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This interdisciplinary volume offers new insights into the connections between populism and performance. As a driving force of the contemporary left, the populist logic offers a way for progressive politics to radicalize actions against the elite, fostering greater democratization of societies at a time of socio-political and environmental crisis. Exploring the populist roots of a number of performances, the contributors to this study analyze the potentials and limits of the new forms of left populism for more democratic ways of living together. Combining performance studies and political theory, Performing Left Populism demonstrates how various performance practices give rise to populism. It shows how both civic performances (including grassroots, civil movements, political speeches, state policies and media campaigns) and artistic performances (such as theatre, dance, music and artistic activism) contribute to these processes. By these means, the book examines the processes of constructing 'a people' through both the real/civic and imaginary/artistic perspectives. Offering scholars and practitioners a thought-provoking analysis of the ways in which performance can be viewed politically, as a social practice capable of mobilizing alternative ways of living and invigorating democracy, this study expands the debate about left populism towards strategies of mobilization, collectivism and democratic politics.
Discussing the argumentative nature of British playwright Joe Penhall's plays, this book places them within the context of contemporary British society and the modern dramatic tradition. His eight plays are discussed in detail, with particular attention paid to male identity, the nature of grief, the variety of females in his oeuvre, domestic drama and the role of autobiography in his work.
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