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  • av Claire-Lise Kieffer
    214,-

    An eerie discovery at a building site triggers a crisis for a garda and his family. A grieving woman comes to believe that she is being possessed by the spirit of her mother, and seeks an unusual exorcism. A brave new world is established as Galway disappears slowly underwater. And a young woman experiences the morning after the night before in a strange, condemned midlands town. In these stories of an Ireland both strange and achingly familiar, Claire-Lise Kieffer animates our collective past, present and future. Humorous, off-kilter, savage and surreal, she depicts the bonds that hold couples, families and communities together with a sharp, humane and deeply original slant.

  • av Lucy Sweeney Byrne
    244,-

    In her latest collection of dark, hilarious and provocative short stories, Lucy Sweeney Byrne explores women on the brink - of love, of joy, of disaster - with her signature wit, insight and daring. A newlywed grapples with the chasm that has opened up between her and her husband on the subject of children. A young mother tries to eke out a life for her family on an island named for a dead man, unaware of the psychic toll that is taken on her by the land and sea. And a woman at a drug-fuelled house party ruminates on the dark past she shares with one of the guests. In Let's Dance, Lucy Sweeney Byrne, in her signature hypnotic prose, explores subjects such as physicality, identity and disillusionment. Utilising forms ranging from flash fiction to novella, Let's Dance is a glittering display of fiction s ability to probe, startle and entertain.

  • av Gustav Parker Hibbett
    142,-

    In High Jump as Icarus Story, Gustav Parker Hibbett gifts us visions of flight and falling. This stunningly accomplished debut deconstructs and redefines notions of Blackness, queerness, and masculinity through the lens of myth, pop culture, and that most transcendent of sports - the high jump.

  • av Mary Morrissy
    156 - 161,-

  • av Dylan Brennan
    144,-

    Deeply attuned to those things that make and unmake us, Dylan Brennan's Let The Dead concerns itself with life's alchemical processes. A couple breathe life into a doomed poppet, a photographer immortalises a corpse, Joyce and Breton rub shoulders on the streets of the poet's adopted Mexico, where life is a tapestry of 'delicate anthers' and 'disembodied tongues'. These dark meditations are set against poems which consider love, miscarriage, childbirth and the daily miracle of family life. Beautiful and disturbing by turns, these reflections on Ireland and Mexico's shared colonial past invoke topographies both real and imagined, where 'things in the ground have a tendency to grow.' Let the Dead reminds us of the power of art to shape our perception of history, and of the artist's responsibility in a time of violence.

  • av Rosamund Taylor
    154,-

    In her debut collection, Rosamund Taylor dares us across thresholds and invites us to glimpse the world as we've never seen it before. She boldly charts a journey of survival and transformation with poems on history reimagined, astronomy, sorcery, wild landscapes, talismanic creatures, and queer love.

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