Bøker av Wassily Kandinsky

This famous work by a pioneer in the movement to free art from the bonds of tradition explores the role of the line, point, and other key elements of non-objective painting. 127 illustrations.

A revelatory collection of the artist's sketches and preparatory drawings, featuring many that have never been published beforeThe great Russian modernist painter and theorist Wassily Kandinsky was one of the pioneers of abstraction in Western art. Few documents provide more insight into his evolution from figural to abstract art-or into the development of abstraction in the early twentieth century-than the pages of his sketchbooks. Featuring previously unpublished drawings, Wassily Kandinsky: The Sketchbooks is a comprehensive selection of hundreds of sketches from twelve notebooks Kandinsky kept between 1889 and 1935. Beginning with early figure studies, architectural sketches, and landscapes, the notebooks reveal a process of exploration that would lead Kandinsky from his first experiments in geometric abstraction to paintings that reshaped modernism. Demonstrating Kandinsky's mastery of color, line, shape, composition, and movement, the book includes notes and preparatory studies for major paintings, such as the "analytical drawing" for Composition VII (1913), the first study for Several Circles (1926), and Study for Composition IX, a preliminary working of his 1936 masterpiece. Visually stunning, the book offers a remarkable, intimate look at how Kandinsky sought to discover nothing less than a spiritually transcendent form of art.

This book is Wassily Kandinsky's groundbreaking work championing spirituality in modern art, leading to a revolution in abstract painting. it provides critical insight into the mind and soul of Kandinsky and other artists of his generation.

This book is Wassily Kandinsky's groundbreaking work championing spirituality in modern art, leading to a revolution in abstract painting. it provides critical insight into the mind and soul of Kandinsky and other artists of his generation.

A seminal text in the history of modern art, from one of the most famous artists of the twentieth century In Concerning the Spiritual in Art Wassily Kandinsky, one of the most famous abstract painters of all time, urges the reader to free themselves from art's traditional bonds to material reality. In this radical theoretical work, he calls for a spiritual revolution in painting, arguing that artists, much like musicians, should be allowed to express their own inner lives in abstract, non-material terms. Investigating form and colour, spirituality and tradition, Kandinsky explores art's resonance with the soul, its purpose and nature, and its power to inspire us, to stir our emotions and to help us see beyond the limits of our world. A significant contribution to the understanding of non-objectivism in art, this book serves as an important landmark in modern art history and is necessary reading for every artist and art-lover.

This is Kandinsky's masterpiece. According to the author, "Colour is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul."

Excerpt:...There is, however, in art another kind of external similarity which is founded on a fundamental truth. When there is a similarity of inner tendency in the whole moral and spiritual atmosphere, a similarity of ideals, at first closely pursued but later lost to sight, a similarity in the inner feeling of any one period to that of another, the logical result will be a revival of the external forms which served to express those inner feelings in an earlier age. An example of this today is our sympathy, our spiritual relationship, with the Primitives. Like ourselves, these artists sought to express in their work only internal truths, renouncing in consequence all consideration of external form.

Wassily Wassilyevich Kandinsky (1866 - 1944) was a great Russian painter who is credited for painting the first modern abstract works. In this book, he details his personal philosophy of art: "Colour is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul."