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Now in paperback, the widely acclaimed collection of one hundred poems of extraordinarily elegant simplicity by one of the best-selling poets in Russia, whose presence on the American poetry scene is increasingly strong. Pavlova writes about love (both sexual love and the love that reaches beyond sex); about motherhood; about the memories of childhood that continue to feed us; about our lives as passionate souls abroad in the world. Sensitively translated by her husband, Steven Seymour, Pavlova's poems are highly disciplined miniatures ("I broke your heart. / Now barefoot I tread / on shards"--a whole poem in ten words). Pavlova is a poet who storms our hearts with pure talent and a seemingly effortless gift for shaping poems.
Adelaide Foss, Maggie Borland, and Beatrice Alfred are known by their classmates at Widowsbury's Madame Gertrude's School for Girls as "scary children." Unfairly targeted because of their peculiarities-Adelaide has an uncanny resemblance to a werewolf, Maggie is abnormally strong, and Beatrice claims to be able to see ghosts-the girls spend a good deal of time isolated in the school's inhospitable library facing detention. But when a number of people mysteriously begin to disappear in Widowsbury, the girls work together, along with Steffen Weller, son of the cook at Rudyard School for Boys, to find out who is behind the abductions. Will they be able to save Widowsbury from a sinister 12-year-old curse?
A Robert F. Sibert Honor BookWinner of the Schneider Family Book AwardAn ALA-ALSC Notable Children's BookWinner of the NCTE Orbis Pictus Award for Outstanding Nonfiction for ChildrenAs a child in the late 1800s, Horace Pippin loved to draw: He loved the feel of the charcoal as it slid across the floor. He loved looking at something in the room and making it come alive again in front of him. He drew pictures for his sisters, his classmates, his co-workers. Even during W.W.I, Horace filled his notebooks with drawings from the trenches . . . until he was shot. Upon his return home, Horace couldn't lift his right arm, and couldn't make any art. Slowly, with lots of practice, he regained use of his arm, until once again, he was able to paint--and paint, and paint! Soon, people-including the famous painter N. C. Wyeth-started noticing Horace's art, and before long, his paintings were displayed in galleries and museums across the country.Jen Bryant and Melissa Sweet team up once again to share this inspiring story of a self-taught painter from humble beginnings who despite many obstacles, was ultimately able to do what he loved, and be recognized for who he was: an artist.
The first Hispanic and third woman appointed to the United States Supreme Court, Sonia Sotomayor has become an instant American icon. Now, with a candor and intimacy never undertaken by a sitting Justice, she recounts her life from a Bronx housing project to the federal bench, a journey that offers an inspiring testament to her own extraordinary determination and the power of believing in oneself. Here is the story of a precarious childhood, with an alcoholic father (who would die when she was nine) and a devoted but overburdened mother, and of the refuge a little girl took from the turmoil at home with her passionately spirited paternal grandmother. But it was when she was diagnosed with juvenile diabetes that the precocious Sonia recognized she must ultimately depend on herself. She would learn to give herself the insulin shots she needed to survive and soon imagined a path to a different life. With only television characters for her professional role models, and little understanding of what was involved, she determined to become a lawyer, a dream that would sustain her on an unlikely course, from valedictorian of her high school class to the highest honors at Princeton, Yale Law School, the New York County District Attorney's office, private practice, and appointment to the Federal District Court before the age of forty. Along the way we see how she was shaped by her invaluable mentors, a failed marriage, and the modern version of extended family she has created from cherished friends and their children. Through her still-astonished eyes, America's infinite possibilities are envisioned anew in this warm and honest book, destined to become a classic of self-invention and self-discovery.
Now in paperback, a haunting chorus of voices that tells the story of the captivity, education, language, hopes, dreams, and fight for freedom, of the African Americans abducted in the Amistad rebellion.Based on the 1840 mutiny on board the slave ship Amistad, Ardency begins with "Buzzard," a sequence of poems told in the voice of the interpreter for the captive rebels, who were jailed in New Haven. In "Correspondence," we encounter the remarkable letters to John Quincy Adams and others that the captives wrote from jail. The book culminates in "Witness," a libretto chanted by Cinque, the rebel leader, who yearns for his family and freedom while eloquently evoking the Amistads'' conversion and life in America. As Young conjures this array of characters, interweaving the liberation cry of Negro spirituals and the indoctrinating wordplay of American primers, he delivers his signature songlike immediacy at the service of an epic built on the ironies, violence, and virtues of American history.
Clickity! Clickity! Long green feet! Who is dancing that clickity beat?Lizard is dancing on clickity feet. Clickity! Clickity! Happy feet!Introducing a get-up-and-dance toddler book-so catchy and rhythmic, you''ll almost want to sing it.Lindsey Craig''s rollicking text features funny sound words (Tippity! Creepity! Stompity! Thumpity!), dancing animals, a singsong beat, and a guessing element just easy enough for preschoolers to anticipate. Marc Brown''s artwork is bright, textured, and joyful, a collage of simple shapes for kids to find and name.So grab a partner and tap your feet to this read-aloud picture-book treat.
An extensively researched, lavishly illustrated consideration of the myths, memories, and questions that gathered around our most beloved-and most enigmatic-president in the years between his assassination and the dedication of the Lincoln Memorial in 1922. Availing themselves of a vast collection of both published and never-before-seen materials, the authors-the fourth and fifth generations of a family of Lincoln scholars-bring into focus the posthumous portrait of Lincoln that took hold in the American imagination. Told through the voices of those who knew the man-Northerners and Southerners, blacks and whites, neighbors and family members, adversaries and colleagues-Looking for Lincoln charts the dramatic epilogue to Lincoln's extraordinary life. During these years, as Americans struggled to understand their loss and rebuild their country, Lincoln's legacy was still hotly debated. The authors take us through the immediate aftermath of the assassination; the private memories of those closest to the slain president; the difficult period between 1876 and 1908, when a tired nation turned its back on the former slaves and betrayed Lincoln's teachings; and the early years of the twentieth century when Lincoln's popularity soared as African Americans fought to reclaim the ideals he espoused. Looking for Lincoln will deeply enhance our understanding of the statesman and his legacy, at a moment when the timeless example of his leadership is more crucial than ever.
When a fierce wind threatens to blow all the little letters out of the alphabet tree, they must band together in words-and then sentences-to create a message that's even stronger than the wind: peace on earth. With their newfound knowledge, there's nothing the letters can't do in this gentle parable about the power of the written word.
The triumphant return of one of comics’ greatest talents, with an engrossing story of one man’s search for love, meaning, sanity, and perfect architectural proportions. An epic story long awaited, and well worth the wait. Meet Asterios Polyp: middle-aged, meagerly successful architect and teacher, aesthete and womanizer, whose life is wholly upended when his New York City apartment goes up in flames. In a tenacious daze, he leaves the city and relocates to a small town in the American heartland. But what is this “escape” really about? As the story unfolds, moving between the present and the past, we begin to understand this confounding yet fascinating character, and how he’s gotten to where he is. And isn’t. And we meet Hana: a sweet, smart, first-generation Japanese American artist with whom he had made a blissful life. But now she’s gone. Did Asterios do something to drive her away? What has happened to her? Is she even alive? All the questions will be answered, eventually.In the meantime, we are enthralled by Mazzucchelli’s extraordinarily imagined world of brilliantly conceived eccentrics, sharply observed social mores, and deftly depicted asides on everything from design theory to the nature of human perception.Asterios Polyp is David Mazzucchelli’s masterpiece: a great American graphic novel.
A Caldecott Honor BookVasya Kandinsky was a proper little boy: he studied math and history, he practiced the piano, he sat up straight and was perfectly polite. And when his family sent him to art classes, they expected him to paint pretty houses and flowers-like a proper artist. But as Vasya opened his paint box and began mixing the reds, the yellows, the blues, he heard a strange sound-the swirling colors trilled like an orchestra tuning up for a symphony! And as he grew older, he continued to hear brilliant colors singing and see vibrant sounds dancing. But was Vasya brave enough to put aside his proper still lifes and portraits and paint . . . music? In this exuberant celebration of creativity, Barb Rosenstock and Mary GrandPré tell the fascinating story of Vasily Kandinsky, one of the very first painters of abstract art. Throughout his life, Kandinsky experienced colors as sounds, and sounds as colors-and bold, groundbreaking works burst forth from his noisy paint box. Backmatter includes four paintings by Kandinsky, an author's note, sources, links to websites on synesthesia and abstract art.
The beloved fable about loving your home from four-time Caldecott Honor-winner Leo Lionni.A young snail dreams of having the biggest house-or shell-in the world. Then one day, his wise father tells him the story of another snail with the same dream. He grew and grew, adding bright colors and beautiful designs, until he found that his house came at a terrible cost. The young snail decides that a small, easy-to-carry shell might be best for a life of adventure and exploration.
An inspiring tale of creativity and determination on the Underground Railroad from Coretta Scott King Award winner James Ransome and acclaimed author Deborah Hopkinson.Clara, a slave and seamstress on Home Plantation, dreams of freedom-not just for herself, but for her family and friends. When she overhears a conversation about the Underground Railroad, she has a flash of inspiration. Using scraps of cloth from her work in the Big House and scraps of information gathered from other slaves, she fashions a map that the master would never even recognize. . . .From the award-winning author-illustrator team of Deborah Hopkinson and James Ransome, this fictional tale of the Underground Railroad continues to inspire young readers 25 years after its original publication."Inspiring." -The New York Times"A triumph of the human spirit." -Publishers Weekly, starred review
Michael Goldhaber, writing in Wired, said, "If there is nothing very special about your work, no matter how hard you apply yourself you won't get noticed and that increasingly means you won't get paid much either. In times past you could be obscure yet secure -- now that's much harder."Again: the white collar job as now configured is doomed. Soon. ("Downsizing" in the nineties will look like small change.) So what's the trick? There's only one: distinction. Or as we call it, turning yourself into a brand . . . Brand You. A brand is nothing more than a sign of distinction. Right? Nike. Starbucks. Martha Stewart. The point (again): that's not the way we've thought about white collar workers--ourselves--over the past century. The "bureaucrat" on the finance staff is de facto faceless, plugging away, passing papers. But now, in our view, she is born again, transformed from bureaucrat to the new star. She works in a professional service firm and works on projects that she'll be able to brag about years from now.I call her/him the New American Professional, CEO of Me Inc. (even if Me Inc. is currently on someone's payroll) and, of course, of Brand You.Step #1 in the model was the organization . . .a department turned into PSF 1.0. Step #2 is the individual . . .reborn as Brand You.In 50 essential points, Tom Peters shows how to be committed to your craft, choose the right projects, how to improve networking, why you need to think fun is cool, and why it's important to piss some people off. He will enable you to turn yourself into an important and distinctive commodity. In short, he will show you how to turn yourself into . . . Brand You.See also the other 50List titles in the Reinventing Work series by Tom Peters -- The Project50 and The Professional Service Firm50 -- for additional information on how to make an impact in the professional world.
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