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Poetry. As if Catullus and Jarvis Cocker had conjoined with John Betjeman to pen catty, racy, brilliantly-rhyming poem-portraits of an age enthralled with gin, football, sex and surgery, Dhuga's debut collection of poetry is a tour de force -- echoing the formal tautness of Muldoon, the observational nous of Larkin, the mordancy of Eliot. Sinuous yet unfussy, hilarious yet heartbreaking, THE SIGHT OF A GOOSE GOING BAREFOOT pushes at the boundaries of our sentiments without succumbing to sentimentalism. It's no accident that this book takes as its title a nod, paradoxically, both dull and extravagant, towards proverbs whose provenances, however dubious, point up the painfully obvious as it obtains in the banal.
Choral Identity and the Chorus of Elders in Greek Tragedy challenges the commonly held view that choruses are marginalized by the roles they play in classical Athenian tragedy. Focusing on those tragedies that feature a chorus representing old men who are elders of the community where the action is taking place, Dhuga argues that these elders, as elders, are not necessarily marginal and can even become in some ways central to the represented action.
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