Bøker av Xu Yong

Xu Yong (b. 1954, Shanghai) was one of the first photographers to focus on everyday life in modern China, free from political romanticization or ideological whitewashing. In HUTONG 101 PHOTOS, he traces the history of the traditional residential district of Beijing, with its centuries-old buildings complete with rear courtyards and myriad narrow alleyways, the "Hutongs." Many of these neighborhoods have since fallen victim to radical redevelopment and have been demolished. Xu Yong's black-and-white images dating from 1989 bear witness to the rise and fall, the heyday and the decline of the Hutongs against the backdrop of the rapid societal change in China that followed the end of the Qing Dynasty. In this milestone of Chinese photography, which is now finally being published as a new edition in book form, Xu Yong has created an elegiac tribute to the old alleyways of Beijing, revealing both their poetic beauty and the sadness surrounding their demise.

As the first volume of a two-volume set, this book systematically examines the process of rural reconstruction in China over the course of the twentieth century, taking into account politics, labour and resources, administration, and institutional integration.

This two-volume set examines the process of rural integration in modern China. In short, this is how the state penetrates the countryside and transforms the rural population, thus consolidating the foundation of modern state governance.

As the first volume of a two-volume set, this book systematically examines the process of rural reconstruction in China over the course of the twentieth century, taking into account politics, labour and resources, administration, and institutional integration.

This two-volume set examines the process of rural integration in modern China. In short, this is how the state penetrates the countryside and transforms the rural population, thus consolidating the foundation of modern state governance.

"It is a wonderful way of capturing that underside of insecurity that attends the Tiananmen issue and that, in a larger sense, haunts much of official China today," he said. "The artist seems to be saying: 'Here's the reality that no one looks at squarely but that everyone knows is there. ' " (from an interview/article with Xu Yong in the NY Times)