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The Roots of the Mountain J. R. R. Tolkien, author of The Lord of the Rings, said that his writing was inspired and influenced by the books of William Morris. A tale of a romance that unites two long-ago peoples and of the battle to defend their freedom against invading Huns. Roots of the Mountains has all the glory and strife of war, along with a love triangle similar to the one hinted at in Lord of the Ring. If you like folklore and stories that seem to draw from ancient Norse legends and Celtic peoples, you will love this story.
William Morris is more widely known for his beautifully designed 'Arts and Crafts' wallpapers, but his first love was ancient Nordic Poetry, and especially the 13th century Icelandic 'Volsunga Saga'. Morris was obsessed with this tale from his youth, and over many years penned a 10,000 line epic poem that, on publication, was accorded high praise by such literary luminaries as George Bernard Shaw and T. E. Lawrence. The saga tells the History of the Volsungs, a tale strewn with epic battles, supernatural visitations, dragon-guarded treasures, enchanted swords forged from ancient weapons, magical rings, beautiful maidens, undying loves and implacable hatreds. The motifs and themes in the 'Volsunga Saga' have inspired a host of artistic works, among them Richard Wagner's 'Der Ring des Nibelungen' and J. R. Tolkien's 'Lord of the Rings'. William Morris' full poem proved taxing for most readers, and a shorter version - with some of the less compelling episodes précised by W Turner and H Scott - was published in 1910 to great acclaim. It is here presented in a new edition, complete with original glossary, additional imagery and a précis of the rarely-noted Book IV.
How we can bring the character and nature of God to our colleagues at work
The great medievalist recounts a tale of two lovers, separated by a broad river and an invading army, in a captivating blend of chivalric romance and wizardry. Facsimile of the Kelmscott Press edition.
The Well at the World's End was among the very first of its kind - it is an epic romance of duplicity, machination, passion, and wizardry, and is, in short, a vast odyssey into the weird. It is a beautifully rich fantasy, a vibrant fairy tale without fairies. It is the most entrancing of William Morris's late romances - part futuristic fantasy novel, part old-fashioned fairy tale. Morris writes his magic love story with a sense of color and pattern, and the sheer imaginative fervor of one of the most brilliant decorative artists that has ever lived. A Classic fantasy novel!
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