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A stunning photographic compilation of Egypt's abandoned palaces and grand buildingsBetween 1860 and 1940, Cairo and other large cities in Egypt witnessed a major construction boom that gave birth to extraordinary palaces and lavish buildings. These incorporated a mix of architectural styles, such as Beaux-Arts and Art Deco, with local design influences and materials. Today, many lie empty and neglected, rapidly succumbing to time, a real-estate frenzy, and an ongoing population crisis. In 2006 Russian-born photographer Xenia Nikolskaya began the process of documenting these structures. She gained exceptional access to them, taking photographs at some thirty locations, including Cairo, Alexandria, Luxor, Minya, Esna, and Port Said. These photographs were documented in the first edition of Dust: Egypt's Forgotten Architecture, which soon after its release in 2012 became a rare collector's item.This revised and expanded edition includes photographs from the first edition together with extra unseen images and new photographs taken by Nikolskaya between 2013 and 2021. It also includes previously unpublished essays by Heba Farid, co-owner of the Cairo-based photo gallery Tintera, and architect and urban planner Omar Nagati, co-founder of CLUSTER, an urban design and research platform also in Cairo.Dust: Egypt's Forgotten Architecture leads us seductively into some of the most breathtaking architectural spaces of Egypt's recent past, filled with a sense of both the immense weight and the impermanence of history.

"The Egyptian Economy in the Twenty-first Century addresses the question of why Egypt, despite possessing a plethora of assets-such as a fertile agriculture, a strategic geographic location, oil and gas deposits, innumerable tourist sites, a labor force prized by regional countries, and a diaspora that remits large amounts of funds-has seldom performed to its economic potential during the last sixty years. Indeed, economic weakness created political weakness, and often exposed the country to foreign diktats. What should the country do to change this state of affairs? Nineteen internationally recognized authorities on the Egyptian economy discuss the critical challenges that the Egyptian economy is likely to face in the next two to three decades, challenges which must be overcome in order to improve the life of Egypt's citizens and to protect the country from external pressures. Their analyses cover population and employment; development strategies; principal macroeconomic issues; development of a digital economy; fiscal and monetary matters; the external sector; poverty and income distribution; the enterprise structure; higher education; water availability; urbanization; institutional performance; and many others."--

A fascinating, richly illustrated study of the role and significance of ancient statues in Egyptian history and beliefWhy do ancient Egyptian statues so often have their noses, hands, or genitals broken? Although the Late Antiquity period appears to have been one of the major moments of large-scale vandalism against pagan monuments, various contexts bear witness to several phases of reuse, modification, or mutilation of statues throughout and after the pharaonic period. Reasons for this range from a desire to erase the memory of specific rulers or individuals for ideological reasons to personal vengeance, war, tomb plundering, and the avoidance of a curse; or simply the reuse of material for construction or the need to ritually "deactivate" and bury old statues, without the added motive of explicit hostility toward the subject in question.Drawing on the latest scholarship and over 100 carefully selected illustrations, Ancient Egyptian Statues proceeds from a general discussion of the production and meaning of sculptures, and the mechanisms of their destruction, to review the role of ancient statuary in Egyptian history and belief. It then moves on to explore the various means of damage and their significance, and the role of restoration and reuse.Art historian Simon Connor offers an innovative and lucidly written reflection on beliefs and practices relating to statuary, and images more broadly, in ancient Egypt, showing how statues were regarded as the active manifestations of the entities they represented, and the ways in which they could endure many lives before being finally buried or forgotten.

"The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo offers a history of Cairo's urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for the Egyptian film industry since the inception of the art form at the end of the nineteenth century. The "reel" city-imagined, perceived, and experienced-provides the spatial domain that mirrors change and allows for an interrogation of the "real" city as it encountered modernity over the course of a century. Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South."--

GOURMAND AWARD WINNER 2023, BEST ILLUSTRATEDA delightfully illustrated selection of 100 commonly used Egyptian food expressions Can you guess what Egyptians mean when they say that something is "a peeled banana" or that someone is "sleeping in honey" or has "turned the sea to tahini"? You may find the answers quite unexpected when you open the pages of this delightful giftbook featuring some one hundred popular food-inflected phrases and sayings used by native speakers of Egyptian Arabic.Idiomatic expressions lend color, dynamism, and humor to everyday speech, and convey complex ideas and beliefs with an economy of words that also tell us something about the culture from which they spring. Each expression in Fish, Milk, Tamarind is given in Arabic script and English transliteration followed by its literal and intended meanings, while humorous color illustrations throughout help readers visualize and remember the expressions. Learners and native speakers of Arabic, as well as Egypt enthusiasts and language lovers will find much in this book to teach, entertain, and enthrall them.

A wide-ranging exploration of the relationship between history and literatureThis issue of Alif explores the relationship between literature and history. What do history and literature have to say to each other? What can literature say that history cannot, and vice versa? Do they work with or against each other? How does the literary dimension of history affect its status, and how does the historicity of literature, in turn, shape its being? What would it mean to speak of a "literariness of history" today? The terms "literature" and "history" in our title are intended to be construed in the broadest possible sense and to cover the widest possible range of genres and modalities of literary and historical writing. The recent proliferation of epithets and sub-disciplines in the study of both literature and history has fundamentally changed both fields while raising further questions about the possibility of scholarly debates that traverse them.Contributors- Balthazar I. Beckett, American University in Cairo, Cairo, Egypt- Mohamed Birairi, Beni-Suef University, Beni-Suef, Egypt, and the American University in Cairo, Cairo, Egypt- Ziad Dallal, Bard College, Annandale-on-Hudson, New York, USA- Karim Elsaiad, Cairo University, Cairo, Egypt- Itzea Goikolea-Amiano, SOAS, University of London, London, UK- Rebecca Ruth Gould, University of Birmingham, Birmingham, UK- Magdi Guirguis, Kafrelsheikh University, Kafr al-Sheikh, Egypt- Isabelle Hesse, University of Sydney, Sydney, Australia- Abdullah Ibrahim, literary critic- Madonna Kalousian, independent scholar- Céza Kassem, independent scholar- Ahmed F. Khaleel, University of York, York, UK- Tarif Khalidi, American University of Beirut, Beirut, Lebanon- Peter Kornicki, University of Cambridge, Cambridge, UK- Wen-chi Li, University of Zurich, Zurich, Switzerland- Azza Madian, Cairo Conservatoire and American University in Cairo, Cairo, Egypt- Francesca Orsini, SOAS, University of London, London, UK- Daniel Rivet, Université Paris 1 Panthéon-Sorbonne, Paris, France- Anne C. Vila, University of Wisconsin-Madison, Madison, Wisconsin, USA

"When Parliaments Ruled the Middle East explores three main interrelated issues to clarify what happened between 1946 and 1963 in Iraq and Syria: how and why a parliamentary system prevailed in both countries in the aftermath of the Second World War; what social effects this system triggered and, in turn, how these changes affected the system; and finally, why the elites in both countries were unable to overcome the unrest that brought an end to both a liberal era and to a certain kind of political game. Drawing on a vast array of sources and rich archival research in French, English and Arabic, Matthieu Rey highlights the processes of the parliamentary system in the modern era, which are very common to post-independence countries and to any representative regime. He tackles the intersection of multifaceted political phenomena that were present in that moment in Iraq and Syria, including regular elections, the implementation of emergency law, the freedom of the press, the open expression of opinions, the formation of new political parties, frequent military coups, and the joint exercise of power by members of the old classes and reformist newcomers. Treating this period as neither an epilogue of the liberal order nor a prelude to authoritarianism, and stressing the contingent, improvisatory aspects of political history, Rey fundamentally questions the transitional nature of the period and in doing so proposes new ways and tools of examining it."--

"First published in Arabic in 2018 as Awlad haratina: sirat al-riwaya al-muharrama"--Title page verso.

"The art of the mosaic was developed by the Greeks, notably within the royal court of Macedonia, and was initially unknown to the Egyptians. Macedonian mosaicists then established busy workshops in the capital, Alexandria, and in the new towns of Greek Egypt. Under the stimulus of commissions from the Ptolemaic court, these workshops soon showed that they were capable of innovation. Beginning with pebbles, they then used tesserae of different sizes, and adopted new materials (glass, faience, paint) in order to transpose onto the floor images from grand paintings, which was the major art form of the time and was characterized by the vivid use of color. Alexandrian mosaicists were at the forefront of creativity during the Hellenistic period and their influence spread around the Mediterranean. After the Roman conquest of Egypt they adapted to the tastes of their new sponsors and to changes in architecture and were able to retain an important place within this art as it developed across the entire empire, in Rome and from east to west. The Mosaics of Alexandria provides the first overview of the mosaics and pavements of Egypt that were created between the end of the fourth century BC and the sixth century AD. It presents a selection of some seventy mosaics and pavements from Alexandria and Greco-Roman Egypt. Generally little known and more often than not unpublished, these works are illustrated here in full color, some for the first time. The aim is to better understand the artistic and artisanal production of a type of decoration that played an important role within the living environment of the ancients."--

""There could be no society, no family, and no social recognition without children. The way in which children were perceived, integrated, and raised within the family and the community established the very foundations of Egyptian society. Childhood in Ancient Egypt is the most comprehensive attempt yet published to reconstruct the everyday life of children from the Predynastic period to the end of the New Kingdom. Drawing on a vast wealth of textual, iconographic, and archaeological sources stretching over a period of 3,500 years, Amandine Marshall pieces together the portrait of a society in which children were ever-present in a multiplicity of situations. The ancient sources are primarily the expressions of male adults, who were little inclined to take an interest in the condition of the child, and the feelings of young Egyptians and all that touches on their emotional state can never be deduced from the sources. Nevertheless, by cross-referencing and comparing thousands of documents, Marshall has been able to explore how ancient Egyptians perceived children and childhood, and whether children had a particular status in the eyes of the law, society, and the Egyptian state. She examines the maintenance of the child and the care expended on its being, and discusses the kinds of clothing, jewelry, and hairstyles children wore, the activities that punctuated their daily lives, the kinds of games and toys they enjoyed, and what means were employed to protect them from illness, evil spirits, or ghosts. Accessibly written and copiously illustrated with 160 drawings and photographs, this book sheds unprecedented light upon the experience of childhood in ancient Egypt and represents a major contribution to the growing field of ancient-world childhood studies.""--

A portable, easy-to-use map guide that locates over 700 hundred Islamic-era monuments in historic Cairo using the most sophisticated Geographic Information Systems (GIS) technology This portable, easy-to-use map guide helps you locate over seven hundred Islamic-era monuments in Cairo's historic core, stretching from the city's northern walls all the way southward to the Mosque of Ibn Tulun and the Citadel, and beyond to Coptic Cairo, which includes monuments that pre-date Islamic rule. Clearly divided into six digestible main sections, the first five contain clusters of monuments, while the sixth covers structures scattered all around the old Cairene urban fabric. The clear, uncluttered cartographic style makes finding where you want to go a pleasure, and the maps are accompanied by a comprehensive index of monuments that gives their dates where known, their location referenced to their corresponding map pages, and a timeline of key periods and dynasties. Attractively designed in full color and including over twenty photographs of key monuments, this guide is conveniently packed into a slim 104 pages--handy enough to take anywhere and great for planning and remembering excursions. It is not only an ideal companion for the city's visitors and residents but an invaluable resource for historians, writers, and students.

"The Fayoum, a broad, fertile depression in Egypt's Western Desert, known for its great salt lake, its rich green fields, and its unique pharaonic and Greco-Roman remains, is also home to three very different centers of pottery production. The potters of Kom Oshim specialize in decorated garden pots and other utilitarian ware, and guard the special secret of how to make the largest clay vessels in Egypt, up to an extraordinary two and a half meters tall. At al-Nazla, ancient traditions are kept alive, as members of a single extended family continue to use millennia-old techniques passed down from generation to generation, hand-forming among other things their distinctive spherical water jars with amazing dexterity and speed. In the small village of Tunis, the establishment of a pottery school by a Swiss couple in 1990 led to a complete transformation, and the village now hosts more than twenty-five pottery workshops and showrooms, whose products are sold in Cairo, London, and New York. In this lively insight into a varied and vital craft, the author reveals the stories of the three villages and the skilled potters who make their living there, looking at how they learned their trade and how they work, from the preparation of the clay to the formation of the pots on the wheel or by hand, to the decoration, the glazing, and the firing, and finally to the display or distribution and sale of the finished product. For past and future travelers to Egypt, lovers of the craft of pottery, practitioners, and collectors, this beautifully illustrated exploration of the ceramics of the Fayoum will inspire and enchant."--

"At its beginning in 2007, the Southern Movement in South Yemen was a loose merger of different people, most of them former army personnel and state employees of the People's Democratic Republic of Yemen (PDRY) who were forced from their jobs after the war in 1994, only four years after the unification between the PDRY and the Yemen Arab Republic. This bold ethnographic account of a persistent Arab uprising, in a rarely studied corner of the Middle East, explores why the Southern Movement has grown so tremendously during the last decade and how it developed from a primarily social movement demanding social rights into a mass protest movement claiming independence for a state that had long vanished from the world map. Anne-Linda Amira Augustin asks why so many young people born after 1990 joined the movement and demanded the re-establishment of a state that they had never themselves experienced. At the core of South Yemeni resistance lies the transmission from generation to generation of a dominant counternarrative, which may be seen as the continuation and rehabilitation of the PDRY's national narrative. This narrative, amplified through everyday communication in families and neighborhoods, but also by mediamakers, journalists, academics, civil society actors, and by the movement's activists, opposes the national-unity narrative of the Republic of Yemen and intensifies the demands for an independent state.""--

"The individually designed anthropoid sarcophagi of the Ptolemaic period (ca. 330-30 BCE) offer a particularly rich and varied repertoire of hieroglyphic inscriptions and religious scenes. Being at the end of a long tradition of funerary literature, many of the epigraphs on these objects are variations or reinterpretations of older texts that have been circulated and transmitted over millennia. Others are entirely new creations that provide insight into funerary beliefs of late ancient Egypt. The present volume is the second and last publication of a joint project between scholars from Cairo University and the University of Tèubingen on Late and Ptolemaic period sarcophagi housed in the museums of Cairo. It includes the detailed publication of eighteen sarcophagi, which until now have only been known through brief descriptions. The facsimile drawings, detailed pictures, translations and commentaries presented here will allow scholars to approach this corpus with a broad range of research questions."--

"As a frequently contested territory, Mount Lebanon has an equally contested history, one that is produced, shaped, and revised by as many players as those who molded the Lebanese state since its inception in 1920. The Lebanese Maronite Church has had more at stake in the process of history writing than any other group or institution. It is arguably one of the most influential institutions in Lebanese history and definitely the most influential institution in the country at the moment of the state's birth. Writing the History of Mount Lebanon traces the genealogy of Maronite identity by examining the historical traditions that shaped its contemporary manifestation. It explores the presence of a tradition in Maronite Church historiography that was maintained by the historians of the Church, whose claims and hypotheses ultimately defined the communal identity of the Maronites in Mount Lebanon and deeply influenced subsequent Lebanese national identity. Rooted in a reexamination of the existing literature and bringing evidence to bear on this particular aspect of history-writing in Lebanon it shows how early Maronite ecclesiastic historiography's plea for inclusion as a part of Catholic orthodoxy was transformed and recast in subsequent centuries by lay and secular historians into a demand for exclusion and exclusivity, which in turn led to the rise of exclusivist political identities based on sectarian belonging in Mount Lebanon. Ultimately, Mouannes Hojairi shows how history-writing is one of the main instruments in generating and perpetuating nationalist ideologies and how historians are central agents of nationality."--

Debut in English from an novelist who is both a bestselling author in his home country and has been shortlisted for the "Arabic Booker," the International Prize for Arabic Fiction. Deftly combines historical events and figures with fiction. Hinges on the real-life, infamous heist in which a prominent businessman was murdered in his Cairo villa in the 1920s. The book is in development for a Netflix series

A magical story of a Crusade-era bookseller who embarks on a journey through the Islamic world's great medieval cities, winner of the Naguib Mahfouz Medal for Literature In the epic fashion of the great Arab explorers and travel writers of the Middle Ages, scribe and bookworm Mazid al-Hanafi narrates this journey from his remote village in the Arabian Desert. Dreaming of grand libraries, his passion for the written word draws him into a secret society of book smugglers and into the famed cultural capitals of the period-Baghdad, Jerusalem, Cairo, Granada, and Cordoba. He discovers a dangerous new world of ideas and experiences the cultural diversity of the Islamic Golden Age, its sects, philosophical schools, wars, and ways of life. Omaima Al-Khamis's magical storytelling and her vivid descriptions of time and place trace a route through ancient cities and cultures and immerse us in a distant era, uncovering the intellectual debates and struggles which continue to rage today.

"K is an introverted man in his mid-twenties, working for a big, faceless petrochemical company. After reading Kafka, K decides to write his own diary, but he is constantly frustrated by his lack of experiences, his concerns about his privacy, and the demands of his dull job and family. When he receives the news that he has leukemia, he finds himself torn between a sense of devastation and a revelation that he has finally found a way out of his writing predicament, as he begins to rebel against the social and economic constrains that threaten to overwhelm him. Through Aziz Mohammed's measured but forceful writing, this is an absorbing, sensitive, and at times darkly humorous telling of K's experience of illness, his contemplation of death, and his determination to maintain his independence of decision through it all"--

A fascinating examination of the role of lighting in ancient Egyptian culture Artificial lighting is one of the earliest tools used by humans. By the time we began to paint cave walls, we were producing lamps consisting of an illuminant, a fat or oil, and a wick, such as a strip of fabric or a piece of reed or wood. Drawing on archaeological, textual, and iconographic sources, Meghan Strong examines the symbolic part that artificial lighting played in religious, economic, and social spheres in ancient Egyptian culture. From the earliest identifiable examples of lighting devices to the infiltration of Hellenistic lamps in the seventh century BC, Sacred Flames explores the sensory experience of illumination in ancient Egypt, the shadows, sheen, color, and movement that resulted when lighting interacted with different spaces and surfaces. The soft, flickering light from lamps or hand-held lighting devices not only facilitated the navigation of darkened environments, such as allowing workers to see in underground chambers in the Valley of the Kings, or served as temple offerings, but also impacted upon the viewer''s perception of a space and the objects within it. Sacred Flames illustrates the active role that lighting played in Egyptian society, providing a richer understanding of the symbolic and social value of artificial light and the role of lighting in ritual space and performance in ancient Egyptian culture, while serving as a case study of the broader impact of artificial light in the ancient world.