Bøker av Wally Swist

Rainer Maria Rilke wrote in a letter-later collected in the posthumous book Letters to a Young Poet-that a writer always has a storehouse of inspiration to draw upon from childhood memories. Wally Swist''s seventeenth full-length collection of poetry, Taking Residence, begins with poems regarding childhood memories and, in quite a symphonic manner, concludes with them. A collection containing poems honoring the natural world, a suite written as a tribute to a friend who passed, twenty-six poems that are translations from the Spanish of Federico Garcia Lorca and St. John of the Cross and from the Italian of Giuseppe Ungaretti; the poet drawing from mindfulness practice and the practice of presence, the political cacophony of the last presidential administration, and spiritual and substantive nourishment Gastronomique-these are poems that address what it is to take residence in the heart, which Carl Jung spoke to when he offered that after a long life of studying the psyche and the soul, he just might have started to live his life at the level of the heart chakra. Taking Residence is a multifaceted and layered book of poetry built upon the foundational notion that "learning what it is that is taking residence in the heart" is a worthwhile and lifelong pursuit.

A collection of the Wally Swist's most mystical work, The Bees of the Invisible regards nature, spirit, and an array of personal memories-recollections from an elder's point of view. From the first poem in the book,-"A Wild Beauty," describing heirloom roses-to the last-"Ley Lines," a commemoration of a longstanding relationship where the poet finds "grace in laying down a memory"-this collection is one of celebration and praise. Also, reflecting the poet's lifelong admiration of the German poet Rainer Maria Rilke, there are adaptations of several of Rilke's poems not necessarily well-known to many readers, as well as adaptations of work by Georg Trakl, Tu Fu, and others. Most ostensible of these adaptations are Rilke's Das Marienleben, a thirteen-poem sequence dedicated to the Virgin Mary originally written in 1900. The Bees of the Invisible is the third book of a poetic trilogy published in recent years by Shanti Arts-the others being Candling the Eggs (2016) and The Map of Eternity (2018). Together these books represent Swist's most mature and accomplished work, and by far his most mystical writing.

Running throughout Wally Swist's numerous poems and publications is clear evidence of his lifelong dedication to observing the natural world. This practice in turn has influenced his extraordinary sense of perception and vision, so clearly at work in this collection, tested in all facets of life, from the most mundane ("Mall Walker") to the natural ("Ode to the Holyoke Range") to the political ("Ringmaster of the Ridiculous") to the eternal ("A Mystical Unfoldment"). Swist's powers of observation have led him to see the threads that connect all of it, and that is precisely the point . . . those threads are "The Map of Eternity" where we are "mesmerized with wonder" and "in awe of the wonder of what is."

"It turns out Wally Swist is a skilled essayist and reviewer as well as a celebrated poet and a decidedly eclectic reader. Singing for Nothing (the title alone says something about the condition of poetry) is a refined review of the work of both known and overlooked contemporary poets, as well as essays and reviews of the work of a range of artists, writers, and even scientists. The accounts are so intriguing, even for those unfamiliar with the subterranean world of poetry or obscure literature, after reading this book one would want to head off to the nearest library or bookstore and see what you've missed." - John Hanson Mitchell "Wally Swist's life has been steeped in poetry and guided by a steadfast belief in the power of literature. As book seller, a book creator, a poet, an essayist, a reviewer, and a generous supporter of other writers, he inhabits a world in which reading is indivisible from writing, and can't be untangled from life itself. So, it seems utterly fitting that Singing for Nothing maps that life by way of his essays and reviews. Through the assiduous shaping of his critical commentary on literature from around world and close to home, Swist has created a distinctive, thought-provoking memoir that is also a celebration of literature itself. " - Jane Brox Singing for Nothing was written over a period of 40 years. The essays, reviews, and other selected prose collected here constitute the author's poetic ruminations, his political and social thought, and his perennial philosophy over that time-to now. Much of the book was composed only recently in an attempt to push the traditional boundaries of nonfiction and memoir. Each of the eight chapters are introduced with anecdotal material from Swist's literary life, which albeit was impoverished financially, at times, but nearly always rich with his meetings with authors and his luminous reading through the years. Topics include reviews of the work of significant poets and writers; a chapter regarding haiku, an often misunderstood Japanese poetic form, and its intersection with Zen; a few academic essays regarding pop culture, the science of measurement, and the history of retirement in America; several blogs regarding psycho-spirituality; and a guided morning meditation using the chakras closes this book, which also includes some of this award-winning poet's poetry. The volume's subtitle, 'Selected Nonfiction as Literary Memoir', is apropos for what this book both embraces and what it explores by pressing the limits of traditional literary boundaries. Wally Swist's books include Huang Po and the Dimensions of Love (Southern Illinois University Press, 2012); The Daodejing: A New Interpretation, with David Breeden and Steven Schroeder (Lamar University Literary Press, 2015); and Invocation (Lamar University Literary Press, 2015). His poems have appeared in many publications, including Commonweal, North American Review, Rattle, Sunken Garden Poetry, 1992-2011 (Wesleyan University Press, 2012), and upstreet. A poem of Swist's was recently included on the national radio program The Writer's Almanac.