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';An intense snapshot of the chain reaction caused by pulling a trigger.' Booklist (starred review) ';Astonishing.' Kirkus Reviews (starred review) ';A tour de force.' Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People's Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents' Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds's electrifying novel that takes place in sixty potent secondsthe time it takes a kid to decide whether or not he's going to murder the guy who killed his brother.A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That's what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That's where Will's now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother's gun. He gets on the elevator, seventh floor, stoked. He knows who he's after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that's when Will sees that one bullet is missing. And the only one who could have fired Shawn's gun was Shawn. Huh. Will didn't know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck's in the elevator? Just as Will's trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck's cigarette. Will doesn't know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an ENDif Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.
From Newbery Medal honoree and #1 New York Times bestselling author Jason Reynolds comes a hilarious, hopeful, and action-packed middle grade novel about the greatest young superhero you've never heard of, filled with illustrations by Ral the Third!Portico Reeves's superpower is making sure all the other superheroeslike his parents and two best friendsstay super. And safe. Super safe. And he does this all in secret. No one in his civilian life knows he's actuallyStuntboy! But his regular Portico identity is pretty cool, too. He lives in the biggest house on the block, maybe in the whole city, which basically makes it a castle. His mom calls where they live an apartment building. But a building with fifty doors just in the hallways is definitely a castle. And behind those fifty doors live a bunch of different people who Stuntboy saves all the time. In fact, he's the only reason the cat, New Name Every Day, has nine lives. All this is swell except for Portico's other secret, his not-so-super secret. His parents are fighting all the time. They're trying to hide it by repeatedly telling Portico to go check on a neighbor ';in the meantime.' But Portico knows ';meantime' means his parents are heading into the Mean Time which means they're about to get into it, and well, Portico's superhero responsibility is to save them, tooas soon as he figures out how. Only, all these secrets give Portico the worry wiggles, the frets, which his mom calls anxiety. Plus, like all superheroes, Portico has an arch-nemesis who is determined to prove that there is nothing super about Portico at all.
Last Stop on Market Street gets a jazzy twist in this finger-licking good celebration of music, food, and family.Struttin' with Auntie Nina down to a club, We're gonna hear some music and then eat some grub. Wanna get up close, but we're stuck in the back, We can't see the drums and we can't get a snack! But Auntie Nina's got a plan, don't you fret, She's taking us to her place where we can get JAZZ FOR LUNCH! Come on in, sit right down! Cuz Auntie Nina and her nephew are cooking up a symphony of food and sounds. The lip-smacking smells and be-bopping tunes might just get the whole neighborhood shimmying over to join in. From Nat King Cole Slaw to Art Tatum Tots to Billie Hollandaise Sauce, get ready for some foot-stomping, finger-licking, booty-shaking, mouth-watering fun!
A Caldecott Honor winner! Prepare yourself for something unlike anything: A smash-up of art and text for teens that viscerally captures what it is to be Black. In America. Right Now. Written by #1 New York Times bestselling and award-winning author Jason Reynolds.Jason Reynolds and his best bud, Jason Griffin, had a mind-meld. And they decided to tackle it, in one fell swoop, in about ten sentences, and 300 pages of art, this piece, this contemplation-manifesto-fierce-vulnerable-gorgeous-terrifying-WhatIsWrongWithHumans-hope-filled-hopeful-searing-Eye-Poppingly-Illustrated-tender-heartbreaking-how-The-HECK-did-They-Come-UP-with-This project about oxygen. And all of the symbolism attached to that word, especially NOW. And so for anyone who didn’t really know what it means to not be able to breathe, REALLY breathe, for generations, now you know. And those who already do, you’ll be nodding yep yep, that is exactly how it is.
A young boy deals with the sadness of losing a pet in this gentle, sweet ode to how nothing can take away what lives in our heart.Theo loves feeding the birds. All the birds. But he tries his hardest to aim his seeds to the old bird with the raggedy wing?Pearl. Soon, they are sharing apples and peanut butter, enjoying a good breeze, and sitting heartbeat to heartbeat. But sometimes friends have to say goodbye…
From bestselling author Frances O'Roark Dowell comes a fresh and accessible guide to storytelling that breaks down the sometimes-daunting writing process into straightforward, doable steps, just right for budding writers!If you've written anything, ever, you're already a writerso, congratulations! As many aspiring authors know, though, telling an actual, complete story is, well, a different story. As unfinished drafts pile up and writers' block strikes, it may start to feel like there's a special formula to finishing a project that you're just not getting. But crafting a story isn't magic, if you have a little know-how! And here it isknow-how! In her witty, clever way, critically acclaimed author Frances O'Roark Dowell explains the storytelling process with simple, easy-to-understand steps. Follow along as she shares sample stories and identifies building blocks and obstacles to conquerall hilariously illustrated, in a way that'll have you typing all the way to the end of your own story. In addition to writing many books including Shooting the Moon and Dovey Coe, Frances O'Roark Dowell has over a decade's experience teaching writing workshops for kids. Ready, set, write!
';A funny, perceptive, and much-needed book telling a much-needed story.' Celeste Ng, author of the New York Times bestseller Little Fires Everywhere ';Written with humor and grace, with intimacy and empathy, Don't Ask Me Where I'm From is the perfect coming of age novel for our time.' Matt Mendez, author of Barely Missing Everything and Twitching Heart First-generation American LatinX Liliana Cruz does what it takes to fit in at her new nearly all-white school. But when family secrets spill out and racism at school ramps up, she must decide what she believes in and take a stand.Liliana Cruz is a hitting a wallor rather, walls. There's the wall her mom has put up ever since Liliana's dad leftagain. There's the wall that delineates Liliana's diverse inner-city Boston neighborhood from Westburg, the wealthyand whitesuburban high school she's just been accepted into. And there's the wall Liliana creates within herself, because to survive at Westburg, she can't just lighten up, she has to whiten up. So what if she changes her name? So what if she changes the way she talks? So what if she's seeing her neighborhood in a different way? But then light is shed on some hard truths: It isn't that her father doesn't want to come homehe can'tand her whole family is in jeopardy. And when racial tensions at school reach a fever pitch, the walls that divide feel insurmountable. But a wall isn't always a barrier. It can be a foundation for something better. And Liliana must choose: Use this foundation as a platform to speak her truth, or risk crumbling under its weight.
In the spirit of A Place to Belong, this remarkable novel-in-verse examines the aftershocks of the earthquake and tsunami that devastated Japan in 2011 through the eyes of a young girl who learns that even the smallest kindness can make a difference.March 11, 2011 An earthquake shakes Japan to its core. A tsunami crashes into Japan's coast. Everything changes. In the aftermath of the natural disasters that have struck her country, eleven-year-old Maya is luckier than many. Her family didn't lose their home, their lives, or each other. But Maya still can't help feeling paralyzed with terror, and each aftershock that ripples out in the days that follow makes her fear all over again that her luck could change in an instant. As word of the devastation elsewhere grows increasingly grimtens of thousands have perishedit all seems so huge, so irreparable. Already flinching at every rumble from the earth, Maya's overcome with a sense of helplessness and hopelessness. How can her country ever recover, and how could anything she does possibly make a difference? Before Maya can extend a hand to others, she must dig deep to find the hidden well of strength in herself in this sweeping, searing novel that shows even small acts can add something greater and help people and communities heal.
';Inviting and original.' Kirkus Reviews (starred review) Mohandas Gandhi and Reverend Martin Luther King Jr. both shook and changed the world in their quest for peace among all people, but what threads connected these great activists together in their shared goal of social revolution?A lawyer and activist, tiny of stature with giant ideas, in British-ruled India at the beginning of the 20th century. A minister from Georgia with a thunderous voice and hopes for peace at the height of the civil rights movement in America. Born more than a half-century apart, with seemingly little in common except one shared wish, both would go on to be icons of peaceful resistance and human decency. Both preached love for all human beings, regardless of race or religion. Both believed that freedom and justice were won by not one, but many. Both met their ends in the most unpeaceful of waysassassination. But what led them down the path of peace? How did their experiences parallel...and diverge? Threads of Peace keenly examines and celebrates these extraordinary activists' lives, the threads that connect them, and the threads of peace they laid throughout the world, for us to pick up, and weave together.
In an unforgettable new novel from award-winning authors Jason Reynolds and Brendan Kiely, two teensone black, one whitegrapple with the repercussions of a single violent act that leaves their school, their community, and, ultimately, the country bitterly divided by racial tension.A bag of chips. Thats all sixteen-year-old Rashad is looking for at the corner bodega. What he finds instead is a fist-happy cop, Paul Galluzzo, who mistakes Rashad for a shoplifter, mistakes Rashads pleadings that hes stolen nothing for belligerence, mistakes Rashads resistance to leave the bodega as resisting arrest, mistakes Rashads every flinch at every punch the cop throws as further resistance and refusal to STAY STILL as ordered. But how can you stay still when someone is pounding your face into the concrete pavement? But there were witnesses: Quinn Collinsa varsity basketball player and Rashads classmate who has been raised by Paul since his own father died in Afghanistanand a video camera. Soon the beating is all over the news and Paul is getting threatened with accusations of prejudice and racial brutality. Quinn refuses to believe that the man who has basically been his savior could possibly be guilty. But then Rashad is absent. And absent again. And again. And the basketball teamhalf of whom are Rashads best friendsstart to take sides. As does the school. And the town. Simmering tensions threaten to explode as Rashad and Quinn are forced to face decisions and consequences they had never considered before. Written in tandem by two award-winning authors, this tour de force shares the alternating perspectives of Rashad and Quinn as the complications from that single violent moment, the type taken from the headlines, unfold and reverberate to highlight an unwelcome truth.
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