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Under English law a parent still has the right to disinherit their offspring. This book is a poet's response to being written out of her mother's will. Exploring dispossession in a range of forms - from colonial legacies in Scotland and Australia to contemporary impacts of industrial civilisation on human health, planetary systems, and our children's future - The Mother Country is simultaneously a journey through sorrow, a quest for poetic justice, and a movement towards forgiveness and ecological restoration.

The question that haunts Ian Alexander MacDuffy is why the playwright Campbell McCluskie was murdered at 10.30 p.m. on Wednesday 16 June 1954, for that was the very moment that Ian's mother died giving birth to him. The coincidence suggests that some universal meaning may lie behind that gratuitous and painful event. Ian tries to uncover every detail of Campbell's short but colourful life: the guilt-ridden hypocrisy of his grandfather; his father's success as a shoe manufacturer; his childhood in Clydebank; the death of his favourite aunt; his bewildering role in the D-Day landings; his post-war success as a playwright; his passionate and eventful love life; his ambiguous relations with the criminal underworld; his violent death - because as Campbell himself wrote, in his inimitable style, 'It's all down tae patterns and figures; if you can decipher them, then Auld Nickie-Ben'll dance tae your tune.'

The transformative power of imagination, the elusive dream world of the unconscious, our changing relationship to nature, and the enduring presence of myth - these subjects have preoccupied Lindsay Clarke throughout the thirty years since he emerged as the award-winning author of The Chymical Wedding. Assembled in this definitive collection are the major essays, talks, and personal reflections that he has written, with characteristic verve and insight, on these and other themes relating to the evolution of consciousness in these transitional times.Speculative, exploratory, salty with wit, and interwoven with poems, this book brings the Green Man and the Daimon into conversation with alchemists, psychologists, gods, and Plains Indians, along with various poets and novelists the author has loved as good friends or as figures in the pantheon of his imagination. This lively adventure of the spiritual intellect will take you through shipwreck and spring-water into the fury of ancient warfare, before dropping you into the dark descent of the Hades journey and urging you on to the fabled land beyond the Peach Blossom Cave. Through a reverie of images and ideas, Green Man Dreaming puts us closely in touch with the myths and mysteries that embrace our lives.

Nicolas Kurtovitch is one of the leading literary figures in the French-speaking country of New Caledonia in the South Pacific. The twelve short stories in By the Edge of the Sea are written with a poet's sensitivity to style and the significance of what's left unsaid. They convey an enchantment of place in their evocation of physical settings; an enchantment too of the conscious moment; a big-hearted engagement with indigenous cultures and perspectives; and arising from all these a sense of possibility permeating beyond what the eye can see. This seminal first collection of Kurtovitch's stories appears here in English for the first time, together with an introduction to the author's work and New Caledonian background.

What does it mean to write and perform bardic poetry in the twenty-first century? This monumental collection, from the author of The Bardic Handbook and The Way of Awen, brings together 25 years of selected verse to explore that challenge. The diverse range of poems can be enjoyed for their own sake and will also inspire others to craft and voice their own creative responses to identity, ecology, and community, grounded in the body, the land, and conviction. Silver Branch includes an introduction to the author's practice as a performance poet, originally published as Speak Like Rain, along with the Bardic-Chair-winning poem Spring Fall; Bio*Wolf; Green Fire; Dragon Dance; The Taliesin Soliloquies; Thirteen Treasures; poems from the stage shows Arthur's Dream, Robin of the Wildwood, Return to Arcadia, and Song of the Windsmith; plus more recent bardic poems and songs.

In the summer of 1990 Jay Ramsay set out on pilgrimage with an interfaith group from London to Iona. The result is his most ambitious book-length poem, an astonishing tour de force in the tradition of Wordsworth and Chaucer. Epiphanic, conversational, meditational, psychological, political, it divines 'the cross' of spiritual and ecological being in Britain's radical tradition, as symbolised by Iona as the crown of the Celtic church and the direction that Christianity lost.Constructed as a series of 25 'days', the narrative builds symphonically like waves of the sea up to its visionary climax. Full of stories, reflections, memories, and images, Pilgrimage is above all a love poem, an invitation into the greater love that is our true becoming where we can find the God most personal to all of us - alive in the heart of Life.

Ditch Vision is a book of essays on poetry, nature, and place that extends Jeremy Hooker's thinking on subjects that, as a distinguished critic and poet, he has made his life's work. The writers he considers include Edward Thomas, Robert Frost, Robinson Jeffers, Richard Jefferies, John Cowper Powys, Mary Butts, and Frances Bellerby. Through sensitive readings of these and other writers, he discusses differences between British and American writers concerned with nature and spirit of place. The book also includes essays in which he reflects upon the making of his own work as a lyric poet. Written throughout with a poet's feeling for language, Ditch Vision is the work of an exploratory writer who seeks to understand the writings he discusses in depth, and to illuminate them for other readers. Hooker explores the 'ground' of poetic vision with reference to its historical and mythological contexts, and in this connection Ditch Vision constitutes also a spiritual quest.

In a verse sequence that swoops between wit and ancient wisdom, between the mystical and the mischievous, award-winning novelist Lindsay Clarke elucidates the trickster nature of Hermes, the messenger god of imagination, language, dreams, travel, theft, tweets, and trading floors, who is also the presiding deity of alchemy and the guide of souls into the otherworld. Taking a fresh look at some classical myths, this vivacious dance with Hermes choreographs ways in which, as an archetype of the poetic basis of mind, the sometimes disreputable god remains as provocative as ever in a world that worries - among other things - about losing its iPhone, what happens after death, online scams, and the perplexing condition of its soul. Foreword by Jules Cashford.