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The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of The Tempest, David Lindley has thoroughly revised the Introduction to take account of the latest developments in criticism and performance. He has also added a completely new section on casting in recent productions of the play. The complex questions this new section raises about colonisation, racial and gender stereotypes and the nature of theatrical experience are explored throughout the introduction. Careful attention is paid to dramatic form, stagecraft, and the use of music and spectacle in The Tempest, a play that is widely regarded as one of Shakespeare's most elusive and suggestive. A revised and updated reading list completes the edition.
"e;You are deluded, Romeo. Vampires do not have the capability to love. They are heartless."e; The Capulets and the Montagues have some deep and essential differences. Blood differences. Of course, the Capulets can escape their vampire fate, and the Montagues can try not to kill their undead enemies. But at the end of the day, their blood feud is unstoppable. So it's really quite a problem when Juliet, a vampire-to-be, and Romeo, the human who should be hunting her, fall desperately in love. What they don't realize is how deadly their love will turn out to beor what it will mean for their afterlives. . . . This riotous twist on the ultimate tale of forbidden romance is simply to die for.
'And when I shall die,Take him and cut him out in little stars.'This collection of Shakespeare's soliloquies, including both old favourites and lesser-known pieces, shows him at his dazzling best.One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.
'If we wish to know the force of human genius we should read Shakespeare' William HazlittA soldier of great standing and a newly married man, Othello seems to be in an enviable position. And yet, when his supposed friend sows doubts in his mind about his wife's fidelity, he is gradually consumed by suspicion. In this tragedy of strange, ornate beauty and remarkable psychological power, innocence is corrupted, and goodness and happiness are wantonly destroyed.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Kenneth Muir Introduction by Tom McAlindon
'The magic in The Tempest is real ... It contains a great many unanswered questions' Margaret AtwoodA storm rages. Prospero and his daughter watch from their desert island as a ship carrying the royal family is wrecked. Miraculously, all on board survive. Plotting, mistaken identities, bewitching love and enchantment follow as the travellers explore this mysterious place of spirits and monsters, and discover that all is not as it seems. Shakespeare's late, great play is a work filled with marvels, music and strangeness, fully exploiting the power of language and the magic of theatre.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited with an Introduction by Martin Butler
Othello, the Moor of Venice is a tragedy by William Shakespeare, believed to have been written in approximately 1603, and based on the Italian short story "e;Un Capitano Moro"e; ("e;A Moorish Captain"e;) by Cinthio, a disciple of Boccaccio, first published in 1565Othello revolves around four central characters: Othello, a Moorish general in the Venetian army; his wife Desdemona; his lieutenant, Cassio; and his trusted ensign Lago. Because of its varied and current themes of racism, love, jealousy, and betrayal Othello is still often performed in professional and community theatres alike and has been the basis for numerous operatic, film, and literary adaptations.
Antony and Cleopatra is a tragedy by William Shakespeare, believed to have been written sometime between 1603 and 1607. READ BY SIR ANTHONY QUAYLE AND CASTAntony and Cleopatra is a tragedy by William Shakespeare, believed to have been written sometime between 1603 and 1607. It was first printed in the First Folio of 1623. The plot is based on Thomas North's translation of Plutarch's Life of Marcus Antonius and follows the relationship between Cleopatra and Mark Antony from the time of the Parthian War to Cleopatra's suicide. The major antagonist is Octavius Caesar, one of Antony's fellow triumviri and the future first emperor of Rome. The tragedy is a Roman play characterized by swift, panoramic shifts in geographical locations and in registers, alternating between sensual, imaginative Alexandria and the more pragmatic, austere Rome. Many consider the role of Cleopatra in this play one of the most complex female roles in Shakespeare's work. She is frequently vain and histrionic, provoking an audience almost to scorn; at the same time, Shakespeare's efforts invest both her and Antony with tragic grandeur. These contradictory features have led to famously divided critical responses
King Lear is a tragedy by William Shakespeare, believed to have been written between 1603 and 1606. READ BY PAUL SCHOFIELD AND CAST. King Lear is a tragedy by William Shakespeare, believed to have been written between 1603 and 1606. It is considered one of his greatest works. King Lear descends into madness after wrongly distributing his estate on the strength of flattery. The play is based on the legend of Leir of Britain, a mythological pre-Roman Celtic king. It has been widely adapted for stage and screen, with the part of Lear played by many of the world's most accomplished actors. There are two distinct versions of the play: The True Chronicle of the History of the Life and Death of King Lear and His Three Daughters, which appeared in quarto in 1608, and The Tragedy of King Lear, a more theatrical version, which appeared in the First Folio in 1623. The two texts are commonly printed in a conflated version, although many modern editors have argued that each version has its individual integrity. After the Restoration, the play was often modified by theatre practitioners who disliked its dark and depressing tone, but since the 19th century it has been regarded as one of Shakespeare's supreme achievements. The tragedy is particularly noted for its probing observations on the nature of human suffering and kinship.
Julius Caesar is a tragedy by William Shakespeare, believed to have been written in 1599. It portrays the 44 BCE conspiracy against the Roman dictator Julius Caesar, his assassination and the defeat of the conspirators at the Battle of Philippi. Although the title of the play is Julius Caesar, Caesar is not the central character in its action; he appears in only three scenes, and is killed at the beginning of the third act. The protagonist of the play is Marcus Brutus, and the central psychological drama is his struggle between the conflicting demands of honour, patriotism, and friendship. The play reflected the general anxiety of England over succession of leadership. At the time of its creation and first performance, Queen Elizabeth, a strong ruler, was elderly and had refused to name a successor, leading to worries that a civil war similar to that of Rome might break out after her death
ANOTHER POWERFUL GREAT BRITISH PERFORMANCE PERFORMANCE OF A WILLIAM SHAKESPEARE PLAY. PERFORMED BY THE MAGNIFICENT VANESSA REDGRAVE AND CAST. As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 or early 1600 and first published in the folio of 1623. The work was based upon the early prose romance Rosalynde by Thomas Lodge. The play's first performance is uncertain, though a performance at Wilton House in 1603 has been suggested as a possibility. As You Like It follows its heroine Rosalind as she flees persecution in her uncle's court, accompanied by her cousin Celia and Touchstone the court jester, to find safety and eventually love in the Forest of Arden. Historically, critical response has varied, with some critics finding the work of lesser quality than other Shakespearean works and some finding the play a work of great merit. The play features one of Shakespeare's most famous and oft-quoted speeches, "e;All the world's a stage,"e; and is the origin of the phrase "e;too much of a good thing."e; The play remains a favourite among audiences and has been adapted for radio, film, and musical theatre.
The Winter's Tale is a play by William Shakespeare, originally published in the First Folio of 1623. 'The Winter's Tale' is high fantasy, a tale to be told by the fire...The play belongs to the type known as "e;tragicomedy"e;, but Shakespeare has separated the tragedy from the comedy. The first part has the same kind of tragic development as 'Othello'; the second part is pure idyllic comedy. 'The Winter's Tale' is a far better play to hear and see than to read; it needs the voice of the actor to give it life.'G.B. HARRISON, editor of texts for The Shakespeare Recording Society.
Another in the great Caedmon Shakespeare series from the 1960s. Though classified as a comedy in the First Folio and sharing certain aspects with Shakespeare's other romantic comedies, the play is perhaps most remembered for its dramatic scenes, and is best known for Shylock and the famous 'pound of flesh' speech.Shylock, a greedy Jewish money-lender, has lost his beloved daughter when she elopes with a man who belongs to a virulently anti-Semitic society. Shylock seeks a literal 'pound of flesh' from the Merchant of Venice - Antonio when he fails to pay the debt. Portia defends Antonio from Shylock's legal suit. Shylock ends by renouncing his faith and his fortune.
Performed by Sir Michael Redgrave and others, The Tempest possesses a truly wonderful narrative carried by a wonderful cast. Available to download for the first time online. The Tempest is a play by William Shakespeare, believed written in 1610-11, and thought by many critics to be the last play that Shakespeare wrote alone. It is set on a remote island, where Prospero, the rightful Duke of Milan, plots to restore his daughter Miranda to her rightful place using illusion and skillful manipulation. He conjures up a storm, the eponymous tempest, to lure his usurping brother Antonio and the complicit King Alonso of Naples to the island. There, his machinations bring about the revelation of Antonio's low nature, the redemption of the King, and the marriage of Miranda to Alonso's son, Ferdinand.
Sir Rex Harrison and Cast perform together in this wonderful production which is available for the first time on digital download. Much Ado About Nothing is a comedy by William Shakespeare about two pairs of lovers, Benedick and Beatrice, and Claudio and Hero. Benedick and Beatrice are engaged in a "e;merry war"e;; they both talk a mile a minute and proclaim their scorn for love, marriage, and each other. In contrast, Claudio and Hero are sweet young people who are rendered practically speechless by their love for one another. By means of "e;noting"e; (which sounds the same as "e;nothing,"e; and which is gossip, rumour, and overhearing), Benedick and Beatrice are tricked into confessing their love for each other, and Claudio is tricked into rejecting Hero at the altar. However, Dogberry, a Constable who is a master of malapropisms, discovers-unbeknownst to himself-the evil trickery of the villain, the bastard Don John. In the end, Don John is captured and everyone else joins in a dance celebrating the marriages of the two couples.
For this new edition, first published in 1971, Ted Hughes augmented his original selection of Shakespeare's poems and dramatic speeches and completely rewrote his accompanying essay, intending to restore to the common reader much of what, in Shakespeare, was instinctively available to the audience of his day, and to show how Shakespeare's language unites in its sinews and substance the full range of Elizabethan preoccupations, philosophical and social.
Why fear Shakespeare? By placing the words of the original play next to line-by-line translations in plain English, this popular guide makes Shakespeare accessible to everyone. And now it features expanded literature guide sections that help students study smarter.
Why fear Shakespeare? By placing the words of the original play next to line-by-line translations in plain English, this popular guide makes Shakespeare accessible to everyone. And now it features expanded literature guide sections that help students study smarter.
Why fear Shakespeare? By placing the words of the original play next to line-by-line translations in plain English, this popular guide makes Shakespeare accessible to everyone. And now it features expanded literature guide sections that help students study smarter.
Relive the magic of Romeo and Juliet and other favorites with our Classic Moments collection. Each beautiful 40-page book features well-loved excerpts from the original novel alongside brand-new illustrations. These are perfect gifts for literary fans.
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