Bøker utgitt av Alfred Music

A stunning arrangement of the incredible masterwork Peer Gynt Suite No.1, Op. 46! It is perfect for string orchestra alone, or with added instruments up to a full orchestra. This setting, by Chris M. Bernotas, offers the opportunity to explore the entire suite. All four movements are presented in approachable keys and are abridged to the perfect length and difficulty level for your next concert. (5:30)

Franz Gruber's beloved Christmas carol, Silent Night," receives a unique treatment for strings. The tune is heard twice. The first time, it is paired with a motive from the Prelude of J. S. Bach's Cello Suite No. 1 (BWV 1007); the second time, the melody shifts from part to part, giving everyone a chance to shine. Richly scored, warm and embracing, a real audience pleaser for your December concerts. (3:00) This title is available in MakeMusic Cloud."

Many special experiences are joyful or thrilling, such as flying for the first time, a big sports moment, or the excitement of a first concert. Whatever it might be, Cooper Ford's Exhilaration is a musical expression of the emotions that come from these memorable moments. Young musicians should find this both easily accessible and fun to play, as melodies are passed around to different sections while reinforcing foundational rhythms, notes within a D major scale, and playing with a big sound. Written with the young orchestra in mind, 2nd violin and viola parts are doubled, as well as cello and string bass. (1:40) This title is available in MakeMusic Cloud.

From the blockbuster film Zack Snyder's Justice League comes this intense arrangement by Patrick Roszell featuring themes that are both dramatic and ominous. Featuring dark sonorities and driving rhythms, this work brings all the thrilling action to life. (5:42) This title is available in MakeMusic Cloud.

From the blockbuster film Zack Snyder's Justice League comes this intense arrangement of themes that are both dramatic and ominous. Featuring dark sonorities and driving rhythms, this work brings all the thrilling action to life. This stunning arrangement by Patrick Roszell features a reduced number of wind parts, making it even more accessible. (5:30) This title is available in MakeMusic Cloud.

The Cloister Album Voluntaries Volume 1 (originally published as The Cloister Voluntaries) presents twenty-two popular favourites in one compendium. These pieces are for electronic or pipe organ, American organ, harmonium or piano. The second album is also available from this website.

23 favourite hymns for electronic keyboard and published as part of the Easy Keyboard Library Series. Includes timeless classics such as Abide With Me, All Things Bright and Beautiful and We Plough The Fields.

Schubert's Settings of 9 Songs for upper voices (in 2 or 3 parts) composed by Schubert on 26 May 1815. English language text (translations by Jean Lunn). Contains music for instruments (originally natural horns) within the vocal lines. Vocal Score.9 Stücke für Frauen- oder Kinderchor von Schubert, 2- oder 3-stimmig, komponiert am 26. Mai 1815. Text in englischer Sprache, Übersetzungen von Jean Lunn. Die Vokalpartitur enthält auch ursprünglich für Naturhörner gedachte Instrumentenstimmen.

French composer, Charles Gounod's, Messe Solennelle, scored for three soloists, choir, orchestra and organ, and edited by Andreas Schenck. This publication contains the viola part only. Die Messe Solennelle (Cäcilienmesse) des französischen Komponisten Charles Gounod, in der Besetzung für drei Solisten, Chor, Orchester und Orgel, wurde von Andreas Schenck herausgegeben. Diese Veröffentlichung enthält die Bratschenstimme.

French composer, Charles Gounod's, Messe Solennelle, scored for three soloists, choir, orchestra and organ, and edited by Andreas Schenck. This publication contains the bass part only.  Die Messe Solennelle (Cäcilienmesse) des französischen Komponisten Charles Gounod, in der Besetzung für drei Solisten, Chor, Orchester und Orgel, wurde von Andreas Schenck herausgegeben. Diese Veröffentlichung enthält die Kontrabassstimme.

Italian Baroque composer, Arcangelo Corelli's, Concerto Grosso, Op. 6, consists of 12 concerti grossi for string orchestra and continuo. This publication comprises the Violin I solo part for Concerto Nr. 8. Das Concerto Grosso op. 6 des italienischen Barockkomponisten Arcangelo Corelli besteht aus 12 Concerti grossi für Streichorchester und Generalbass. Die vorliegende Veröffentlichung enthält die Solostimme der ersten Violine des Konzerts Nr. 8.

Italian Baroque composer, Arcangelo Corelli's, Concerto Grosso, Op. 6, consists of 12 concerti grossi for string orchestra and continuo. This publication comprises the Violin 2 solo part for Concerto Nr. 8. Das Concerto Grosso op. 6 des italienischen Barockkomponisten Arcangelo Corelli besteht aus 12 Concerti grossi für Streichorchester und Generalbass. Die vorliegende Veröffentlichung enthält die Solostimme der zweiten Violine des Konzerts Nr. 8.

Italian Baroque composer, Arcangelo Corelli's, Concerto Grosso, Op. 6, consists of 12 concerti grossi for string orchestra and continuo. This publication comprises the harpsichord part for Concerto Nr. 8. Das Concerto Grosso op. 6 des italienischen Barockkomponisten Arcangelo Corelli besteht aus 12 Concerti grossi für Streichorchester und Generalbass. Die vorliegende Veröffentlichung enthält die Cembalostimme des Konzerts Nr. 8.

Give your students the opportunity of playing a piece for beginning strings that is upbeat and full of excitement! Violento, is an original beginning strings composition by veteran composer Victor López. This exciting work is a forceful and rhythmically driven composition that sounds more difficult than written. A mixture of the danzón---Cuba's unique genre of song and dance---and basic rhythmic interplay give this piece a unique touch. The inclusive, simple, and repetitious rhythmic patterns will certainly make an energetic statement at your next concert. (1:50) This title is available in MakeMusic Cloud.

Fum, Fum, Fum" is a popular 16th- or 17th-century Christmas carol from Catalonia, which is located in northeast Spain. This well-crafted arrangement by Michael Story includes a series of variations that conclude with an energetic flourish. Perfect for your holiday concert! (2:00)"

Written to reinforce dotted quarter/eighth note patterns, Grand Pursuit by Michael Kamuf features contrasting melodies, bold harmonies, and a fun, groove-oriented development section that combine to create a piece both your students and audiences will enjoy. (2:00)

With a variety of original pieces and arrangements of classic carols from Europe and North America, After Hours Christmas, arranged by Pam Wedgewood, contains styles to suit any mood: Away In A Manger as a laid-back jazz waltz, The Angel Gabriel and In Dulci Jubilo as wistful ballads, and a bossa nova version of Ding! Dong! Merrily On High. The compilation also contains a mix of piano solos and duets for you to enjoy on your own or with friends and family, arranged for the grade 3-5 pianist. So conjure up the magical atmosphere of Christmas and relax with these lush harmonies and well-loved melodies.

The new Peters edition of Fauré's Barcarolles, like that of the Nocturnes, draws on a very wide range of sources including piano rolls played by him and printed copies bearing his corrections. Along with other rare sources, these offer some variant textures in the First Barcarolle and throw important light on tempo and rhythmic treatment in (particularly) the first two Barcarolles. The Fifth Barcarolle shows a vital manuscript variant and some variant rhythmic notation, both of which impinge strongly on the piece's tonal and rhythmic structure; in the Eighth Barcarolle a whole series of faulty or missing accidentals is corrected. A longstanding confusion of slurs and ties is resolved in the Tenth Barcarolle, along with a problem of continuity at one point. Some oft-debated textures in the Eleventh and Twelfth Barcarolles are clarified, along with the correction of an unusually large number of wrong notes in the Eleventh. The remaining pieces appear with many smaller but telling corrections, in all bringing a new clarity to this epoch-defining series of pieces spanning four decades.Die neue Peters-Ausgabe von Faurés Barcarolles stützt sich, wie die der Nocturnes, auf eine Vielzahl verschiedener Quellen, darunter die von ihm eingespielten Klavierrollen sowie Notenexemplare mit Korrekturen aus seiner Hand. Zusammen mit anderen seltenen Quellen bieten sie abweichende Gestaltungen in der Barcarolle Nr. 1 und gewähren entscheidende Einblicke in die Behandlung von Tempo und Rhythmus vor allem in den ersten beiden Barcarolles.Die Barcarolle Nr. 5 zeigt eine wesentliche Abweichung in der Handschrift sowie Lesarten in der rhythmischen Notation, die sich unmittelbar auf die klangliche und rhythmische Struktur des Stückes auswirken; in der Barcarolle Nr. 8 wird eine ganze Reihe von falschen oder fehlenden Versetzungszeichen korrigiert. Eine hartnäckige Verwechslung von Halte- und Bindebögen in der Barcarolle Nr. 10 wird ebenso aufgelöst wie ein Anschlussproblem, das sich an einer Stelle des Stückes ergibt. Weiterhin werden einige oft angezweifelte Satzstrukturen in den Barcarolles Nr. 11 und 12 geklärt sowie eine ungewöhnliche Anhäufung von falschen Noten in Nr. 11 richtig gestellt. Die restlichen Stücke erscheinen mit vielen kleinen, aber aufschlussreichen Korrekturen, welche dieser Sammlung von Stücken aus vier Jahrzehnten alles in allem eine ganz neue Transparenz verleihen.

Arrangements for piano duet by Leonard Duck of 3 of Bach's most famous pieces from his Cantatas: Jesu, Joy of Man's Desiring; Sheep May Safely Graze; Sleepers, Wake. Landscape performance to facilitate performance.3 beliebte Stücke aus d. Kantaten BWV 140, 147, 208 (Bearb. f. Klavier zu 4 Hd.)Jesus bleibet meine Freude, Schafe können sicher weiden, Wachet auf

Jeux d'eau by Ravel for solo piano. In preparing this Urtext edition of Ravel's piano music, Roger Nichols consulted no fewer than 14 sources - including sound recordings by Ravel himself and other pianists with whom the composer worked. As a result he is uniquely qualified to evaluate the complexity of the sources and, with this edition, has provided today's pianists with the tools to make their own well-informed performance choices about this infinitely-rewarding repertoire.Jeux d'eau von Ravel für Klavier. Bei der Vorbereitung dieser Urtextausgabe hat Roger Nichols nicht weniger als 14 Quellen herangezogen - darunter Tonaufnahmen von Ravel selbst und anderen Pianisten, mit denen der Komponist zusammenarbeitete. Dadurch ist er in einzigartiger Weise in der Lage, die Komplexität der Quellen zu bewerten, und mit dieser Ausgabe hat er den Pianisten von heute das Handwerkszeug an die Hand gegeben, um ihre eigenen, fundierten Aufführungsentscheidungen für dieses unendlich lohnende Repertoire zu treffen.

Mozart's Clarinet Quintet K581, editied and arranged for Clarinet in Bb and Piano by Philip Catelinet.  Wolfgang Amadeus Mozarts Klarinettenquintett A-Dur KV 581 aus dem Jahr 1789, herausgegeben und für Klarinette in B und Klavier arrangiert  von Philip Catelinet.

Edition with German and English text (by Walter E. Buszin) of Bach's Motet for choir SATB setting text from Psalm 117. Vocal score contains realisation of the continuo accompaniment by Fritz Oberdoerffer.

Sinnlighetens fest by Sebastian Fagerlund is a 5-minute work for male choir, based on an atmospheric and intense text by Claes Andersson. The music describes moods that move in lyrical and passionate or repetitive sections. Sinnlighetens fest was premiered by the Finnish Polytech Choir on 22 May 2004.This edition (EP 14548) is the choral score of this work.

The cello and double bass part for Mozart's Requiem in D Minor (K626). It is considered one of Mozart's most famous works, it was his final composition; he himself died before completing it.Dies ist die Violoncello/Kontrabassstimme für Wolfgang Amadeus Mozarts "Requiem" in d-Moll, K626 in der Ergänzung durch Franz Xaver Süßmayr. Es gilt als eines der berühmtesten Werke Mozarts, es war seine letzte Komposition, er selbst starb vor der Fertigstellung. Diese Ausgabe wurde neu herausgegeben von David Blackwell.

Violin arrangement of the clarinet part to Max Bruch's Double Concert for Clarinet, Viola and Orchestra in E minor, Op. 88. Violinbearbeitung der Klarinettenstimme zu Max Bruchs Doppelkonzert für Klarinette, Viola und Orchester in e-Moll op. 88.

The viola part for Mozart's Requiem in D Minor (K626). It is considered one of Mozart's most famous works, it was his final composition; he himself died before completing it.Dies ist die Violastimme für Wolfgang Amadeus Mozarts "Requiem" in d-Moll, K626 in der Ergänzung durch Franz Xaver Süßmayr. Es gilt als eines der berühmtesten Werke Mozarts, es war seine letzte Komposition, er selbst starb vor der Fertigstellung. Diese Ausgabe wurde neu herausgegeben von David Blackwell.

French composer, Charles Gounod's, Messe Solennelle, scored for three soloists, choir, orchestra and organ, and edited by Andreas Schenck. This publication contains the violin II part only. Die Messe Solennelle (Cäcilienmesse) des französischen Komponisten Charles Gounod, in der Besetzung für drei Solisten, Chor, Orchester und Orgel, wurde von Andreas Schenck herausgegeben. Diese Veröffentlichung enthält die Stimme der II. Violine.

The first violin part for Bruckner's Te Deum (1884) for solo, choir, orchestra and organ, edited from the sources by Christiane a Campo. Regarded by Anton Bruckner himself as the 'pride of my life' and 'my best work'.Die erste Violinstimme zu Bruckners Te Deum (1884) für Soli, Chor, Orchester und Orgel, herausgegeben von Christiane a Campo nach den Quellen. Von Anton Bruckner selbst als der "Stolz meines Lebens" und "mein bestes Werk" bezeichnet.

The second violin part for Bruckner's Te Deum (1884) for solo, choir, orchestra and organ, edited from the sources by Christiane a Campo. Regarded by Anton Bruckner himself as the 'pride of my life' and 'my best work'.Die zweite Violinstimme zu Bruckners Te Deum (1884) für Soli, Chor, Orchester und Orgel, herausgegeben von Christiane a Campo nach den Quellen. Von Anton Bruckner selbst als der "Stolz meines Lebens" und "mein bestes Werk" bezeichnet.

The double bass part for Bruckner's Te Deum (1884) for solo, choir, orchestra and organ, edited from the sources by Christiane a Campo. Regarded by Anton Bruckner himself as the 'pride of my life' and 'my best work'.Die Kontrabassstimme zu Bruckners Te Deum (1884) für Soli, Chor, Orchester und Orgel, herausgegeben von Christiane a Campo nach den Quellen. Von Anton Bruckner selbst als der "Stolz meines Lebens" und "mein bestes Werk" bezeichnet.