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Nearly 5,000 black Americans were lynched between 1890 and 1960. Over forty years later, Sherrilyn Ifill's On the Courthouse Lawn examines the numerous ways that this racial trauma still resounds across the United States. While the lynchings and their immediate aftermath were devastating, the little-known contemporary consequences, such as the marginalization of political and economic development for black Americans, are equally pernicious. On the Courthouse Lawn investigates how the lynchings implicated average white citizens, some of whom actively participated in the violence while many others witnessed the lynchings but did nothing to stop them. Ifill observes that this history of complicity has become embedded in the social and cultural fabric of local communities, who either supported, condoned, or ignored the violence. She traces the lingering effects of two lynchings in Maryland to illustrate how ubiquitous this history is and issues a clarion call for American communities with histories of racial violence to be proactive in facing this legacy today. Inspired by South Africa's Truth and Reconciliation Commission, as well as by techniques of restorative justice, Ifill provides concrete ideas to help communities heal, including placing gravestones on the unmarked burial sites of lynching victims, issuing public apologies, establishing mandatory school programs on the local history of lynching, financially compensating those whose family homes or businesses were destroyed in the aftermath of lynching, and creating commemorative public spaces. Because the contemporary effects of racial violence are experienced most intensely in local communities, Ifill argues that reconciliation and reparation efforts must also be locally based in order to bring both black and white Americans together in an efficacious dialogue. A landmark book, On the Courthouse Lawn is a much-needed and urgent road map for communities finally confronting lynching's long shadow by embracing pragmatic reconciliation and reparation efforts.

With a new afterword Acts of Faith is a remarkable account of growing up Muslim in America and coming to believe in religious pluralism, from one of the most prominent faith leaders in the United States. Eboo Patel's story is a hopeful and moving testament to the power and passion of young peopleand of the world-changing potential of an interfaith youth movement.

A manifesto from one of America's most influential activists which disrupts political, economic, and social norms by reimagining the Black Radical Tradition.Drawing on Black intellectual and grassroots organizing traditions, including the Haitian Revolution, the US civil rights movement, and LGBTQ rights and feminist movements, Unapologetic challenges all of us engaged in the social justice struggle to make the movement for Black liberation more radical, more queer, and more feminist. This book provides a vision for how social justice movements can become sharper and more effective through principled struggle, healing justice, and leadership development. It also offers a flexible model of what deeply effective organizing can be, anchored in the Chicago model of activism, which features long-term commitment, cultural sensitivity, creative strategizing, and multiple cross-group alliances. And Unapologetic provides a clear framework for activists committed to building transformative power, encouraging young people to see themselves as visionaries and leaders.

Life on earth is facing unprecedented challenges from global warming, war, and mass extinctions. The plight of seeds is a less visible but no less fundamental threat to our survival. Seeds are at the heart of the planet's life-support systems. Their power to regenerate and adapt are essential to maintaining our food supply and our ability to cope with a changing climate. In Uncertain Peril, environmental journalist Claire Hope Cummings exposes the stories behind the rise of industrial agriculture and plant biotechnology, the fall of public interest science, and the folly of patenting seeds. She examines how farming communities are coping with declining water, soil, and fossil fuels, as well as with new commercial technologies. Will genetically engineered and "e;terminator"e; seeds lead to certain promise, as some have hoped, or are we embarking on a path of uncertain peril? Will the "e;doomsday vault"e; under construction in the Arctic, designed to store millions of seeds, save the genetic diversity of the world's agriculture? To answer these questions and others, Cummings takes readers from the Fertile Crescent in Iraq to the island of Kaua'i in Hawai'i; from Oaxaca, Mexico, to the Mekong Delta in Vietnam. She examines the plight of farmers who have planted transgenic seeds and scientists who have been persecuted for revealing the dangers of modified genes. At each turn, Cummings looks deeply into the relationship between people and plants. She examines the possibilities for both scarcity and abundance and tells the stories of local communities that are producing food and fuel sustainably and providing for the future. The choices we make about how we feed ourselves now will determine whether or not seeds will continue as a generous source of sustenance and remain the common heritage of all humanity. It comes down to this: whoever controls the future of seeds controls the future of life on earth. Uncertain Peril is a powerful reminder that what's at stake right now is nothing less than the nature of the future.

A BookSense Notable Title for February 2007Once in a Promised Land is the story of a couple, Jassim and Salwa, who left the deserts of their native Jordan for those of Arizona, each chasing their own dreams of opportunity and freedom. Although the two live far from Ground Zero, they cannot escape the nationwide fallout from 9/11. Jassim, a hydrologist, believes passionately in his mission to keep the water tables from dropping and make water accessible to all people, but his work is threatened by an FBI witch hunt for domestic terrorists. Salwa, a Palestinian now twice displaced, grappling to put down roots in an inhospitable climate, becomes pregnant against her husband's wishes and then loses the baby. When Jassim kills a teenage boy in a terrible accident and Salwa becomes hopelessly entangled with a shady young American, their tenuous lives in exile and their fragile marriage begin to unravel . This intimate account of two parallel lives is an achingly honest look at what it means to straddle cultures, to be viewed with suspicion, and to struggle to find save haven.

Told in the voice of a girl as she moves from childhood into adolescence, Buxton Spice is the story the town of Tamarind Grove: its eccentric families, its sweeping joys, and its sudden tragedies. The novel brings to life 1970s Guyana-a world at a cultural and political crossroads-and perfectly captures a child's keen observations, sense of wonder, and the growing complexity of consciousness that marks the passage from innocence to experience. 'A superb, and superbly written, novel of childhood and childhood's end . . . Kempadoo writes in a rich Creole, filling her story with kaleidoscopic images of Guyana's coastal plains . . . Her story is also one of sexual awakening, and she explores these new feelings with a curiosity and freedom that are refreshing . . . Kempadoo's novel, like the Buxton Spice mango tree, reveals its secrets, private and political, only sparingly until the bitter end.' -Patrick Markee, New York Times Book Review 'Oonya Kempadoo . . . has written a sexy, stirring, richly poetic semi-autobiographical first novel.' -Gabriella Stern, Wall Street Journal 'As juicy and ripe as the fruits drooping from the Buxton Spice mango tree . . . Kempadoo's Caribbean argot is precise and fluid, enriching this debut with bawdiness, violence, and raucous humor.' -Los Angeles Times 'There is a salt freshness to Kempadoo's writing, an immediacy which makes the reader catch breath for pleasure at the recognition of something exactly observed . . . She is a writer to watch and to enjoy, for her warmth, her fine intelligence and her striking use of language.' -Paula Burnett, The Independent (London)* Oonya Kempadoo, author of Tide Running, was born in Sussex, England of Guyanese parents and was raised in Guyana from the age of four. She studied art in Amsterdam and has lived in Trinidad, St. Lucia, Tobago, and now Grenada. She was named a Great Talent for the Twenty-First Century by the Orange Prize judges and is a winner of the Casa de las Americas Prize.