Bøker av Walter Klosowski

This LITTLE GUITAR BOOK THAT COULD collects and showcases the C A G E D guitar chords and scales in the FIFTH, SIXTH, SEVENTH and EIGHTH POSITIONS for all to see, use and reference. But, before thumbing through this book, there is some subject matter that the guitarist needs to be reminded of...even though he or she may have played for years. For example, in this book, six is the exact number of consecutive frets involved in said random guitar position and it spans a full two octaves plus a perfect fourth when in standard tuning. Also when in said random position the second and third fingers on the fretting hand are to remain stationary in their respective frets or "slots", initially, as their stationary qualities allow the first and or fourth finger to stretch or slide that additional fret. Conversely, for the picking hand, know that a very useful picking pattern occurs down by the sound hole or bridge where that hand happens to be a majority of the time. This pattern involves every other string and is best evidenced when the C A G E D main root note sequence is plucked alphabetically, starting with the root on the first or thinnest guitar string. Start by picking the given root note as showcased in the specific chapter, located on the first string. Then pick the root note found on the third string, then the fifth, then second, then fourth and finally conclude with the root note on the sixth string. The one-three-five-two-four-six string pattern naturally fits the finger picking style and is looped, forwards or backwards (six-four-two-five-three-one) as the root notes found on the first/sixth string(s) are deemed interchangeable. There are also three musical terms that need brief clarification for the purposes of this collected volume of THE LITTLE GUITAR BOOK THAT COULD...those being main root notes, octaves and unisons. What are main root notes? Generally speaking, main root notes represent a specific set of root notes that fall beneath or cluster together under the second and third fingers of the fretting hand when in a guitar position, although there are two instances where the first and fourth fingers are involved. Still, once the location of each main root note is learned in the position, the attention then moves to their octaves, which is defined as the interval between one musical pitch and another with half or double its own frequency. Some correctly call the interval a "perfect octave", and in guitarland, octaves are usually "one string one fret away" on the fretboard. This handy guitar fact helps memorize their location even though, occasionally, two strings and or two frets are involved (the same concept applies in that there will be some sort of string skipping involved.) And lastly, unisons are defined as when two or more music notes happen to sound the same pitch. In guitarland, it usually means "same note different string or fret". The term also implies that the unison occurs in the guitar position at hand. And that's it! This LITTLE GUITAR BOOK THAT COULD for the FIFTH, SIXTH, SEVENTH and EIGHTH positions is collected and presented for the first time ever in a handy single volume. VOLUME TWO here is uncomplicated, straightforward, and very easy to use due to its "picture worth a thousand words" visual based format, this allowing one to take full advantage of this fretboard material straight away. You'll have fun discovering some fresh perspectives on your own technique, while also adding some new twists and turns. Last, as always, thank you very kindly for choosing this, the second, volume from the collection series in your library of fretboard knowledge needs...Enjoy!

This LITTLE GUITAR BOOK THAT COULD showcases the C A G E D guitar chord and scale sequence exclusively in the ELEVENTH POSITION, for all to see, use and reference. But, before thumbing through this book, there's some material that the guitarist may need reminding of...even though he or she may have played for years. For example, in this book, six is the exact number of consecutive frets involved in this, the ELEVENTH POSITION, and it spans a full two octaves plus a perfect fourth when in standard tuning. Plus when in this position the second and third fingers on the fretting hand are to remain stationary in their respective frets or "slots", initially, as their stationary qualities allow the first and or fourth finger to stretch or slide that additional space. For the picking hand though, a very important pattern occurs down by the sound hole or bridge; this pattern involving every other string. Such is best evidenced when the C A G E D main root note sequence is plucked alphabetically, starting with the E root on the first or thinnest guitar string. To discover it, start by picking the E there (first string, third finger); then G (third string, third finger); A (fifth string, third finger); C (second string, fourth finger); D (fourth string, third finger) and conclude with the E (sixth string, third finger). This first-third-fifth-second-fourth-sixth string pattern naturally fits the picking hand and is looped, forwards or backwards (six-four-two-five-three-one) as the E roots on the first /sixth string(s) in the ELEVENTH POSITION are deemed interchangeable. There are also three musical terms that need clarification...those being main root notes, octaves and unisons. What are main root notes? Main root notes represent a specific set of root notes that in general fall or cluster under the second and third fingers of the fretting hand. Once the location of each main root note is learned, the attention then moves to their octaves. An octave is defined as the interval between one musical pitch and another with half or double its own frequency. Some correctly call the interval a "perfect octave", and in guitarland, octaves are usually "one string one fret away". This handy fact helps memorize their location even though, occasionally, two strings and or two frets are involved (the same concept applies in that there will be some sort of string skipping). And lastly, unisons are defined as when two or more notes in music happen to sound the same pitch, and in guitarland, it usually means "same note different string or fret". The term also implies that the unison occurs in the guitar position at hand. So that's it! THE LITTLE GUITAR BOOK THAT COULD for the ELEVENTH POSITION is uncomplicated, straightforward and super easy to use. Its picture worth a thousand words format, being visually based, allows one to take full advantage of the guitar fretboard material right away. You'll have fun discovering some fresh perspectives on the same old same old, while also adding some new twists and turns to your own technique. Plus THE LITTLE GUITAR BOOK THAT COULD for the ELEVENTH POSITION contains generous amounts of manuscript and tablature paper too, akin to a guitar manuscript journal; a very neat feature. In closing, thank you very kindly for choosing to include THE LITTLE GUITAR BOOK THAT COULD in your library of fretboard knowledge needs. Enjoy!

This LITTLE GUITAR BOOK THAT COULD is the inaugural volume in the FRETBOARD COLLECTIONS SERIES. It collects and subsequently showcases the C A G E D guitar chords and scales found in the FIRST, SECOND, THIRD and FOURTH POSITIONS for all to see, use and reference. But, before thumbing through this book, there is some practical subject matter that the guitarist may need reminding of...even though he or she may have played for years. For example, in this book, six is the exact number of consecutive frets involved in said random guitar position and it spans a full two octaves plus a perfect fourth when in standard tuning. Also when in said random position the second and third fingers on the fretting hand are to remain stationary in their respective frets or "slots", initially, as their stationary qualities allow the first and or fourth finger to stretch or slide that additional fret. Conversely, for the picking hand, know that a very useful picking pattern occurs down by the sound hole or bridge where that hand happens to be a majority of the time. This pattern involves every other string and is best evidenced when the C A G E D main root note sequence is plucked alphabetically, starting with the root on the first or thinnest guitar string. Start by picking the given root note as showcased in the specific chapter, located on the first string. Then pick the root note found on the third string, then the fifth, then second, then fourth and finally conclude with the root note on the sixth string. The one-three-five-two-four-six string pattern naturally fits the finger picking style and is looped, forwards or backwards (six-four-two-five-three-one) as the root notes found on the first/sixth string(s) are deemed interchangeable. There are also three musical terms that need brief clarification for the purposes of this collected volume of THE LITTLE GUITAR BOOK THAT COULD...those being main root notes, octaves and unisons. What are main root notes? Generally speaking, main root notes represent a specific set of root notes that fall beneath or cluster together under the second and third fingers of the fretting hand when in a guitar position, although there are two instances where the first and fourth fingers are involved. Still, once the location of each main root note is learned in the position, the attention then moves to their octaves, which is defined as the interval between one musical pitch and another with half or double its own frequency. Some correctly call the interval a "perfect octave", and in guitarland, octaves are usually "one string one fret away" on the fretboard. This handy guitar fact helps memorize their location even though, occasionally, two strings and or two frets are involved (the same concept applies in that there will be some sort of string skipping involved.) And lastly, unisons are defined as when two or more music notes happen to sound the same pitch. In guitarland, it usually means "same note different string or fret". The term also implies that the unison occurs in the guitar position at hand. And that's it! This LITTLE GUITAR BOOK THAT COULD for the FIRST, SECOND, THIRD and FOURTH positions is collected and presented for the first time ever in one handy single volume. VOLUME ONE here is uncomplicated, straightforward, and very easy to use due to its "picture worth a thousand words" visual based format allowing one to take full advantage of the guitar fretboard material straight away. You'll have fun discovering some fresh perspectives on the same old same old, while also adding some new twists and turns to your own technique. As always, thank you very kindly for choosing this volume, volume one, from the collection to include in your library of fretboard knowledge needs...Enjoy!

This LITTLE GUITAR BOOK THAT COULD showcases the C A G E D guitar chord and scale sequence exclusively in the TENTH POSITION, for all to see and use. But, before thumbing through this book, there's some material that the guitarist may need reminding of...even though he or she may have played for years. For example, in this book, six is the exact number of consecutive frets involved in the TENTH POSITION, and it spans a full two octaves plus a perfect fourth when in standard tuning. Plus when in the TENTH POSITION, the second and third fingers on the fretting hand are to remain stationary in their respective frets or "slots", initially, as their stationary qualities allow the first and or fourth finger to stretch or slide that additional space. For the picking hand though, a very important pattern occurs down by the sound hole or bridge where that hand just so happens to be practically all the time. The pattern involves every other string, and is best evidenced when the C A G E D main root note sequence is plucked alphabetically, starting with the E root on the first or thinnest guitar string. To discover it, start by picking the E there (first string, third finger); then G (third string, third finger); A (fifth string, third finger); C (second string, fourth finger); D (fourth string, third finger) and conclude with the E (sixth string, third finger). The one-three-five, two-four-six string pattern naturally fits the picking hand and is looped, forwards or backwards (six-four-two, five-three-one) as the E roots on the first /sixth string(s) are deemed interchangeable. To conclude, there are three musical terms that need clarification for the purposes of THE LITTLE GUITAR BOOK THAT COULD...those being main root notes, octaves and unisons. What are main root notes? Generally speaking, main root notes represent a specific set of root notes that fall or cluster under the second and third fingers of the fretting hand. Once the location of each main root note is learned in the TENTH POSITION, generally speaking, the attention then moves to their octaves. An octave is defined as the interval between one musical pitch and another with half or double its own frequency. Some correctly call the interval a "perfect octave", and in guitarland, octaves are usually "one string one fret away". This handy fact helps memorize their location even though, occasionally, two strings and or two frets are involved (the same concept applies in that there will be some sort of string skipping). And lastly, unisons are defined as when two or more notes in music happen to sound or actualize the same pitch. In guitarland, it usually means "same note different string or fret". The term also implies that the unison in question does indeed occur in the guitar position at hand. So that's it! THE LITTLE GUITAR BOOK THAT COULD for the TENTH POSITION is uncomplicated, straightforward and super easy to use. Its "picture worth a thousand words" approach or more visual based format allows one to take full advantage of the guitar fretboard material straight away. You'll have fun discovering some fresh perspectives on the same old same old, while also adding some new twists and turns to your own technique. THE LITTLE GUITAR BOOK THAT COULD for the TENTH POSITION also contains generous amounts of guitar friendly music notation paper and guitar tablature paper too, all of which can be used as a composition journal of sorts. As always, thank you very kindly for including THE LITTLE GUITAR BOOK THAT COULD in your library of fretboard knowledge needs...Enjoy!

This LITTLE GUITAR BOOK THAT COULD plainly showcases the C A G E D guitar chord and scale sequence exclusively in the NINTH POSITION for all to see and use. But, before charging through this book, there's some material that the guitarist may need reminding of...even though he or she may have played for years. For example, in this book, six is the exact number of consecutive frets involved in the NINTH POSITION, and it spans a full two octaves plus a perfect fourth when in standard tuning. Plus when in the NINTH POSITION, the second and third fingers on the fretting hand are to remain stationary in their respective frets or "slots", initially, as their stationary qualities allow the first and or fourth finger to stretch or slide that additional space. For the picking hand though, a very important plucking pattern occurs down by the sound hole or bridge (where that hand just so happens to be.) The pattern involves every other string and is best evidenced when the C A G E D main root note sequence is plucked alphabetically, starting with the D root on the first or thinnest guitar string. To discover it, start by picking the D there (first string, second finger); then E (third string, first finger); G (fifth string, second finger); A (second string, second finger); C (fourth string, second finger) and conclude with the D (sixth string, second finger). The one-three-five, two-four-six string pattern naturally fits the picking hand and is looped, forwards or backwards (six-four-two, five-three-one) as the D roots on the first /sixth string(s) are deemed interchangeable. To conclude, there are three musical terms that need clarification for the purposes of THE LITTLE GUITAR BOOK THAT COULD...those being main root notes, octaves and unisons. What are main root notes? Generally speaking, main root notes represent a specific set of root notes that fall or cluster under the second and third fingers of the fretting hand. Once the location of each main root note is learned in the NINTH POSITION, the attention then moves to their octaves. An octave is defined as the interval between one musical pitch and another with half or double its own frequency. Some correctly call the interval a "perfect octave", and in guitarland, octaves are usually "one string one fret away". This handy fact helps memorize their location even though, occasionally, two strings and or two frets are involved (the same concept applies in that there will be some sort of string skipping). And lastly, unisons are defined as when two or more notes in music happen to sound the same pitch. In guitarland, it usually means "same note different string or fret". The term also implies that the unison occurs in the guitar position at hand. So that's it! THE LITTLE GUITAR BOOK THAT COULD for the NINTH POSITION is uncomplicated, straightforward and super easy to use. Its picture worth a thousand words visual based format allows one to take full advantage of the fretboard material right away. You'll have fun discovering some fresh perspectives on your same old same old, while also adding some new drama to your technique. THE LITTLE GUITAR BOOK THAT COULD for the NINTH POSITION also contains generous amounts of manuscript and tablature paper too. As always, thank you very kindly for including THE LITTLE GUITAR BOOK THAT COULD in your library of fretboard knowledge needs...Enjoy!

This LITTLE GUITAR BOOK THAT COULD showcases the ever popular C A G E D guitar chord and scale sequence exclusively in the THIRD POSITION for all to see and use. But, before thumbing through this book, there is some subject matter that the guitarist needs to be reminded of...even though he or she may have played for years. For example, in this book, six is the exact number of consecutive frets involved in the THIRD POSITION and it spans a full two octaves plus a perfect fourth when in standard tuning. Also when in the THIRD POSITION, the second and third fingers on the fretting hand are to remain stationary in their respective frets or "slots", initially, as their stationary qualities allow the first and fourth fingers to stretch or slide to those notes in the outermost frets. Concerning the picking hand, there is a very useful string picking pattern that occurs where that hand resides most of the time, down by the sound hole or bridge. This pattern involves every other string (one-three-five, two-four-six) and is best evidenced when the C A G E D main root note sequence is plucked alphabetically, starting with the A root as found on the first or thinnest guitar string. To discover it, start by picking the A there (first string, third finger); then C (third string, third finger); then D (fifth string, third finger); E (second string, third finger); G (fourth string, third finger) and conclude with the A on the thickest string (sixth string, third finger). The one-three-five, two-four-six string pattern naturally fits the fingers on the picking hand, helps with finger style, and is looped, forwards or backwards (six-four-two, five-three-one) as the A root notes found on the first/sixth string(s) are deemed interchangeable. There are also three musical terms that need some brief clarification for the purposes of THE LITTLE GUITAR BOOK THAT COULDl...those being main root notes, octaves and unisons. What are main root notes? Generally speaking, main root notes represent a specific set or cluster of root notes located in the center of the position, under the second and third fingers of the fretting hand. It should be mentioned here that there are two instances where the first and fourth fingers are involved with these main root notes, but those instances are not present in the THIRD POSITION C A G E D main root note sequence. In fact, all the C A G E D main root notes in the THIRD POSITION are fretted with just the third finger. That said, once the location of each main root note is learned, the attention then moves to their octaves. An octave is defined as the interval between one musical pitch and another with half or double its own frequency, some calling the interval a "perfect octave". In the THIRD POSITION, octaves are usually "one string one fret away" most of the time. This handy fact helps memorize their location even though, occasionally, two strings and or two frets are involved (the same concept applies in that there will be some sort of string skipping involved.) Last is the unison, which occurs when two or more music notes happen to sound the same pitch. In guitarland, it usually means "same note different string or fret", and the term implies that the unison occurs in the guitar position at hand. So that's it! When using this book, you'll find THE LITTLE GUITAR BOOK THAT COULD for the THIRD POSITION uncomplicated, straightforward and super easy to use. Its picture worth a thousand words, visual based format, allows one to take full advantage of the material right away. You'll have fun discovering some fresh perspectives on the same old same old, while also adding some new twists and turns to your own technique. Plus THE LITTLE GUITAR BOOK THAT COULD for the THIRD POSITION contains generous amounts of manuscript, tablature and fretboard paper too. To close, as always, thank you very kindly for including THE LITTLE GUITAR BOOK THAT COULD in your repertoire of fretboard knowledge needs...Enj

This LITTLE GUITAR BOOK THAT COULD showcases the C A G E D guitar chord and scale sequence exclusively in the SEVENTH POSITION for all to see, use and referance. But, before thumbing through this book, there's some important material that the guitarist may need reminding of...even though he or she may have played for years. For example, in this book, six is the exact number of consecutive frets involved in the SEVENTH POSITION, and it spans two octaves plus a perfect fourth when in standard tuning. Plus when in the SEVENTH POSITION, the second and third fingers on the fretting hand are to remain stationary in their respective frets or "slots", initially, as their stationary qualities allow the first and or fourth finger to stretch or slide that additional space. Also, it should be mentioned that in the SEVENTH POSITION, the first and fourth fingers are equally involved in this C A G E D sequence. Concerning the picking hand though, a very important pattern occurs down by the sound hole or bridge, where that hand just so happens to be. The pattern generally involves every other string and is best evidenced when the C A G E D main root note sequence is plucked alphabetically, starting with the C root on the first or thinnest guitar string. Start by picking the C there (first string, second finger); then D (third string, first finger); E (third string, third finger); G (second string, second finger); A (fourth string, first finger) and conclude with the C (sixth string, second finger). The one-three-three-two-four-six string pattern naturally fits the picking hand and is looped, forwards or backwards (six-four-two-three-three-one) as the C root notes found on the first /sixth string(s), amongst others, are deemed interchangeable. To conclude, there are three musical terms that need clarification for the purposes of THE LITTLE GUITAR BOOK THAT COULD...those being main root notes, octaves and unisons. What are main root notes? Generally speaking, main root notes represent a specific set of root notes that fall or cluster under the second and third fingers of the fretting hand, and generally speaking, the second and third fingers do the fretting. However, in this, the seventh position, the A and D main root notes are fretted with the respective first and fourth fingers. That said, once the location of each main root note is learned in the SEVENTH POSITION, the attention then moves to their octaves. An octave is defined as the interval between one musical pitch and another with half or double its own frequency. Some correctly call the interval a "perfect octave", and in guitarland, octaves are usually "one string one fret away". This handy fact helps memorize their location even though, occasionally, two strings and or two frets are involved (the same concept applies in that there will be some sort of string skipping). And last, unisons are defined as when two or more music notes happen to sound the same pitch. In guitarland, it usually means "same note different string or fret". The term also implies that the unison occurs in the guitar position at hand. So that's it! THE LITTLE GUITAR BOOK THAT COULD for the SEVENTH POSITION is uncomplicated, straightforward and super easy to use. Its picture worth a thousand words visual based format allows one to take full advantage of the guitar fretboard material right away. You'll have fun discovering some fresh perspectives on the same old same old, while also adding some new twists and turns to your technique. THE LITTLE GUITAR BOOK THAT COULD for the SEVENTH POSITION also contains generous amounts of manuscript, tablature and fretboard paper too. To conclude, as always, thank you very kindly for including THE LITTLE GUITAR BOOK THAT COULD in your repertoire of fretboard knowledge needs...Enjoy!

This LITTLE GUITAR BOOK THAT COULD showcases the popular C A G E D guitar chord and scale sequence exclusively in the FIFTH POSITION, for all to see, use and reference. But, before thumbing through this book, there's some important subject matter that the guitarist may need to be reminded of...even though he or she may have played for years. For example, in this book, six is the exact number of consecutive frets involved in the FIFTH POSITION, and it spans a full two octaves, plus a perfect fourth, when in standard tuning. Plus, when in the FIFTH POSITION, the second and third fingers on the fretting hand are to remain stationary in their respective frets or "slots", initially, as their stationary qualities allow the first and or fourth finger to stretch or slide to that additional fret space. For the picking hand though, a very important pattern occurs down by the sound hole or bridge (where that hand just so happens to be.) The pattern involves every other string and is best evidenced when the C A G E D main root note sequence is plucked alphabetically, starting with the C root on the first or thinnest guitar string. Start by picking the C there (first string, fourth finger); then D (third string, third finger); E (fifth string, third finger); G (second string, fourth finger); A (fourth string, third finger) and conclude with the C (sixth string, fourth finger). The one-three-five-two-four-six string pattern naturally fits the picking hand and is looped, forwards or backwards (six-four-two-five-three-one) as the C root notes located on the first/third/sixth string(s) are deemed interchangeable. To that end, there are also three musical terms that need clarification for the purposes of THE LITTLE GUITAR BOOK THAT COULD...those being main root notes, octaves and unisons. What are main root notes? Generally speaking, main root notes represent a specific set of root notes that fall or cluster under the second and third fingers of the fretting hand. Most of the time, the second and third fingers fret them, but there are two instances in the FIFTH POSITION when the main root notes involve the first and fourth fingers. Please be aware of this. Once the location of each main root note is learned in the FIFTH POSITION, the attention then moves to their octaves. An octave is defined as the interval between one musical pitch and another with half or double its own frequency. Some correctly call the interval a "perfect octave", and in guitarland, octaves are usually "one string one fret away". This handy fact helps to memorize their location sure enough, even though, occasionally, two strings and or two frets are involved (the same concept applies in that there will be some sort of string skipping). And last are unisons, a term used to define when two or more music notes happen to sound the same identical pitch. In guitarland, unisons imply "same note different string or fret". The term also implies that the unison occurs in the given guitar position at hand. So that's it! With some use, you'll soon discover that THE LITTLE GUITAR BOOK THAT COULD for the FIFTH POSITION is uncomplicated, straightforward and super easy to use. Its picture worth a thousand words approach allows one to take full advantage of the guitar fretboard material straight away. You'll have fun discovering some fresh perspectives on the same old same old, while also adding some new twists and turns to your own technique. THE LITTLE GUITAR BOOK THAT COULD for the FIFTH POSITION also contains generous amounts of manuscript, tablature and fretboard paper too, which makes for an ideal guitar music journal of sorts. To close, as always, thank you very kindly for including THE LITTLE GUITAR BOOK THAT COULD in your library of fretboard knowledge needs...enjoy!

This LITTLE GUITAR BOOK THAT COULD showcases the stock C A G E D guitar chord and scale sequence exclusively in the FIRST POSITION, for all to see and use. But, before thumbing through this book, there's some subject areas that the guitarist might need reminding of...even though he or she may have played for years. For example, in this book, six is the exact number of consecutive frets involved in the FIRST POSITION (the open strings count as one fret) and each guitar position spans a full two octaves plus a perfect fourth when in standard tuning. Also, the second and third fingers on the fretting hand remain stationary in their respective frets, initially, as their stationary qualities allow the fourth finger to stretch that additional fret. But what of the first finger? And here, before we go any further, one must understand something quite important; and that is this...when playing guitar in the FIRST POSITION there isn't a first finger stretch. There is in every other guitar position, yes, but here, the open strings take care of that stretch making it an exception, the FIRST POSITION is, to the rule. And this exception, just by chance, makes certain chords and scales much easier to play. It is very important that guitarists understand this. It is also important that the guitarist understand that a very useful picking pattern occurs down by the sound hole or bridge, where the picking hand resides. This pattern involves every other string and is best evidenced in the FIRST POSITION when the C A G E D main root note sequence is plucked alphabetically, starting with the G root on the first or thinnest guitar string. To discover it, start by picking the G there (first string, third finger); then A (third string, second finger); C (fifth string, third finger); D (second string, third finger); E (fourth string, second finger) and conclude with the G (sixth string, third finger). The one-three-five, two-four-six "every other string pattern" naturally fits the picking fingers on the hand and is looped, forwards or backwards (six-four-two, five-three-one) as the G root notes found on the first /sixth string(s) are deemed interchangeable. That said, there are also three musical terms that need some brief clarification for the purposes of THE LITTLE GUITAR BOOK THAT COULD...those being main root notes, octaves and unisons. To start, main root notes are a specific set of root notes that fall or cluster together under the second and third fingers of the fretting hand. They are used to help orientate the finger work involved. Once the placement of each is learned in the FIRST POSITION, the attention then moves to their octaves. An octave is defined as the interval between one musical pitch and another with half or double its own frequency. Some correctly call the interval a perfect octave, and in guitarland, octaves are usually "one string one fret away" from each other. This fact helps to memorize their location, however, occasionally, there will be two strings and or two frets involved. When two or more music notes happen to sound the same pitch, it is said they are in unison. In guitarland unison typically means "same note different string or fret", and it is implied that the unison occurs in the current guitar position. So that's it! THE LITTLE GUITAR BOOK THAT COULD for the FIRST POSITION remains uncomplicated, is straightforward and super easy to use. Its "picture worth a thousand words" visual based format allows one to take full advantage of the fretboard material right away. You'll have fun discovering some fresh perspectives on the same old same old, while also adding some new twists to your own technique. THE LITTLE GUITAR BOOK THAT COULD for the FIRST POSITION also contains generous amounts of manuscript, tablature and fretboard paper too. As always, thank you very kindly for including THE LITTLE GUITAR BOOK THAT COULD in your repertoire of fretboard knowledge needs...Enjoy!