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Upon completion of an activity, an event, or other meaningful experiences, there is a time for reflection for what has been accomplished and what is to follow. This lyrical piece features a memorable melody that is presented by all sections of the band. These reflective presentations lead into a slightly faster minor section indicating the anticipation of plans for the future. The final presentation of the melody indicates a positive feeling of accomplishment and features a moving countermelody by the woodwinds leading to a quiet, contemplative ending. Check out Journey's End, composed by Steve Hodges. (2:48) This title is available in MakeMusic Cloud.

My Victory Won, by Todd Stalter, explores melodic and metaphorical aspects of the hymn, Be Thou My Vision." Taking inspiration from the little-known third verse of the hymn, the bold, percussive introduction soon gives way to a contemplative section featuring unique and interesting timbres, and a passage for solo flute. The work ends in a triumphant, unabashed burst of energy and affirmation. (3:56) This title is available in MakeMusic Cloud."

Spirit of the Dauntless by Adrian B. Sims, is an anthem of power and courage. The ideas develop as our hero moves through different challenges and landscapes---some foreboding, and some treacherous. Some moments depict challenges and struggles while others are filled with triumph. Powerful musical statements bring the work to a rousing finish, concluding our hero's fearless journey. (4:24) This title is available in MakeMusic Cloud.

Ambush by Dakota Pederson is a work that describes the fight of war and recounts a flanking ambush set out by soldiers as they close in on a victory. A fiery chord opens the work and is followed by a relentless melody, which is expressed through precise articulation. The work challenges performers to focus on articulation and expression, while giving the percussion section a driving rhythm to maintain the energy. Strong harmonies in the brass and bold melodies throughout make this piece a fierce statement of war and victory. (4:12)

Of all of Gordon Jacob's major contributions to the British wind band repertoire, the William Byrd Suite (written in 1923) stands as his most-often programmed work. Though originally based on six movements from William Byrd's Fitzwilliam Virginal Book, this setting for developing band incorporates two contrasting movements including The Earle of Oxford's Marche" and "Wolsey's Wilde." Like Jacob's wind band work, the music is not a mere transcription from the original keyboard collection, but rather stylized with his own inventive musical spirit for modern concert band. A wealth of material here that opens doors to teachable moments as musical textures---dynamic contrasts, articulations, scoring options---are continually changing. Bravo! (2:33) This title is available in MakeMusic Cloud."

All the shrouded mystery and resplendent grandeur of the fourth movement of Respighi's masterpiece, Pines of Rome, has been effectively captured in this brilliant arrangement by Douglas E. Wagner for string orchestra and timpani (required). The symphonic poem, The Pines of the Appian Way" is one of Respighi's most frequently performed and recorded works and stands as the most popular of all three of his Rome-inspired suites. (4:50) This title is available in MakeMusic Cloud."

This theme and variations from Beethoven's Seventh Symphony is one of the most famous slow movements in the entire symphonic repertoire. Because of its somber minor key and quiet rhythmic pulse, it has been likened to a procession through the catacombs. Your students will love the wide variety of emotions included here in Richard Meyer's arrangement. Every section plays an integral role in the slow and mysterious unfolding of Beethoven's masterpiece. Percussion parts for four players have been tastefully added to the original. (5:15)

A cute, pedagogically-based (get it?), first-year bass section feature, this piece will be fun and is sure to make your beginners sound fabulous. This piece is in first position for all players except basses. Basses shift up to C and D on the G string and only play pizzicato. Continuing Bob Phillips' tradition of bass section features, Dance of the Bowless Basses is sure to become an integral part of your standard repertoire! Correlated to Sound Innovations, Book 1, Level 5. (2:00) This title is available in MakeMusic Cloud.

If there is one thing music educators are it is resilient! Resilience, by Chris M. Bernotas, is dedicated to all music educators in recognition of how they always adapt to the unknown and rise to every challenge. This overture is the perfect concert opener for your first-year string orchestra. Using only the notes in the key of D, and melodic parts for all, every student will shine. Violin 2 and Viola are doubled, as are Cello and String Bass, making it very flexible and perfect for any mix of instruments. Correlated to Sound Innovations, Book 2, Level 2. (1:40) This title is available in MakeMusic Cloud.

Written to help students develop their spiccato bow stroke, this energetic piece is a joyful celebration from the very first measure. The left hand challenges are minimal, allowing the players to focus on controlling their bow on and off the string. A contrasting call-and-response B" section in minor mode briefly slows the pace down before the party resumes again. Over time, the overall tempo can be increased as the students become more and more proficient with this all important bow technique. Correlated to Sound Innovations, Book 2, Level 2. (2:30)"

This arrangement of The Prince of Denmark March," or "Trumpet Voluntary," provides the perfect setting for advocacy and striving for excellence since it is so recognizable. Three different versions of the final 8 bars, containing incorrect notes, are included. Each version contains an increasing percentage of correct pitches. Each represents a different letter grade. Play all four versions and then explain to parents and administration that the A+, 100% correct version is what we do every day in orchestra. All sections play the melody in this piece, still providing a solid musical setting in a novelty piece. Audience members are sure to recognize it which makes it perfect for finding "errors." Along with the "real" music for the final 8 bars, three other versions are included. The first version has 80% of the correct notes and 20% incorrect. The next has 90% correct notes and 10% incorrect. The next has 95% correct notes and 5% incorrect. The final, "real" version has 100% correct notes. The 100% version should be played first for the audience explaining this version would get an A+ in an academic setting. Then play the 80% or B- version, then the 90% or A- Version, and then the 95% A version. Then explain to parents and administration that the only version that is acceptable is the 100% version and that is what we do every day in orchestra. This provides a perfect advocacy moment to discuss the benefits of music education with parents and a tangible explanation of striving for excellence to parents and students. Includes an educational packet with each part that features technical exercises, history, theory, composition, and more. Correlated to Sound Innovations, Book 1, Level 5. (2:00)"

The Last Rose of Summer is a traditional Irish tune arranged by Jim Palmer. The beautiful melody, rich harmonies, and interesting accompaniment will help your young orchestra sound mature. The long phrases are highlighted with beautiful slurs and a variety of dynamics. Pizzicato, slurs and ties create the interesting accompaniments. Well-developed phrases and unexpected chords provide opportunities for artistic expression. A perfect choice to teach a broad range of musical ideas. Correlated to Sound Innovations, Book 2, Level 2. (2:25) This title is available in MakeMusic Cloud.

Beginning string students will have a diabolically good time with this all-pizzicato selection. Gleefully sinister melodies pass between all sections and simple quarter and half note accompaniment parts help keep everyone together. The optional piano accompaniment sets the pace with even 8th notes, helping young players subdivide their rhythms. Part independence and note range are minimized while doubling and repetition are emphasized, making this an easy piece for kids to master. Midnight Mischief by Doug Spata is a fun piece that kids will love to play while supporting essential ensemble playing and listening skills. (2:05) This title is available in MakeMusic Cloud.

Students will love Shipwreck Coast---a dark and stormy piece by Erica Donahoe! Cello and string bass players will enjoy digging into the opening melody, and all members of the orchestra will be challenged with an exciting and rewarding musical journey. (3:30)

On the Open Seas is an exciting new sea chantey by Susan H. Day. Written because sea-faring voyagers are always looking for their next adventure on the open seas! This piece is written in E minor, 4/4 time, and features a spirited, memorable melody, detache bowing, easy rhythms, accents, pizzicato, and fun for all! Bass and cello double, and viola rhythms double 2nd violin rhythms throughout for ease of teaching. Optional piano adds harmonic color. Perfect for any concert occasion, students and teachers will want to keep performing this one! (2:00) This title is available in MakeMusic Cloud.

Jim Palmer's arrangement of Music for the Royal Fireworks is an exciting two-movement work that is perfect for your young string orchestra. The movements work together or are effective played on their own. Terraced dynamics and authentic articulations will help your students gain an understanding of music from the Baroque era. A perfect opener or closer to any concert. (3:15) This title is available in MakeMusic Cloud.

Both the bleak Russian midwinter landscape and the joyful celebration of a fall harvest festival are conveyed in this string arrangement by Andrew H. Dabczynski, of Autumn and Winter from Alexander Glazunov's ballet The Seasons. The expressive contrasts in this motivating set will make it a favorite of all. Optional parts for more advanced students, as well as supplementary percussion and piano parts make it an excellent concert choice for intermediate or even upper-level orchestras. (3:30) This title is available in MakeMusic Cloud.

A spell-binding exploration of the music of Spain, Fantasía Española features four exciting yet contrasting sections and challenging parts for all players. Three of Spain's most famous composers are represented in this medley arranged by Bob Phillips. The piece begins with an exciting, driving excerpt from Asturias (Leyenda)", by Isaac Albéniz, which, though written for piano, is most often heard on guitar. The setting of this section allows the violins and violas a display of virtuosity with its unrelenting rhythmic drive. Beautiful, lyric, and emotional, "Tango in D," also by Albéniz, will showcase the musicianship of the entire orchestra. Originally written for piano, the strings will shine in this second section of the arrangement. The third section is the slow and lyric, "Adelita." Drawn from the deep treasure of Spanish guitar music and written by the father of classical guitar, Francisco Tárrega, this piece is simply beautiful. The medley concludes with "Danza Ritual del Fuego" from the ballet El Amor Brujo. Written by Manuel de Falla for full orchestra, the string setting drives to a fabulous and dramatic finish.(5:45)"

The folk-like tune of Ruby Mountain Serenade may seem familiar but is in fact an original tune from composer John Atteberry. Beginning in D major, this graceful tone poems opens intimately, with optional soloists from each section. Following the introduction, all sections of the orchestra work to guide the music through statements of the primary and secondary themes, leading to a smooth modulation to F major and an emotional climax. A great opportunity for young musicians to explore programmatic music. (3:00) This title is available in MakeMusic Cloud.

Written as a metaphor for the hardship and isolation caused by the 2020 pandemic, this dramatic tone poem is a testament to courage and the undaunted nature of the human spirit. The piece follows the voyage of a ship and its crew to the open sea and into a devastating storm resulting in the separation of the crew and its ultimate reunion. The memorable melodies and stirring harmonies are sure to peak your students' imaginations while a variety of key and time signatures will challenge every section of the advanced string orchestra. A percussion part has been included to add touches of nautical color, resulting in an emotional, picturesque voyage with a cinematic flair. Check out Voyagers We, Undaunted by Richard Meyer! (6:40) This title is available in MakeMusic Cloud.

Orchid by Yukiko Nishimura is a lyrical piece with a warm and lovely chord progression that brings delicate emotion to the incredibly beautiful melody line. Your string orchestra will perform expressively as they play from the heart. (3:30) This title is available in MakeMusic Cloud.

Lion Pride is an imaginative overture by Chris M. Bernotas and is full of majesty and pride. Beginning with a strong and dramatic statement that gives way to a bright melody, the pride of the lion shines through. A stately section represents the power of the mighty lion before returning with the spirited and exciting theme, then coming to a rhythmic and energetic conclusion. (3:32) This title is available in MakeMusic Cloud.

Naptown Blues arranged by Terry White is an accessible straight-ahead swinger played around 150 BPM, with a nice sax soli, written-out solos for alto 1, tenor 1, trumpet 1, and trombone 1. Trumpet 1 range is to written E top space with optional G, plus check out the hot shout chorus. Plenty of optional instruments plus vibes. Everything you need to succeed! (3:16) This title is available in MakeMusic Cloud.

It's the annual chicken chart! No Harm / No Fowl by Kris Berg is a very accessible rock groove played around 146 BPM, and features written-out solo opportunities for all saxes and all brass, and lead trumpet range is to written G on the staff. This chart has a catchy melody, is fun to play, and will please the band and the audience---we promise! (4:30) This title is available in MakeMusic Cloud.

A Latin straight-eighth groove played at 125 BPM. Lead trumpet range is to written G-sharp on the staff, suggested written solos provided for flexibility for C, B-flat, E-flat, and bass clef instruments. Includes auxiliary percussion and vibes. Change Is Good by Gordon Goodwin is a refreshing and mellow chart that will appeal to everyone. (5:27)

Brincando com Fogo by Drew Zaremba is a fiery baião Latin played at half note = 100 BPM. Lead trumpet range is to written G on top of the staff, suggested written solos for tenor 1 and trumpet 2, space for drum fills, auxiliary percussion, optional instruments to include vibes, plus non-stop action. Energy abounds! (6:16) This title is available in MakeMusic Cloud.

Bahumba" is a nonsense word but a no-nonsense selection for concert band. The word stems from a sound composer Peter Sciaino heard coming from an idling car. The engine, clearly having issues, had an "uneven" gate or pulse. He mindlessly heard the word "Bahumba" within the sounds emerging from the struggling motor. Just like an engine, an ensemble can attain a smooth groove even if "uneven" in terms of pulse. While the percussionists are often asked to provide this groove under the melodic lines, they ultimately break out with a feature that essentially places a percussion ensemble within the context of a concert band piece. (2:43) This title is available in MakeMusic Cloud."