Bøker utgitt av Aperture

Delegation is the first comprehensive monograph by Apsáalooke artist Wendy Red Star, whose photography recasts historical narratives with wit, candor, and a feminist, Indigenous perspective.Red Star centers Native American life and material culture through imaginative self-portraiture, vivid collages, archival interventions, and site-specific installations. Whether referencing nineteenth-century Crow leaders or 1980s pulp fiction, museum collections or family pictures, she constantly questions the role of the photographer in shaping Indigenous representation. Including a dynamic array of Red Star's lens-based works from 2006 to the present, and a range of essays, stories, and poems, Delegation is a spirited testament to an influential artist's singular vision.Copublished by Aperture and Documentary Arts

Justine Kurland, known for her utopian photographs of American landscapes and their fringe communities, has spent the better part of the last twelve years on the road.

Sales PointsThe first major monograph by rising star Zora J Murff, recipient ofthe inaugural Next Step Award, a partnership between Apertureand Baxter St at the Camera Club of New YorkAn incisive, autobiographic retelling of the struggles and epiphaniesof a young Black artist working to make space for himself andhis communityA generous book, elegantly designed by WORK/PLAY, an interdisciplinarypartnership between artists and designers Kevin andDanielle McCoyOther titles by artist:OMAHA, by Zora J Murff. Kris Graves Projects, 2018, $300.00 USD Corrections, by Zora J Murff. Aint-Bad Editions, 2015, $40.00 USD

As We Rise presents an exciting compilation of photographs from African diasporic culture. With over one hundred works by Black artists from Canada, the Caribbean, Great Britain, the United States, South America, as well as throughout the African continent, this volume provides a timely exploration of Black identity on both sides of the Atlantic. As Teju Cole describes in his preface, "Too often in the larger culture, we see images of Black people in attitudes of despair, pain, or brutal isolation. As We Rise gently refuses that. It is not that people are always in an attitude of celebration--no, that would be a reverse but corresponding falsehood--but rather that they are present as human beings, credible, fully engaged in their world.? Drawn from Dr. Kenneth Montague's Wedge Collection in Toronto--a Black-owned collection dedicated to artists of African descent--As We Rise looks at the multifaceted ideas of Black life through the lenses of community, identity, and power. Artists such as Stan Douglas, LaToya Ruby Frazier, Barkley L. Hendricks, Texas Isaiah, Liz Johnson Artur, Seydou Keïta, Deana Lawson, Jamel Shabazz, and Carrie Mae Weems, touch on themes of agency, beauty, joy, belonging, subjectivity, and self-representation. Writings by Isolde Brielmaier, Ugochukwu-Smooth C. Nzewi, Mark Sealy, Teka Selman, and Deborah Willis among others provide insight and commentary on this monumental collection.

This fall, Aperture magazine presents an issue exploring the idea of cosmologies—the origins, histories, and local universes that artists create for themselves.In an exclusive interview, Greg Tate speaks to Deana Lawson about how her monumental staged portraits trace cosmologies of the African diaspora. “What I’m doing integrates mythology, religion, empirical data, dreams,” says Lawson, whose work is the subject of major solo exhibitions this year at the Solomon R. Guggenheim Museum, New York, and Institute of Contemporary Art, Boston.In an in-depth profile of Judith Joy Ross and her iconic portraiture, Rebecca Bengal shows how a constellation of strangers is brought together through Ross’s precise, empathic gaze. “Ross is guided by a rapt, intense, wholehearted belief in the individual,” Bengal writes.A portfolio of Michael Schmidt’s acutely observed work from the 1970s and ’80s reveals the realms within realms of a once divided Berlin, while Feng Li’s surprising black-and-white snapshots zigzag between absurdist dramas in various Chinese cities. Ashley James distills the surreal visions of Awol Erizku’s still lifes and tableaux; Casey Gerald contributes a sweeping ode to Baldwin Lee’s stirring 1980s portraits of Black Southern subjects; and Pico Iyer meditates on Tom Sandberg’s grayscales marked by both absence and reverence.Throughout “Cosmologies,” artists cast their attention on the great mysteries of both personal and shared lineages, tracking their locations in space, time, and history, and reminding us of the elegant enigmas that can be unraveled close to home.

Gillian Laub's photographs of her family from the past twenty years, now collected in one volume, explore the ways society's biggest questions are revealed in our most intimate relationships. Family Matters reveals Laub's willingness to confront ideas of privilege and unity, and celebrates the resiliency and power of family-including the family we choose-in the face of divisive rhetoric.

The San Quentin Project collects a largely unseen visual record of daily life inside one of America's oldest and largest prisons, demonstrating how this archive of the state is now being used to teach visual literacy and process the experience of incarceration.

The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a set of contemporary thematic readers designed for educators, students, practicing photographers, and others interested in the ways images function within a wider set of cultural practices. The series tracks the many movements and “lives” of images—their tendency to accumulate, circulate, and transform through different geographies, cultures, processes, institutions, states, uses, and times.  Volume 2 in this series, Analogy, Attunement, and Attention, addresses the complex relationships that the reproducible image creates with its viewers, their bodies, their minds, and their sense of the physical and metaphysical world. The selection addresses the image’s role in the social constitution of individual and collective identity, in social practices of resistance to the structural violences of racism, or in relation to state exercises of power. Of particular importance in this volume are questions of our changing relationship to space and to selfhood as mediated by the image and by the many networked technologies and norms built around it. Essays in the volume ask: what modes of attention are required of us as viewers and agents of image circulation? The question of how image technologies provide us with an array of freedoms is here combined with and read against the many ways images are deployed to reorient, repress, or reduce our field of vision—thus affecting our capacity to see and to act in social space. Contributions by

Sales PointsThird volume in The Lives of Images, part of An Aperture Reader Series, built to meet the needs of today's students and practitioners of photography Stanley Wolukau-Wanambwa gathers essays by the most essential voices addressing the field's critical issuesA crucial broadening of perspectives on contemporary theories of photographyAdditional Comp TitlesThe Civil Contract of Photography, by Ariella Azoulay. 9781890951894, $24.95 USD (Zone Books, 2013)Photography's Other Histories, by Christopher Pinney. 9780822331131, $26.95 USD (Duke University Press, 2003)

Sales PointsThe only book to explore this influential artist’s previously unseen photographic practice Barry McGee is an iconic leading figure in contemporary visual culture Essential for lovers of graffiti and street artAdditional CompsBeautiful Losers: Contemporary Art and Street Culture. 9781933045306, $39.95 USD (DAP Book, 2005) Barry McGee: T.H.R. 9788862080965, $49.95 USD (Damiani, 2010)Barry McGee. 9781935202851, $49.95 USD (DAP, 2012)Barry McGee. 9788862086165, $35.00 USD (Damiani, 2018)Kaws: Where the End Starts. 9780929865362, $55.00 USD (Modern Art Museum of Fort Worth, 2017)Wolfgang Tillmans: Abstract Pictures. 9783775740814, $50.00 USD (Hatje Cantz, 2015)Ed Templeton: Wayward Cognitions. 9780985361129, $45.00 USD (Um Yeah Arts, 2014)Margaret Kilgallen: That's Where the Beauty IS. 9780934324878, $49.95 USD (Aspen Art Museum, 2019)

This summer, Aperture presents a special issue focused on the relationship between photography, urbanism, and activist trajectories from Delhi. Guest edited by Rahaab Allana, the Alkazi Foundation's lead curator, the issue explores multiple incarnations of the city¿s photographic culture, from O. P. Sharmäs experimental works from the 1960s to Aditi Jain¿s intimate tableaux of Delhi¿s trans community today. Interviews with revered writer Arundhati Roy and with Bangladesh¿s best-known photojournalist, Shahidul Alam, illuminate sites of protest in the city and throughout South Asia. Skye Arundhati Thomas revisits Sheba Chhachhi¿s feminist staged portraits from the 1980s and ¿90s. Featuring a cross section of dynamic image-makers and thinkers, such as Jyoti Dhar, Sunil Gupta, Ishan Tankha, and Anshika Varma, and emerging voices Uzma Mohsin and Prarthna Singh, the issue is a distinctive meditation on regionalism, politics, and identity, through archival and contemporary photographic viewpoints.

Marking the one-year anniversary of New York¿s shutdown due to the COVID-19 pandemic, Aperture magazine¿s ¿New York¿ issue honors the city through photographs and essays by visionary artists and writers, from Roe Ethridge and Rosalind Fox Solomon to Hilton Als and Joseph O¿Neill. In ¿New York,¿ acclaimed photojournalist Philip Montgomery speaks with the New York Times Magazine¿s director of photography, Kathy Ryan, about covering the city¿s hospitals at the height of the pandemic. Irina Rozovsky contributes magisterial, sun-dappled visions of Brooklyn¿s Prospect Park landscape. Hua Hsu writes poignantly about the archival photographs that emerged after a fire at the Museum of Chinese in America. Antwaun Sargent speaks with the founders of See In Black, an initiative to support Black photographers and communities. And Tanisha C. Ford profiles Jamel Shabazz, whose indelible images of 1980s street culture are icons of style and joy. Our lives and our city have been transformed over the past year, yet this issue reminds us of how much there is to discover, and relish, when New York comes roaring back.

This winter, in the wake of a pandemic, global protest movements, and a dramatic presidential election in the United States, Aperture releases ¿Utopia,¿ an issue that shows that other ways of living are possible¿when the collective will exists.In ¿Utopia,¿ artists, photographers, and writers envision a world without prisons, document visionary architecture, honor queer space and creativity, and dream of liberty through spiritual self-expression. They show us that utopia is not a far-fetched scheme, but rather a way of reshaping our future.In a profile, Salamishah Tillet considers Tyler Mitchell¿s visions of Black people resting in open green space, a democratizing landscape in which Mitchell continuously asks himself: ¿What are the things that I can do to lessen the inherent hierarchies in the photography-shoot structure of seeing and being seen?¿ Sara Knelman shows the freeing possibilities of the feminist collage works of Lorna Simpson, Mickalene Thomas, Sara Cwynar, and Alanna Fields. Julian Rose speaks with the filmmaker Matt Wolf about his latest documentary, Spaceship Earth (2020), which follows the people who created Biosphere 2 in 1991. And Antwaun Sargent traces Black queer artists¿ journeys into immersive desire. ¿Utopiä also includes compelling portfolios by David Benjamin Sherry, Allen Frame, and Balarama Heller, whose respective works span time and geography, from bohemian New York to a Hare Krishna retreat in India.¿The utopian imagination tends to stir when the world feels simultaneously wrecked and malleable,¿ the writer Chris Jennings notes, in a series of reflections by writers such as Olivia Laing and Nicole R. Fleetwood. Notions of utopia shouldn¿t be restricted to the fantasy of a fully realized ideal society, or the outsize, often failed, sometimes disastrous schemes and social experiments of the past. Instead, we might consider utopia a mode of vision and thought that shields us from hopelessness.

Sales Points Photographs at the center of inquiry into the history of slavery in the US Essential reading for students of photography, representation, and US historyIncludes singularly important contributions by scholars of African American history and photographyAdditional Comp TitlesEnvisioning Emancipation: Black Americans and the End of Slavery, by Deborah Willis. 9781439909850, $59.50 USD (Temple University Press, 2012)Delia's Tears: Race, Science, and Photography in Nineteenth-Century America. 9780300115482, $69.00 USD (Yale University Press, 2010)Hidden Witness: African American Images from the Dawn of Photography to the Civil War. 9780312245467 (St. Martins Press, 2000)

Compiled by Magnum photojournalist Susan Meiselas, Eyes Open is a sourcebook of photography ideas for kids-to engage with the world through the camera. Twenty-three enticing projects help inspire a process of discovery and new ways of telling stories and animating ideas. Eyes Open features photographs by young people from around the globe, as well as work by professional artists that demonstrates how a simple idea can be expanded. Playful and meaningful, this book is for young would-be photographers and those interested in expressing themselves creatively.

An incredible object of desire: dramatic in scale, superbly designed, featuring extraordinary images of Mars

Gideon Mendel (editor) is a South African photographer who has responded to key social and environmental issues around the world, particularly the HIV/AIDS epidemic. He is the creator of Drowning World, an art and advocacy project in response to climate change. David Gere (editor) Ph.D., is director of the UCLA Art & Global Health Center, where he is professor of arts activism and organizer of projects under the MAKE ART/STOP AIDS banner.Richard Gere (foreword) is an actor and a dedicated humanitarian who works on behalf of Tibetan causes, the homeless, and people living with HIV and AIDS.Mary Bowman (poet) was a poet, singer, spoken word artist, and AIDS activist based in Washington, D.C. Born HIV-positive, she died in 2019 at the age of thirty.

How do homes serve as emblems of a moment, markers of the past, or articulations of future possibilities? The Spring 2020 issue of Aperture considers the meanings and forms of a home, and the relationships between architecture, design, and the domestic realm.From interviews with leading architects-such as David Adjaye, Denise Scott Brown, and Annabelle Selldorf-and a reconsideration of the irreverent interiors magazine Nest, to previously unpublished work by Robert Adams and new portfolios by artists, including Alejandro Cartagena, Fumi Ishino, Mauro Restiffe, and the duo Randhir Singh and Seher Shah, House & Home considers the concepts of home across diverse geographies and time periods.

To mark the book's thirtieth anniversary, Aperture is reoriginating the groundbreaking classic At Twelve: Portraits of Young Women in a masterful facsimile edition. At Twelve is Sally Mann's revealing, collective portrait of twelve-year-old girls on the verge of adulthood. As Ann Beattie writes in her perceptive introduction, "These girls still exist in an innocent world in which a pose is only a pose-what adults make of that pose may be the issue." The young women in Mann's unflinching, large-format photographs, however, are not victims. They return the viewer's gaze with a disturbing equanimity.

Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other¿in print, in person, and online.

Ethan James Green (born in Caledonia, Michigan, 1990) moved to New York as a teenager to work as a model. He has been commissioned by publications such as Another Man, Dazed & Confused, Re-Edition, Love Magazine, i-D, Arena Homme +, Vogue Italia, Vogue Paris, W, and labels including Alexander McQueen, Miu Miu, and Prada. His work from Young New York was featured in and on the cover of Aperture¿s Winter 2017 issue, Future Gender. Hari Nef (foreword) is an actress, model, and writer based in Los Angeles. Michael Schulman (essay) is an arts editor and regular contributor to the New Yorker, and the author of Her Again: Becoming Meryl Streep (2016).

Marvin Heiferman (author) creates projects about photography and visual culture for institutions including the Museum of Modern Art, Smithsonian Institution, International Center of Photography, Whitney Museum of American Art, New Museum and the Carnegie Museum of Art. Heiferman has written for numerous publications, monographs, magazines and blogs, including The New York Times, CNN, Artforum, Design Observer, Art in America, and Aperture. He is the author/editor of over two dozen books on visual culture, including Photography Changes Everything (Aperture/Smithsonian, 2012). Scott Kelly is a retired NASA astronaut best known for spending a record-breaking year in space. He is a former US Navy fighter pilot, test pilot, and veteran of four spaceflights. Kelly commanded the space shuttle Endeavour in 2007 and commanded the International Space Station for three expeditions. He resides in Houston, Texas.

"Family" delves into the ways photographers have chronicled their relationships with those closest to them, be it immediate family or their community of friends. Aperture magazine is an essential guide to the art and phenomenon of photography, that combines the smartest writing with beautifully reproduced portfolios. Published quarterly, each issue focuses on a major theme in contemporary photography, serving as a book about its subject, for everyone interested in understanding where photography is heading. With fresh perspectives on the medium by leading writers and thinkers, and beautifully designed and produced, Aperture magazine makes new ideas in photography accessible to the photographer, student, and the culturally curious alike.