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This book explores narratives of nationalism in the Hindi novel (1940s-80s), engaging with mainstream, populist, political conceptualisation of a postcolonial nation and local, cultural, often marginalised fictional parallels and alternatives to it.Analysing processes of nation-formation and nationalism(s) via experiments with the novel form and versions of realism in Hindi, conversations between the political and the cultural, rural/borders and the urban/central spaces, individual subjectivity and social structures, and the challenges Hindi novels' internal linguistic diversity poses to formalised Hindi's hegemony, Imagining a Postcolonial Nation: Hindi Novels and Forms of India (1940s-80s) traces Hindi fiction's history of postcolonial India. The multiplicity of realisms indicates significant responses to postcolonial nationalism, idealistic, critical, regional, satirical and psychological.Looking at indigenous narrative methods employed by authors to critically evolve Western ideas of the nation and novel, the book explores the simultaneous convergences and divergences between literary and political understandings of ideological, religious and linguistic nationalisms. Surveying the broad sentiments of idealism, enchantment and disenchantment with freedom and postcoloniality, it studies the possibilities of fiction embodying national history without an outright commitment to mainstream nationalism or nationalist literary canon formation.It also briefly tries to understand the repercussions of nationalism as a masculinist project and its gendered nature affecting a section of writing, novels by women authors, to present counter-narratives to both national and literary canons. Choosing a fairly broad historical timeframe, the book reveals the radical potential of narratives that have over the years been critically categorised as canonical. It reopens discussions around nationalism within novels that have been often canonised as apparently uncritically nationalist.
Even though remains infinite, he is simply engrossed in it.Gangadhar is Kailash, lives in every particle.Whether you do worship or just take the name of Shiva,May no other person like him put a smile on his face.But when the anger comes, the fierce form becomes formidable,Shiva is the head of the devotees, even if he wants to do the tandav.
True Love is hard to find but once found it can never be left. It mingles with the soul, runs through the veins and stays in the heart. Despite all odds, Yauvani and Shayne fell in love with each other. Yauvani, a research scholar met Shayne an undergraduate student and magic was destined to happen. A whirlpool of unfavourable conditions tore them apart. Shayne was shattered, hurt and heartbroken and so was Yauvani. He left her in pain, punishing her for a flaw in destiny. Yauvani chronicles her story, to remind Shayne of their divine love, hoping that her words will reach him and make him believe that true love always wins. But why did Shayne leave Yauvani in pain? Is love about killing your own people? Does Shayne come back?
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