Bøker utgitt av Bloodaxe Books Ltd

Known for her surreal, disturbing, uncomfortably humorous poems, Selima Hill is one of Britain's leading poets. Her Forward-shortlisted 20th collection brings together seven sequences of short poems relating to men and to women's relationships with men.

This bilingual edition was the first to include Lorca's last poems, the previously lost Sonnets of Dark Love. It covers the full range of his poetry, from the early poems and gypsy ballads to the agitated Poet in New York and Arab-influenced gacelas and casidas. Also included is the Lament for Sanchez Mejias and his famous lecture on the Duende.

George Szirtes fled from Budapest with his family after the 1956 Hungarian uprising. Many of these poems relate to his arrival in England as a young child, and to the themes of identity, memory, belonging, war, and upheaval, with a sequence on living now in a country under siege from coronavirus.

The poems in Claire Askew's electrifying second collection concern witches, outsiders, and women who don't fit into society. The settings range from London buses and Edinburgh alleyways to the streets of Salem, Massachusetts. Also a novelist, Askew is known for her award-winning DI Birch Scottish crime series published by Hodder.

This new comic-book version of Euripides' classic The Trojan Women follows the fates of Hekabe, Andromache and Kassandra after Troy has been sacked and all its men killed. The Trojan Women is a wildly imaginative collaboration between the visual artist Rosanna Bruno and the poet and classicist Anne Carson.

Aoife Lyall's debut collection Mother, Nature explores the tragic and tender experiences of pregnancy and early motherhood, from ante-natal complications and the devastating pain of miscarriage to the overwhelming joy of healthy delivery and normal infancy. Born and raised in Dublin, Aoife Lyall now lives in the Scottish Highlands.

How might poetry help us articulate the body in illness, in work, and in love? Tiffany Atkinson's fourth collection includes her sequence 'Dolorimeter', which takes fragments of speech and found text from a hospital residency to pay homage to the inventiveness and humour of patients and staff in meditations on the notion that pain resists language.

In The Conversation, Stephanie Norgate explores relationships between nature and the city, past and present, character and writer. Shaped through speech and storytelling, these visual, sensuous and imaginative poems celebrate friendship, even in grief, closeness in times of isolation and lockdown, and the longing to bridge gaps and find cures.

Annemarie Austin's vividly imaginative poems explore other worlds and other lives, drawing upon her own memories and experiences, as well as on art, travel, dream, myth, history and literature. Shall We Go? is her eighth book of poetry, following her Bloodaxe retrospective, Very: New & Selected Poems (2008) and later collection Track (2014).

In The Voyage of St Brendan, A.B. Jackson tells the tale of the legendary seafaring Irish abbot in poetry and prose. After burning a book of fantastical stories, Brendan is compelled to sail the ocean with a crew of six monks in a leather-skinned currach. The book includes a series of black and white linocuts by the American artist Kathleen Neeley.

Pia Tafdrup is one of Denmark's leading poets. The Taste of Steel and The Smell of Snow are the first two collections in her new series of books focussing on the human senses. While taste and smell dominate, the poems are equally about the way of the world and the losses that people sustain during the course of their lives.

Maria Stepanova is one of Russia's most innovative and exciting poets and thinkers. This first full English translation of her poetry includes three recent long poems on conflict, 'Spolia' and 'War of the Beasts and the Animals', written during the Donbas conflict, and 'The Body Returns', commemorating the Centenary of the First World War.

A collection of three distinct parts, the poems in Rebecca Perry's second collection Stone Fruit nonetheless speak across their many common preoccupations: memory, grief, the fallibility of the physical form, our connection to and place in the world, natural and otherwise.

The living and the dead are working side by side in John Challis's dramatic debut collection, The Resurrectionists. Whether in London's veg and meat markets, far below the Dartford Crossing, or on the edge of the Western world, these poems journey into a buried and sometimes violent landscape to locate the traces of ourselves that remain.

The submerged land of Lyonesse was once part of Cornwall, according to myth, standing for a lost paradise in Arthurian legend, but becomes an emblem of human frailty in the face of climate change in Penelope Shuttle's new poems. The second part of the book, New Lamps for Old, is a collection of poems searching for meaning in life after bereavement.

This second collection from one of Britain's most innovative poets is an exploration of identity in the face of loss. At its heart is a series of poems about the desolation of miscarriage. Chrissy Williams' first collection Bear (Bloodaxe) was one of The Telegraph's 50 Best Books of the Year in 2017.

These poems gives voice to the people who came on the first ships from the Caribbean, whose journeys held strange echoes of earlier sea voyages which had brought ancestors from Africa to the slave plantations. James Berry - from Jamaica - was one of these emigrants, settling in Britain in 1948.

Tishani Doshi's Forward-shortlisted collection A God at the Door spans time and space, drawing on the extraordinary minutiae of nature and humanity to elevate the marginalised. Extending the territory of her zeitgeist collection Girls Are Coming Out of the Woods, these new poems traverse history, from the cosmic to the quotidian.

Museum of Ice Cream is Jenna Clake's second collection, following her debut Fortune Cookie (2017), winner of an Eric Gregory Award, shortlisted for a Somerset Maugham Award. An uncanny examination of objects, scenes and flavours, these poems explore how food can connect or divide, can feel isolating or terrifying, and what it mean to have a secret.

Dom Bury's first collection Rite of Passage is an initiation into what it means to be alive on the planet in the midst of extinction, of climate, environmental and systematic collapse. It is a journey into the shadow of man's distorted relationship with the earth. And yet in the utter darkness of this hour, these poems suggest that there is hope.

The ultimate reader's companion to poetry: a selection of 100 classic poems from five centuries with lively "companion" commentary to go with and illuminate each poem. Modern poets include Delmore Schwartz, whose sense of conflict between self and society gave birth to this anthology's title-poem, 'The Heavy Bear Who Goes With Me'.

Sean O Riordain (1916-77) was the most important Irish-language poet of modern times. He revitalised poetry in Irish, combining the world of Irish literature with that of modern English and European literature. His poems address 'the nature of human existence and the place of the individual in a universe without meaning' (Gearoid Denvir).

A giant crane appears at the back windows of a residential street, its red 'eye' overlooking lives on the other side of the glass where Susan Wicks writes searchingly about our ordinary existence, its serendipities and unreliable sense-impressions. By the time the crane leaves, the landscape we knew will have changed and we too will have moved on.

Matthew Sweeney's final collection brings together poems written during a year of debilitating illness before his death from Motor Neuron Disease in 2018. All his verve and spiky humour are here, following, as always, unnerving dream logic. But the dream is now a nightmare and the catastrophe, impending in all his earlier poems, has come to pass.

Staying Human is the latest addition to Bloodaxe's Staying Alive series of world poetry anthologies which have introduced many thousands of new readers to contemporary poetry. This fourth volume in the series offers poetry lovers an even broader, international selection, with a strong focus on 21st-century poems addressing current issues.

Kerry Hardie's new poems are the work of time and the cycles of growth, they are songs about saints and scholars, the natural world, exaltation and suffering and ordinary joy, the quiet accumulation of the slowly learned lessons of a lived life. There are narratives of the wondrous bewilderments of life as well as homages to the dead and the dying.

Pascale Petit's Tiger Girl marks a shift from the Amazonian rainforests of her previous work to explore her grandmother's Indian heritage and the fauna and flora of subcontinental jungles. Tiger girl is the grandmother, with tales of wild tigers, but also endangered predators Petit encountered in Central India. Shortlisted for the Forward Prize.

David Constantine's poetry is informed by a profoundly humane vision of the world. His title, Belongings, signals that these are poems concerned with our possessions and with what possesses us, with where we belong. Another kind of belonging is also challenged: our relationship with the planet to which we belong, but which does not belong to us.

Deborah Landau's Soft Targets draws a bull's-eye on humanity's vulnerable flesh and corrupted world. In this ambitious lyric sequence, fear of annihilation expands beyond the self to an endangered planet where all inhabitants are "soft targets", as she views a world beset by political tumult, random violence, terror attacks and climate change.

One of Britain's best-known and most popular Caribbean poets traces a journey that moves from the coastal memories of a Guyana childhood to life in Britain and her adoptive Sussex landscape, turning the ordinary into something vivid and memorable, most notably in a sonnet-sequence which grew out of a recent return trip to Guyana.