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My family did the unthinkable: after getting away with 'playing white' for some years, we went one step further and 'jumped the colour line'. By various obscure and not well-documented processes, we changed our 'racial classification' from 'coloured' - as defined by the apartheid policy of the day -to that of 'white'. We juggled colour … The price we paid was anguish, constant fear of detectionand a sacrifice of family connectedness. The decades-long process of becoming completely comfortable with my ultimate identity was psychologically so unnerving that I have only recently feltfree to talk about it. This is certainly the first time I ever write about it. Ulla Dentlinger's life history begins in poor, rural apartheid Namibia of the early 1950s. Growing up in the Rehoboth Baster territory, she early on discovers that her parents are not prone to reminisce about their family's past. The most mundane information about their background is guarded much like a state secret. As a child, she begins to panic at being asked the question so normal to others: Where are you from? Only in later years it dawns on her that she had to be a 'Coloured'. The sense of conflict increases immeasurably. By then she is growing up in apartheid South Africa, but now in a 'white' suburb of Cape Town. She goes to a ‚white' school and bears herself in a German fashion. She and her family had, in fact, jumped the colour line. Returning to southern Africa from the United States in the 1990s, she now openly pursues investigations into her family background. In this book, Ulla Dentlinger portrays her wider family - some who simply ignored 'race' and colour, others who opposed it and those who dodged or tolerated it. Their intimate, painful or straight-forward stories and recollections lead her to the emotional realization of the wealth of her heritage and its final acceptance.

This book describes the Nyae Nyae Village Schools, an innovative and unique mother-tongue education initiative set in north-eastern Namibia. Inspired by the optimism of Independence, the project was designed in close consultation with the Ju|'hoansi community in the early 1990s. Drawing upon their traditional knowledge transmission strategies, and initiated in a supportive political environment, the project exemplified 'best practice.' During the following two decades, the Village Schools have transitioned from a donor-supported 'project' to government schools, and have received much attention and support from donors, civil society organisations, researchers, and others. However, the students still do not seem to succeed in the mainstream schools. Why is this? Based on long-term field-work in the region, including interviews with Nyae Nyae residents over several years and work with involved organisations, the book addresses this question. Contextualising the Village Schools within post-Independence Namibia, southern African history and the global indigenous rights movement, it examines the enormous paradoxes that schooling presents for the Nyae Nyae community. 'Owners of Learning' is the English translation of the Ju|'hoansi word for 'teacher' and it serves to highlight a fundamental question - to whom does education belong?

This book brings together recent and ongoing empirical studies to examine two relational kinds of politics, namely, the politics of nature, i.e. how nature conservation projects are sites on which power relations play out, and the politics of the scientific study of nature. These are discussed in their historical and present contexts, and at specific sites on which particular human-environment relations are forged or contested. This spatio-temporal juxtaposition is lacking in current research on political ecology while the politics of science appears marginal to critical scholarship on social nature. Specifically, the book examines power relations in nature-related activities, demonstrates conditions under which nature and science are politicised, and also accounts for political interests and struggles over nature in its various forms. The ecological, socio-political and economic dimensions of nature cannot be ignored when dealing with present-day environmental issues. Nature conservation regulations are concerned with the management of flora and fauna as much as with humans. Various chapters in the book pay attention to the ways in which nature, science and politics are interrelated and also co-constitutive of each other. They highlight that power relations are naturalised through science and science-related institutions and projects such as museums, botanical gardens, wetlands, parks and nature reserves.

The Etosha Region in Namibia, comprising the famous Etosha National Park and its adjacent communal and commercial farm lands, has been a conte step region since the advent of colonial settlement. The centenary of the Etosha Park in 2007 provided an opportune moment for critical reflection on its history, a much-needed appraisal achieved by this book through its multiple perspectives. At the centre of this book are the Hai||om San and their long history of the dispossession and discrimination. Ute Dieckmann analyses with care the historical transformations. These were linked not only to the creation of the one of the largest nature conservation areas in Africa but also to the establishment of a settler state and society.

'National Culture in Post-Apartheid Namibia' addresses the challenges of creating a 'national' culture in the context of a historical legacy that has emphasised ethnic diversity. The state-sponsored Annual National Culture Festival (ANCF) focuses on the Kavango region in north-eastern Namibia. Akuupa critically examines the notion of Kavango-ness as a colonial construct and its subsequent reconstitution and appropriation. He analyses the way in which cultural representations are produced by local people in the postcolonial African context of nation building and national reconciliation by bringing visions of cosmopolitanism and modernity into critical dialogue with the colonial past. Competing cultural festivals are used as celebratory social spaces in which performers and local people participate whilst negotiating a sense of national belonging in an ongoing tension between the need to celebrate diversity, yet strive for unity. This is the first study to discuss the comprehensive role played by those cultural festivals, which were organised in the ethnic homelands during the time Namibia fell under South African control.