Bøker av Tova Reich

An old New York Catskills hotel is converted into a Reeducation center for star #MeToo offenders in a story full of cunning and craft, double meanings and doppelgangers. A finalist for the Jewish National Book Award strikes again with another brilliant satire--a treat for readers of Philip Roth, Dara Horn, Nathan Englander, and others. Somewhere in the Catskills there's a camp, it's called Camp Jeff. The place is named for Jeffrey Epstein, not that Jeffrey Epstein, this is the good Jeffrey Epstein, a benefactor who wants his name on the building, though the bad one's not entirely irrelevant to this story. Tova Reich's newest novel, on the heels of her award-winning Mother India is a raucous and biting tale of a reeducation camp for alleged sex offenders. Reich's verbal blade is sharp and she slashes with it, but not without the sensitivity that such incisiveness requires. Camp Jeff is a work in Reich's signature satirical mode, an unhindered indictment of both #MeToo and therapeutic culture, and at the same time is also a deeply considered work of psychological portraiture and an examination of love, faith, and affection in American culture.

The eight stories collected in this volume are all populated by seekers-of holiness, illumination, liberation, meaning, love. Their journeys unfold in the U.S., Israel, Poland, China, often in the very heart of the Jewish world, and are rendered with an insider''s authority. The narrative voice bringing all this to life has been described as fearlessly satiric and subversive, with a moral but not moralizing edge, equally alive to the sacred and the profane, comically absurd to the point of tragedy. From the opening story, ''The Lost Girl'' (winner of a National Magazine Award in Fiction) to ''Dead Zone'' in the closing pages of this collection, we are confronted with souls unable to rest, unable to find release, searching for their place in this life, and beyond. Between these two stories, we encounter a true believer seeking personal redemption in China (''Forbidden City''), an aged woman longing at the end of her life to find a way back to her mother (''The Plot''), and a man of faith strugg

Successful father-and-son business partners Maurice and Norman Messer know a good product when they see it. That product is the Holocaust?and they market it enthusiastically. Maurice is a survivor with a self-inflated personal history. Norman enjoys vicarious victimhood via the second-generation movement. And nothing will prevent them from pushing their agenda and reaping the rewards. Not guilt, pride, or ethics. Not the disappearance of Norman's daughter, Nechama, into the Carmelite convent at Auschwitz or her reemergence as Sister Consolatia of the Cross. Not even the violent takeover of America's most powerful Holocaust memorialization institution by an angry coalition of self-styled "victims" eagerly seeking Holocaust status.