Bøker av Troy Jollimore

This is an eagerly awaited collection of new poems from the author of Tom Thomson in Purgatory, which won the National Book Critics Circle Award and was hailed by the New York Times as a "e;snappy, entertaining book."e; A triumphant follow-up to that acclaimed debut, At Lake Scugog demonstrates why the San Francisco Chronicle has called Troy Jollimore "e;a new and exciting voice in American poetry."e; Jollimore is a professional philosopher, and in witty and profound ways his formally playful poems dramatize philosophical subjects--especially the individual's relation to the larger world, and the permeable, constantly shifting border between "e;inner"e; and "e;outer."e; For instance, the speaker of "e;The Solipsist,"e; suspecting that the entire world "e;lives inside of your skull,"e; wonders "e;why / God would make ear and eye / to face outward, not in."e; And Tom Thomson--a character who also appeared in Jollimore's first book--finds himself journeying like an astronaut through the far reaches of the space that fills his head, an experience that prompts him to ask that a doorbell be installed "e;on the inside,"e; so that he can warn the world before "e;intruding on't."e;______ From At Lake Scugog:LOBSTERS Troy Jollimore ? tend to cluster in prime numbers, sub-oceanic bundles of bug consciousnesssubmerged in waking slumber, plunged in pitsof murk-black water. They have coalesced out of the pitch and grime and salt suspendedwithin that atmospheric gloom. Their skinis colorless below. But when exposedto air, they start to radiate bright green, then, soon, a siren red that wails: I'm dead.The meat inside, though, is as white as teeth,or the hard-boiled egg that comes to mindwhen one cracks that crisp shell and digs beneath. Caress the toothy claw-edge of its pincerand you will know the single, simple thoughtthat populates its mind. The lobster trap is eleganceitself: one moving part: the thing that's caught.

Love often seems uncontrollable and irrational, but we just as frequently appear to have reasons for loving the people we do. In Love's Vision, Troy Jollimore offers a new way of understanding love that accommodates both of these facts, arguing that love is guided by reason even as it resists and sometimes eludes rationality. At the same time, he reconsiders love's moral status, acknowledging its moral dangers while arguing that it is, at heart, a moral phenomenon--an emotion that demands empathy and calls us away from excessive self-concern. Love is revealed as neither wholly moral nor deeply immoral, neither purely rational nor profoundly irrational. Rather, as Diotima says in Plato's Symposium, love is "e;something in between."e; Jollimore makes his case by proposing a "e;vision"e; view of love, according to which loving is a way of seeing that involves bestowing charitable attention on a loved one. This view recognizes the truth in the cliche "e;love is blind,"e; but holds that love's blindness does not undermine the idea that love is guided by reason. Reasons play an important role in love even if they rest on facts that are not themselves rationally justifiable. Filled with illuminating examples from literature, Love's Vision is an original examination of a subject of vital philosophical and human concern.