Bøker av V.S. Naipaul

The first book in V. S. Naipaul's acclaimed Indian trilogy - with a preface by the author. An Area of Darkness is V. S. Naipaul's semi-autobiographical account - at once painful and hilarious, but always thoughtful and considered - of his first visit to India, the land of his forebears. He was twenty-nine years old; he stayed for a year. From the moment of his inauspicious arrival in Prohibition-dry Bombay, bearing whisky and cheap brandy, he experienced a cultural estrangement from the subcontinent. It became for him a land of myths, an area of darkness closing up behind him as he travelled . . . The experience was not a pleasant one, but the pain the author suffered was creative rather than numbing, and engendered a masterful work of literature that provides a revelation both of India and of himself: a displaced person who paradoxically possesses a stronger sense of place than almost anyone. 'His narrative skill is spectacular. One returns with pleasure to the slow hand-in-hand revelations of both India and himself' The Times

Among the Believers is V.S. Naipaul's classic account of his journeys through Iran, Pakistan, Malaysia, and Indonesia; 'the believers' are the Muslims he met on those journeys, young men and women battling to regain the original purity of their faith in the hope of restoring order to a chaotic world. It is a uniquely valuable insight into modern Islam and the comforting simplifications of religious fanaticism.'This book investigates the Islamic revolution and tries to understand the fundamentalist zeal that has gripped the young in Iran and other Muslim countries . . . He is a modern master.' - Sunday Times'His level of perception is of the highest, and his prose has become the perfect instrument for realizing those perceptions on the page. His travel writing is perhaps the most important body of work of its kind in the second half of the century.' - Martin Amis, author of Time's Arrow.

The second book in V. S. Naipaul's acclaimed Indian trilogy. In 1964 V. S. Naipaul published An Area of Darkness, his semi-autobiographical account of a year in India. Two visits later, prompted by the Emergency of 1975, he came to write India: A Wounded Civilization. In this work he casts a more analytical eye than before over Indian attitudes, while recapitulating and further probing the feelings aroused in him by this vast, mysterious, and agonized country. What he saw and heard - evoked so superbly and vividly in these pages - reinforced in him a conviction that India, wounded by a thousand years of foreign rule, has not yet found an ideology of regeneration. A work of fierce candour and precision, it is also a generous description of one man's complicated relationship with the country of his ancestors. 'A devastating work, but proof that a novelist of Naipaul's stature can often define problems quicker and more effectively than a team of economists and other experts' The Times

Beyond Belief is a book about one of the more important and unsettling issues of our time. But it is not a book of opinion. It is, in the Naipaul way, a very rich and human book, full of people and their stories: stories of family, both broken and whole; of religion and nation; and of the constant struggle to create a world of virtue and prosperity in equal measure. Islam is an Arab religion, and it makes imperial Arabizing demands on its converts. In this way it is more than a private faith; and it can become a neurosis. What has this Arab Islam done to the histories of the non-Arab Islamic states: Indonesia, Iran, Pakistan, and Malaysia? How do the converted peoples view their past - and their future? In a follow-up to Among the Believers, his classic account of his travels through these countries, V. S. Naipaul returns, after a gap of seventeen years, to find out how and what the converted preach. 'Peerless . . . the human encounters are described minutely, superbly, picking up inconsistencies in people's tales, catching the uncertainties and the nuances . . . there is a candour to his writing, a constant precision at its heart' Sunday Times

From the winner of the Nobel Prize in Literature, &i>A House for Mr Biswas&/i> is V. S. Naipauls best-loved novel.

Willy Chandran blir født i India på 1930-tallet. Foreldrene hans lever i et bittert ekteskap; de tilhører forskjellige kaster, og Willys far forakter sin kone fordi hun er kasteløs. Willy drar til London hvor han blant annet skriver ei bok. Han mottar et fanbrev fra Ana, en kvinne av blandet afrikansk herkomst, og de blir elskere. Willy blir med Ana til hennes hjemland, en portugisisk koloni, hvor han blir i 18 år.

From the winner of the Nobel Prize in Literature, A House for Mr Biswas is V. S. Naipaul's best-loved novel.

The central novel from V.S. Naipaul's Booker Prize-winning narrative of displacement, published for the first time in a stand-alone edition.'In a Free State was conceived in 1969 as a sequence about displacement. There was to be a central novel, set in Africa, with shorter surrounding matter from other places. The shorter pieces from these varied places were intended to throw a universal light on the African material. But then, as the years passed and the world changed, and I felt myself less of an oddity as a writer, I grew to feel that the central novel was muffled and diminished by the surrounding material and I began to think that the novel should be published on its own. This is what, many years after its first publication, my publisher is doing in this edition.' - V. S. Naipaul. In a Free State is set in Africa, in a place like Uganda or Rwanda, and its two main characters are English. They had once found liberation in Africa. But now Africa is going sour on them. The land is no longer safe, and at a time of tribal conflict they have to make a long drive to the safety of their compound. At the end of this drive - the narrative tight, wonderfully constructed, the formal and precise language always instilled with violence and rage - we know everything about the English characters, the African country, and the Idi Amin-like future awaiting it.

With a preface by the author.V. S. Naipaul's The Mimic Men is a profound, moving and often humorous novel that evokes a colonial man's experience in the post-colonial world. Born of Indian heritage, raised in the British-dependent Caribbean island of Isabella, and educated in England, forty-year-old Ralph Singh has spent a lifetime struggling against the torment of cultural displacement. Now in exile from his native country, he has taken up residence at a quaint hotel in a London suburb, where he is writing his memoirs in an attempt to impose order on a chaotic existence. His memories lead him to recognize the cultural paradoxes and tainted fantasies of his colonial childhood and later life: his attempts to fit in at school, his short-lived marriage to an ostentatious white woman. But it is the return to Isabella and his subsequent immersion in the roiling political atmosphere of a newly self-governing nation - every kind of racial fantasy taking wing - that ultimately provide Singh with the necessary insight to discover the crux of his disillusionment.'A Tolstoyan spirit . . . The so-called Third World has produced no more brilliant literary artist' John Updike, New Yorker

Set on a troubled Caribbean island - where Asians, Africans, Americans and former British colonials co-exist in a state of suppressed hysteria - V. S. Naipaul's Guerrillas is a novel of colonialism and revolution. A white man arrives with his mistress, an Englishwoman influenced by fantasies of native power and sexuality, unaware of the consequences of her actions. Together with a leader of the 'revolution', they act out a gripping drama of death, sexual violence and spiritual impotence. Guerrillas depicts a convulsion in public life, and ends in private violence. The novel comes with extraordinary force from the centre of a profound moral awareness of the world's plight. 'Impeccable . . . Guerrillas seems to me Naipaul's Heart of Darkness: a brilliant artist's anatomy of emptiness, and of despair' Observer

With a preface by the author. V. S. Naipaul's legendary command of broad comedy and acute social observation is on abundant display in these classic works of fiction - two novels and a collection of stories - that capture the rhythms of life in the Caribbean and England with impressive subtlety and humour. The Suffrage of Elvira is Naipaul's hilarious take on an electoral campaign in the back country of Trinidad, where the candidates' tactics include blatant vote-buying and supernatural sabotage. The eponymous protagonist of Mr Stone and the Knights Companion is an ageing Englishman of ponderously regular habits whose life is thrown into upheaval by a sudden marriage and an unanticipated professional advancement. And the stories in A Flag on the Island take us from a Chinese bakery in Trinidad - whose black proprietor faces bankruptcy until he takes a Chinese name - to a rooming house in London, where the genteel landlady plays a nasty Darwinian game with her budgerigars. Unfailingly stylish, filled with intelligence and feeling, The Nightwatchman's Occurrence Book is the work of a writer who can do just about anything that can be done with language. 'V. S. Naipaul has a substantial claim as a comic writer . . . This humour, conducted throughout with the utmost stylistic quietude, is completely original' Kingsley Amis, Spectator

The Mystic Masseur, V. S. Naipaul's first published novel, is the story of the rise and rise of Ganesh, from failed primary school teacher and struggling masseur to author, revered mystic and MBE - a journey equally memorable for its hilarity as its bewildering success. An unforgettable cast of characters witness this meteoric ascent: Ganesh's father-in-law, Ramlogan, whose shop gave the impression that 'every morning someone went over everything in it - scales, Ramlogan, and all - with a greased rag'; his aunt, the Great Belcher, with her troubling wind; his wife Leela, and her fondness for putting a punctuation mark after every word. Soon, Ganesh's small hut is filled with books (1,500, as his wife will attest), and his trousers and shirt disappear to be replaced by more suitable attire for a proper mystic. As 'The Woman Who Couldn't Eat' and 'Lover Boy', the man who fell in love with his bicycle, line up to be cured, it looks like the mystic masseur is surely destined for greatness. In one of the author's finest comic creations we see the immense sensitivity, humour and endlessly inventive imagination that have become the hallmarks of V. S. Naipaul's genius.

In V. S. Naipaul's Magic Seeds we follow Willie Chandran, a man who has allowed one identity after another to be thrust upon him. In his early forties, after a peripatetic life, he succumbs to the encouragement of his sister - and his own listlessness - and joins an underground movement in India. But years of revolutionary campaigns and then prison convince him that the revolution 'had nothing to do with what we were fighting for', and he feels himself further than ever 'from his own history'. When he returns to Britain where, thirty years before, his wanderings began, Willie encounters a country that has turned its back on its past and, like him, has become detached from its own history. He endures the indignities of a culture dissipated by reform and compromise until, in a moment of grotesque revelation - a tour de force of parodic savagery from our most visionary of writers - Willie comes to an understanding that might finally allow him to release his true self. 'A radical further step in one of the great imaginative careers of our time . . . Magic Seeds demands our attention, and nothing more authoritative will be published this year' Philip Hensher, Daily Telegraph

In Half a Life we are introduced to the compelling figure of Willie Chandran. Springing from the unhappy union of a low-caste mother and a father constantly at odds with life, Willie is naively eager to find something that will place him both in and apart from the world. Drawn to England, and to the immigrant and bohemian communities of post-war London, it is only in his first experience of love that he finally senses the possibility of fulfilment. In its humorous and sensitive vision of the half-lives quietly lived out at the centre of our world, V.S. Naipaul's graceful novel brings its own unique illumination to essential aspects of our shared history. 'Parts are as sly and funny as anything Naipaul has written. Nobody who enjoys seeing English beautifully controlled should miss this novel' John Carey, Sunday Times

A Turn in the South is a reflective journey by V. S. Naipaul in the late 1980s through the American South. Naipaul writes of his encounters with politicians, rednecks, farmers, writers and ordinary men and women, both black and white, with the insight and originality we expect from one of our best travel writers. Fascinating and poetic, this is a remarkable book on race, culture and country. 'Naipaul's writing is supple and fluid, meticulously crafted, adventurous and quick to surprise. And, as usual, there's the freshness and originality of his way of looking at things' Sunday Times 'Naipaul writes as if a modern oracle has chosen to speak through him. It is a tissue of brilliantly recorded hearsay, of intense listening by a man with a remarkable ear' New York Times Review of Books 'This is a journey below the Mason-Dixon line into a society riven by too many defeats; the broken cause of the old Confederacy, and the frustrated anger of Southern blacks whose power is circumscribed . . . It is the best thing outside fiction that I have read on the Old South pregnant with the new since W. J. Cash's The Mind of the South published over fifty years ago' Sunday Telegraph

'Compelling, insightful, often sombrely beautiful' Sunday Telegraph Moving beyond travelogue, V. S. Naipaul's The Masque of Africa considers the effects of belief (in indigenous animisms, the foreign religions of Christianity and Islam, the cults of leaders and mythical history) upon the progress of African civilization. Beginning in Uganda, at the centre of the continent, Naipaul's journey takes in Ghana and Nigeria, the Ivory Coast and Gabon, and ends, as the country does, in South Africa. Focusing upon the theme of belief - though sometimes the political or economical realities are so overwhelming that they have to be taken into account - Naipaul examines the fragile but enduring quality of the old world of magic. To witness the ubiquity of such ancient ritual, to be given some idea of its power, was to be taken far back to the beginning of things. To reach that beginning was the purpose of this book.

Set in an unnamed African country, V. S. Naipaul's A Bend in the River is narrated by Salim, a young man from an Indian family of traders long resident on the coast. He believes The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it. So he has taken the initiative; left the coast; acquired his own shop in a small, growing city in the continent's remote interior and is selling sundries - little more than this and that, really - to the natives. This spot, this 'bend in the river', is a microcosm of post-colonial Africa at the time of Independence: a scene of chaos, violent change, warring tribes, ignorance, isolation and poverty. And from this rich landscape emerges one of the author's most potent works - a truly moving story of historical upheaval and social breakdown.

A Way in the World is a vastly innovative novel exploring vastly innovative novel explores colonial inheritance through a series of narratives that span continents, swing back and forth between past and present and delve into both autobiography and fiction. V. S. Naipaul offers a personal choice of examples of Spanish and British imperial history in the Caribbean, including an imagined vision of Raleigh's last expedition and an introduction to Francisco de Miranda, a would-be liberator and precursor to Bolivar, which are placed within a context of echoing modernity and framed by two more personal, heavily autobiographical sections sketching the narrator - an eloquent yet humble man of Indian descent who grew up in Trinidad but spent much of his adult life in England and Africa. Meditative and dramatic, these historical reconstructions, imbued with Naipaul's acute perception, drawn with his deft and sensitive touch, and told in his beautifully wrought prose, are transmuted into an astonishing novel exploring the profound and mysterious effect of history on the individual.

Part meditation, part remembrance, A Writer's People by V. S. Naipaul is a privileged insight, full of gentleness, humour and feeling, into the mind of one of our greatest writers.For the 'serious traveller', one who is fully engaged with the world, there can be no single view. Our author's purpose, then, 'is not literary criticism or biography', but only to set out the writing and ways of seeing to which he was exposed. So here is colonial Trinidad (the early Derek Walcott and Naipaul's own father); the culture of school (Flaubert and the classical world); England, where with the help of friends the writer seeks to make his way; and, inevitably for a colonial Indian, there is India, to be approached through the residue of Indian culture and the scattered memories of nineteenth-century immigrants, leading to a special understanding of Mahatma Gandhi.

At the centre of this extraordinary historical narrative are two linked themes: the grinding down of the aborigines during the long rivalries of the quest for El Dorado, the mythical kingdom of gold; and, two hundred years later, the man-made horror of the new slave colony. In The Loss of El Dorado, V. S. Naipaul shows how the alchemic delusion of El Dorado drew the small island of Trinidad into the vortex of world events, making it the object of Spanish and English colonial designs and a Mecca for treasure-seekers, slave-traders, and revolutionaries. And through an accumulation of casual, awful detail, he takes us as close as we can get to day-to-day life in the Caribbean slave plantations - at the time thought to be more brutal than their American equivalents. In this brilliantly researched book, living characters large and small are rescued from the records and set in a larger, guiding narrative - about the New World, empire, African slavery, revolution - which is never less than gripping.

The third book in V.S. Naipaul's acclaimed Indian trilogy, with a preface by the author. India: A Million Mutinies Now is a truly perceptive work whose insights continue to inform travellers of all generations to India. Much has changed since V. S. Naipaul's first trip to India and this fascinating account of his return journey focuses on India's development since independence. Taking an anti-clockwise journey around the metropolises of India - including Bombay, Madras, Calcutta, and Delhi - Naipaul offers a kaleidoscopic, layered travelogue, encompassing a wide collage of religions, castes, and classes at a time when the percolating ideas of freedom threatened to shake loose the old ways. The brilliance of the book lies in Naipaul's decision to approach this shifting, changing land from a variety of perspectives: the author humbly recedes, allowing the Indians to tell the stories of their own lives, and a dynamic oral history of India emerges before our eyes. 'With this book he may well have written his own enduring monument, in prose at once stirring and intensely personal, distinguished both by style and critical acumen' Financial Times

During forty years of travel, V. S. Naipaul has created a wide-ranging body of work, an exceptional and sustained meditation on our world. Now his finest pieces of reflection and reportage - many of which have been unavailable for some time - are collected in one volume. With an abiding faith in modernity balanced by a sense of wonder about the past, Naipaul has explored an astonishing variety of societies and peoples through the prism of his experience. Whether writing about Indian mutinies and despair, Mobutu's mad reign in Zaire, or the New York mayoral elections, he demonstrates time and again that no one has a shrewder intuition of the ways in which the world works. Infused with a deeply felt humanism, The Writer and the World attests powerfully not only to Naipaul's status as the great English prose stylist of our time but also to his keen, often prophetic, understanding. 'All [of these essays] are worth reading (and rereading), both for the contemporary and historical information and insight they artfully impart and for what they tell us about a uniquely complex writer' Spectator

Miguel Street, V. S. Naipaul's first written work of fiction, is set in a derelict corner of Port of Spain, Trinidad, during World War Two and is narrated by an unnamed, precociously observant neighbourhood boy. We are introduced to a galaxy of characters, from Popo the carpenter, who neglects his livelihood to build 'the wild thing without a name', to Man-man, who goes from running for public office to staging his own crucifixion, and the dreaded Big-Foot, the bully with glass tear ducts. As well as the lovely Mrs Hereira, in thrall to her monstrous husband. V. S. Naipaul writes with prescient wisdom and crackling wit about the lives and legends that make up Miguel Street: a living theatre, a world in microcosm, a cacophony of sights, sounds and smells - all seen through the eyes of a fatherless boy. The language, the idioms and the observations are priceless and timeless and Miguel Street overflows with life on every page. This is an astonishing novel about hope, despair, poverty and laughter; and an enchanting and exuberant tribute to V. S. Naipaul's childhood home.

A remarkable companion piece to The Writer and the World, Naipaul's previous volume of highly acclaimed essays, Literary Occasions is a stirring contribution to the fading art of the critic, and a revelation of a life in letters.In these eleven extended pieces V. S. Naipaul charts more than half a century of personal enquiry into the mysteries of the written word and of fiction in particular. Here are his boyhood experiences of reading books and his first youthful efforts at writing them; the evolution of his ideas about the extent to which individual cultures shape identities and influence literary forms; observations on Conrad, his literary forebear; the moving preface he wrote to the only book his father ever published; and his reflections on his career, ending with his celebrated Nobel lecture, 'Two Worlds'. 'He is an exceptionally good and perceptive critic - a few passages on Dickens are worth whole books by others - and when he addresses the art of fiction he not only writes beautifully (as always) but with complete humility' New Statesman

V. S. Naipaul's first travel book, The Middle Passage, takes us on a rich and emotional journey to a place of the greatest interest - his birthplace.In 1960, Dr Eric Williams, the first Prime Minister of independent Trinidad, invited V. S. Naipaul to revisit his native country and record his impressions. In this classic of modern travel writing he created a deft and remarkably prescient portrait of Trinidad and the Caribbean societies of four adjacent countries, Guyana, Surinam, Martinique and Jamaica. Haunted by the legacies of slavery and colonialism, and so thoroughly defined by the norms of Empire that it can scarcely comprehend its end, Naipaul catches this poor, topsy-turvy world at a critical moment, a time when racial and political assertion had yet to catch up - a perfect subject for the acute understanding and dazzling prose of this great writer. 'Naipaul travels with the artist's eye and ear and his observations are sharply discerning.' Evelyn Waugh 'Belongs in the same category of travel writing as Lawrence's books on Italy, Greene's on West Africa and Pritchett's on Spain' New Statesman

Taking its title from the strangely frozen picture by the surrealist painter Giorgio de Chirico, The Enigma of Arrival tells the story of a young Indian from the Caribbean arriving in post-imperial England and consciously, over many years, finding himself as a writer. It is the story of a journey, from one place to another, from the British colony of Trinidad to the ancient countryside of England, and from one state of mind to another, and is perhaps V. S. Naipaul's most autobiographical work. Yet alongside this he weaves a rich and complex web of invention and observation. Finding depth and pathos in the smallest moments - the death of a cottager, the firing of an estate's gardener - Naipaul also comprehends the bigger picture - watching as the old world is lost to the gradual but permanent changes wrought on the English landscape by the march of 'progress'. 'Written with the expected beauty of style . . . Instead of diminishing life, Naipaul ennobles it' Anthony Burgess, Observer