolution of a creative industry. This book provides a critical and extensively researched narrative of how graphic design developed locally and regionally, through practice, in education and within the publishing landscape, and pays particular attention to the ways in which designers in different cities in the People's Republic of China intersected with international networks.Including material from interviews with over 50 designers and other stakeholders, archival research into graphic work, design journals and exhibition catalogues, and 100 illustrations and photographs throughout, this book provides an in-depth exploration of graphic design developments in recent decades. It also features personal and institutional accounts, in addition to the author's unique insight and reflections on the growing design industry in contemporary China.

This open-access book fills a huge gap in the study of classical reception in Irish literature by making accessible in translation selections from a wide variety of 10th-15th century texts. These texts are important because they demonstrate Ireland's indigenous and pre-colonial expertise in classical learning. Ireland thus emerges as a unique case in postcolonial terms where classical education is normally assumed to derive from a British imperial model. The collection situates the antiquity sagas into a broader framework of Irish, Scandinavian, and international medieval literatures. The first section of the book correlates historical Irish and world chronologies with those of ancient Greece and Rome (including texts such as the first fragment of the Annals of Tigernach). The second and third sections focus on the reception of Homer and Latin epics (including such texts as Togail Troí, Imtheachta Aeniasa and In Cath Catharda). The fourth section looks at pseudo-histories with texts such as Merugud Uilix and Scéla Alaxandair. Finally the sixth section explores histories and books of scholarly knowledge (including texts such as Dindshenchas and Auraicept na nÉces). Together these extracts posit thematic analogies between Irish and Graeco-Roman traditions across genre, historiography, linguistics and mythography, showcasing the marked influence of classical concepts and tropes.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on www.bloomsburycollections.com. Open access was funded by the European Research Council.

Can qualitative ideas of place be adequately encompassed by the quantitative methods of digital and parametric design? This wide-ranging and multi-faceted book explores how designers and architects capture the deeper qualities of place though their practice. It provides a rigorous exploration of the nature of place and its role in design in parallel with a detailed analysis of the nature of parametricism.Parametric design aims to encompass all design criteria and values relating to how a building might be experienced by using algorithmic processes and computational technology. By inputting particular parameters, all elements could be reflected in the resulting design. Drawing on ideas and approaches from diverse, disciplinary perspectives, essays in this book argue for greater attentiveness to place in contemporary design practice, and consider the potential of parametric techniques to enhance the engagement with place in design contexts. Considering place beyond the designer's touch, chapters explore other creative disciplines such as literature, art and music, seeking commonalities across the realm of imaginative endeavour in the creation of a tangible sense of place, environment and experience. Authors also discuss notions of atmosphere and interiority, and consider the potential to extend beyond the bounded internality of architectural spaces and examine interiority through ecological systems, identity and urbanism.The book also explores ideas of home-making through various narrative, spatial, material and digital forms and the possibilities of parametric methods. By decentring existing anthropocentric understandings of place that privilege human perspectives, authors also consider other living perspectives and how design can support more-than-human places of the future.