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Fernando Pessoa's artistic birth develops over two periods. The first moment: March 1914, the apparition, as decisive as opaque, of the four heteronymous poets, Alberto Caeiro, Ricardo Reis, Álvaro de Campos, and Fernando Pessoa himself. The second moment: the dramatic intellectual crisis of 1915-1916, during which the idea of the avant-garde and the meditation on the complexity and separation of metaphysics and art willingly battle and entangle themselves. This is a crisis of philosophy Pessoa experiences with anxiety, and which is the origin of the multiple births of the poet. From then on, the task of separating poetry from metaphysics begins. ----about the author Judith Balso has taught seminars on Fernando Pessoa, Wallace Stevens, Pier Paolo Pasolini, Osip Mandelstam, and Dante at the Collège International de Philosophie in Paris, France. She currently teaches poetry and philosophy at the European Graduate School in Saas-Fee, Switzerland. Her latest book, Affirmation de la poésie is published by NOUS editions, France.

"Science is interesting precisely because it relates to me. It is a human function just as much as breathing is: it is an existential interest. And an entirely objective science would be uninteresting, inhuman. The search for scientific objectivity is revealing itself in its continual advancement not as a search for "purity", but as pernicious madness. The present essay demands that we give up the ideal of objectivity in favour of other intersubjective scientific methods." ---- "De te fabula narratur". Thus starts this paranaturalist treatise by Vilém Flusser. Author of the seminal Towards a Philosophy of Photography (1984) and "Ins Universum der Technischen Bilder" (1985), Flusser introduces us here to an infernal creature from the oceanic abysses, our long lost relative, who slowly emerges, not from the oceans, but from our own depths to gaze spitefully into our eyes and reflect back at us our own existence. ---- Originally published only in German in 1987, this version has been edited and translated by Rodrigo Maltez Novaes, Ph.D. candidate at the European Graduate School, Saas-Fee, under the supervision of Prof. Dr. Siegfried Zielinski, from the original, unpublished and extended Brazilian-Portuguese version of the manuscript recently found at the Vilém Flusser Archive at the Universität der Kunst, Berlin. This edition is also accompanied by a selection of previously unpublished excerpts from Flusser's correspondence with Milton Vargas and Dora Ferreira da Silva, with whom he discussed the development of the present text.

"What a rewarding read! This unique blending of philosophy, poetry and personal experience, combined with an impressive scholarship, has enlightened me beyond my expectations. I especially liked the constructive attitude which turns the ugly past into something which contains future - a dialectics of hope. Like many educated people I had a certain knowledge of the issues at hand but this work has convinced me that we need to know so much more about it. We must finally recognize how strongly this past still influences the present worldview and our actions. "'Talking Cheddo' established forcefully the key role of language and the power of (forgotten) words ..." Prof.Dr.W.Schirmacher Program Director, Media & Communications Division European Graduate School EGS Manga Clem Marshall conducts ongoing research into the intersection of language, culture and race. From inside the circle of his ancestral Cheddo (Freethinking) tradition in the Senegambian region of West Africa, he lectures on Afrikan art, language, culture and race. He was named 'Teacher of the Year' for his work in Sociology at York University, Toronto; taught Community Arts at Ryerson University; pioneered the series Learning to Love Africa Through her Art for the Art Gallery of Ontario and was a lecturer in the prize-winning Ontario Science Centre program, 'A Question of Truth'.

The second and revised edition of a groundbreaking philosophical treatise from a leading authority on the theory and practice of electronic culture in the media age. Continuing the work of post(e)-pedagogy of Applied Grammatology, Ulmer's Teletheory is the second book of his trilogy on the modes of inquiry which concludes with Heuretics. Teletheory addresses the paradigm shift from literacy to electracy, using philosophy of science as well as Roland Barthes' design of an image rhetoric. The invention of a new historiography as experience of subjectivation culminates in a poetics extracted from philosophy of science, critical theory, and videography, which is tested with a sample of the genre: "Derrida at the Little Bighorn." The functionality of collage-montage as logic is probed, resulting in a position of singularity.