Bøker av Vittorio Hosle

The story of German philosophy from the Middle Ages to todayThis concise but comprehensive book provides an original history of German-language philosophy from the Middle Ages to today. In an accessible narrative that explains complex ideas in clear language, Vittorio Hosle traces the evolution of German philosophy and describes its central influence on other aspects of German culture, including literature, politics, and science.Starting with the medieval mystic Meister Eckhart, the book addresses the philosophical changes brought about by Luther's Reformation, and then presents a detailed account of the classical age of German philosophy, including the work of Leibniz and Kant; the rise of a new form of humanities in Lessing, Hamann, Herder, and Schiller; the early Romantics; and the Idealists Fichte, Schelling, and Hegel. The following chapters investigate the collapse of the German synthesis in Schopenhauer, Feuerbach, Marx, and Nietzsche. Turning to the twentieth century, the book explores the rise of analytical philosophy in Frege and the Vienna and Berlin circles; the foundation of the historical sciences in Neo-Kantianism and Dilthey; Husserl's phenomenology and its radical alteration by Heidegger; the Nazi philosophers Gehlen and Schmitt; and the main West German philosophers, including Gadamer, Jonas, and those of the two Frankfurt schools. Arguing that there was a distinctive German philosophical tradition from the mid-eighteenth century to the mid-twentieth century, the book closes by examining why that tradition largely ended in the decades after World War II.A philosophical history remarkable for its scope, brevity, and lucidity, this is an invaluable book for students of philosophy and anyone interested in German intellectual and cultural history.

Among the classics of the history of philosophy, the Scienza nuova (New Science) by Giambattista Vico (1668-1744) was largely neglected and generally misunderstood during the author's lifetime. From the nineteenth century onwards Vico's views found a wider audience, and today his influence is widespread in the humanities and social sciences. The New Science is often taught in courses at colleges and universities, both in philosophy and Italian departments and in general humanities courses. Despite the excellent English translations of this enigmatic book and numerous studies in English of Vico, many sections of the work remain challenging to the modern reader. Vico's New Science of the Intersubjective World offers both an in-depth analysis of all the important ideas of the book and an evaluation of their contribution to our present understanding of the social world. In the first chapter, Vittorio Hosle examines Vico's life, sources, and writings. The second and third chapters discuss the concerns and problems of the Scienza nuova. The fourth chapter traces the broader history of Vico's reception. Hosle facilitates the understanding of many passages in the work as well as the overarching structure of its claims, which are often dispersed over many sections. Hosle reformulates Vico's vision in such a way that it is not only of historical interest but may inspire ongoing debates about the nature of the humanities and social sciences as well as many other issues on which Vico sheds light, from the relation of poetry and poetics to the development of law. This book will prepare students and scholars for a precise study of the Scienza nuova, equipping them with the necessary categories and context and familiarizing them with the most important problems in the critical debate on Vico's philosophy.

Vittorio Hosle attempts no less than an outline of a political ethics for the twenty-first century. He not only raises the question of the relationship between morals and politics but proposes a relatively complex answer to it.

Presenting an essay, this work develops a theory of the comical and applies it to interpret both the recurrent personae played by Woody Allen, the actor and the philosophical issues addressed by Woody Allen, the director in his films.

In God as Reason: Essays in Philosophical Theology, Vittorio Hösle presents a systematic exploration of the relation between theology and philosophy. In examining the problems and historical precursors of rational theology, he calls on philosophy, theology, history of science, and the history of ideas to find an interpretation of Christianity that is compatible with a genuine commitment to reason. The essays in the first part of God as Reason deal with issues of philosophical theology. Hösle sketches the challenges that a rationalist theology must face and discusses some of the central ones, such as the possibility of a teleological interpretation of nature after Darwin, the theodicy issue, freedom versus determinism, the mindbody problem, and the relation in general between religion, theology, and philosophy. In the essays of the second part, Hösle studies the historical development of philosophical approaches to the Bible, the continuity between the New Testament concept of pneuma and the concept of Geist (spirit) in German idealism, and the rationalist theologies of Anselm, Abelard, Llull, and Nicholas of Cusa, whose innovative philosophy of mathematics is the topic of one of the chapters. The book concludes with a thorough evaluation of Charles Taylor's theory of secularization. This ambitious work will interest students and scholars of philosophical theology and philosophy of religion as well as historians of ideas and science.

Taking the film ""The Dead Poet's Society"" as his inspiration, Vittorio Hosle creates a place where the great philosophers of antiquity and their modern successors can all meet. They gather in the ""Cafe of the Dead But Ever Young Philosophers"" and discuss eleven-year-old Nora K.'s letters.