Bøker av Winifred Holtby

* A delightful volume of short stories by Winifred Holtby, the much-loved Yorkshire writer

Mandoa is a small African state. At its head a virgin princess conceives (immaculately) further princesses. The old traditions are undisturbed until the Lord High Chamberlain visits Addis and discovers baths and cocktail shakers, motor cars and telephones. This is 1931.

This is the story of Muriel Hammond, at twenty living within the suffocating confines of Edwardian middle-class society in Marshington, a Yorkshire village. A career is forbidden to her. Pretty, but not pretty enough, she fails to achieve the one thing required of her - to find a suitable husband. Then comes the First World War, a watershed which tragically revolutionises the lives of her generation. But for Muriel it offers work, friendship, freedom, and one last chance to find a special kind of happiness...

The community of South Riding, like the rest of the country, lives in the long shadow of war. Blighted by recession and devastated by the loss, they must also come to terms with significant social change.Forward-thinking and ambitious, Sarah Burton is the embodiment of such change. After the death of her fianc , she returns home to Yorkshire focused on her career as headmistress of the local school. But not everyone can embrace the new social order. Robert Carne, a force of conservatism, stands firmly against Sarah. A tormented man, he carries a heavy burden that locks him in the past. As the villagers of South Riding adjust to Sarah's arrival and face the changing world, emotions run high, prejudices are challenged and community spirit is tested. Anna Maxwell Martin (Bleak House) and David Morrissey lead an outstanding cast in this rich and panoramic portrait of community in turmoil. Winifred Holtby's little-known and hard-to-find literary gem is a magnificent masterpiece, to be joyfully rediscovered by a whole new generation of readers.

Joanna Burton was born in South Africa but sent by her missionary father to be raised in Yorkshire. There she dreams of the far-off lands she will visit and adventures to come. At eighteen, tall and flaxen-haired, she meets Teddy Leigh, a young man on his way to the trenches of the First World War. Joanna has been in love before - with Sir Walter Raleigh, with the Scarlet Pimpernel, with Coriolanus - but this is different. Teddy tells her he's been given the world to wear as a golden ball. Joanna believes him and marries him, but the fabled shores recede into the distance when, after the war, Teddy returns in ill health. The magic land turns out to be the harsh reality of motherhood and life on a Yorkshire farm. Yet still she dares to dream.

Mary Robson is a young Yorkshire woman, married to her solid, unromantic cousin, John. Together they battle to preserve Mary's neglected inheritance, her beloved farm, Anderby Wold. This labour of love - and the benevolent tyranny of traditional Yorkshire ways - have made Mary old before her time. Then into her purposeful life comes David Rossitur, red-haired, charming, eloquent: how can she help but love him? But David is a young man from a different England, radical and committed to social change. As their confrontation and its consequences inevitably unfold, Mary's life and that of the calm village of Anderby are changed forever.

Caroline Denton-Smyth is an eccentric, dressed in trailing feathers and jangling beads, peering out from behind her lorgnette. Sitting alone in her West Kensington bedsitter, she dreams of the Christian Cinema Company - her vehicle for reform. For Caroline sees herself as a pioneer, one who must risk everything for the 'Cause of the Right'. Her Board of Directors is a motley crew including Basil St Denis, upper crust but impecunious; Joseph Isenbaum, aspiring to Society and Eton for his son; Eleanor de la Roux, Caroline's independent cousin from South Africa; Hugh Macafee, a curt Scottish film technician; young Father Mortimer, scarred from the First World War; and Clifton Johnson, a seedy American scenario writer on the make. Winifred Holtby affectionately observes the foibles of human nature in this sparkiling satire, first published in 1931.