Bøker av Toni Morrison

A novel that immerses us in the tragic, torn lives of a poor black family - Pauline, Cholly, Sam and Pecola - in post-Depression 1940s Ohio. Unlovely and unloved, Pecola prays each night for blue eyes like those of her privileged white schoolfellows.

As young girls, Nel and Sula shared each other's secrets and dreams in the poor black mid-West of their childhood. Then Sula ran away to live her dreams and Nel got married. Ten years later Sula returns and no one, least of all Nel, trusts her. This is a story of fear - the fear that traps us, justifying itself through perpetual myth and legend.

New York Times BestsellerMilkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. With this brilliantly imagined novel, Toni Morrison transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel Garca Mrquez. As she follows Milkman from his rustbelt city to the place of his family's origins, Morrison introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized black world."e;You can't go wrong by reading or re-reading the collected works of Toni Morrison.Beloved,Song of Solomon,The Bluest Eye,Sula,everything else they're transcendent, all of them. You'll be glad you read them."e;--Barack Obama

Arguably the most celebrated and revered writer of our time now gives us a new nonfiction collection--a rich gathering of her essays, speeches, and meditations on society, culture, and art, spanning four decades.The Source of Self-Regard is brimming with all the elegance of mind and style, the literary prowess and moral compass that are Toni Morrison's inimitable hallmark. It is divided into three parts: the first is introduced by a powerful prayer for the dead of 9/11; the second by a searching meditation on Martin Luther King Jr., and the last by a heart-wrenching eulogy for James Baldwin. In the writings and speeches included here, Morrison takes on contested social issues: the foreigner, female empowerment, the press, money, "e;black matter(s),"e; and human rights. She looks at enduring matters of culture: the role of the artist in society, the literary imagination, the Afro-American presence in American literature, and in her Nobel lecture, the power of language itself. And here too is piercing commentary on her own work (including The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, and Paradise) and that of others, among them, painter and collagist Romare Bearden, author Toni Cade Bambara, and theater director Peter Sellars. In all, The Source of Self-Regard is a luminous and essential addition to Toni Morrison's oeuvre.

Begins in 1930s America with Macon Dead Jr, the son of a wealthy black property owner, who has been brought up to revere the white world. Macon learns about the tyranny of white society from his friend Guitar. So while Guitar joins a terrorist group of poor blacks, Macon goes home to the South, lured by tales of buried family treasure.

The world of Sethe, however, is to turn from one of love to one of violence and death - the death of Sethe's baby daughter Beloved, whose name is the single word on the tombstone, who died at her mother's hands, and who will return to claim retribution.

'Toni Morrison was the lodestar who inspired us' Bernadine EvaristoTwyla and Roberta have known each other since they were eight years old, when they were thrown together as roommates in a girls' shelter. Inseparable then, they lose touch as they grow older, only to meet again later at a diner, a grocery store and then at a protest. The two women are seemingly at opposite ends of every problem but, despite their conflict, the deep bond their shared experience has forged between them is undeniable. Recitatif keeps Twyla's and Roberta's races ambiguous throughout the story. We know that one is white and one is black, but which is which? And who is right about the race of the woman the girls tormented at the orphanage? This story is a masterful exploration of what keeps us together and what keeps us apart, of race and the relationships that shape our lives. Now with a new introduction by Zadie Smith, it is as radically compelling and relevant today as it was when first written nearly forty years ago.'Toni Morrison is the greatest chronicler of the American experience that we have ever known' Tayari Jones'Her work is an act of giving her community back to itself, so that people - African-Americans but the diaspora as well - can see and witness themselves' Diana Evans

New York Times BestsellerStaring unflinchingly into the abyss of slavery, this spellbinding novel transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe, its protagonist, was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement."You can''t go wrong by reading or re-reading the collected works of Toni Morrison. Beloved, Song of Solomon, The Bluest Eye, Sula, everything else — they''re transcendent, all of them. You’ll be glad you read them."--Barack Obama

New York TimesBestsellerPecola Breedlove, a young black girl, prays every day for beauty. Mocked by other children for the dark skin, curly hair, and brown eyes that set her apart, she yearns for normalcy, for the blond hair and blue eyes that she believes will allow her to finally fit in.Yet as her dream grows more fervent, her life slowly starts to disintegrate in the face of adversity and strife. A powerful examination of our obsession with beauty and conformity, Toni Morrison's virtuosic first novel asks powerful questions about race, class, and gender with the subtlety and grace that have always characterized her writing."e;You can't go wrong by reading or re-reading the collected works of Toni Morrison.Beloved,Song of Solomon,The Bluest Eye,Sula,everything else they're transcendent, all of them. You'll be glad you read them."e;--Barack Obama

Morrison brings her genius to this personal inquiry into the significance of African-Americans in the American literary imagination. Through her investigation of black characters, narrative strategies, and idiom in the fiction of white American writers, Morrison provides a perspective sure to alter conventional notions about American literature.

A young bunny finds a unique way to cope with the various mean people in his life.

A version of Aesop's fables finds that kind hearted Poppy is willing to help snake after he hurts him, but because he is aware and careful he is able to protect himself.

A version of Aesop's Fables finds a lion with a thorn in his paw and the mouse who can help him.

Nobelprisvinner Toni Morrison (1931-2019) var en av vår tids mest betydningsfulle forfattere, med sine poetiske og politiske skildringer av kjønn, rase og klasse i USA. Flere av romanene hennes skildrer slaveriet, og hvordan det har preget USAs historie fra den tidlige kolonitiden til i dag. Temaer om litteraturens kraft og om det å eie eller avskjæres fra sin egen historie er også sentrale i forfatterskapet. Zadie Smith (1975) regnes som en av sin generasjons mest prominente britiske forfatter og har mottatt en rekke litterære priser for sine romaner, som alle er oversatt til norsk. Hun er også kjent som en glimrende og produktiv essayist, med en helt særegen energi, dynamikk og observasjonsevne.

A version of Aesop's Fables finds two friends, a grasshopper and an ant, who each spend their time differently preparing for winter in a tale of friendship, betrayal, and survival.

A beautiful, arresting story about race and the relationships that shape us through life by the legendary Toni Morrison.In this 1983 short story--the only short story Morrison ever wrote--we meet Twyla and Roberta, who have known each other since they were eight years old and spent four months together as roommates in St. Bonaventure shelter. Inseparable then, they lose touch as they grow older, only later to find each other again at a diner, a grocery store, and again at a protest. Seemingly at opposite ends of every problem, and at each other's throats each time they meet, the two women still cannot deny the deep bond their shared experience has forged between them. Another work of genius by this masterful writer, Recitatif keeps Twyla's and Roberta's races ambiguous throughout the story. Morrison herself described Recitatif, a story which will keep readers thinking and discussing for years to come, as "an experiment in the removal of all racial codes from a narrative about two characters of different races for whom racial identity is crucial." We know that one is white and one is Black, but which is which? And who is right about the race of the woman the girls tormented at the orphanage? A remarkable look into what keeps us together and what keeps us apart, and how perceptions are made tangible by reality, Recitatif is a gift to readers in these changing times.

Ohio, 1873. Sammen med datteren Denver bor den tidligere slaven Sethe i et hus hjemsøkt av Sethes døde datter, og av minnene om det som hendte 18 år tidligere. Såret og høygravid flykter Sethe fra farmen Sweet Home, for å slutte seg til resten av familien. I 28 dager får hun nyte friheten, før hun blir oppsporet av slavejegere. Sethe forsøker å bearbeide fortidens smerte, og da den tidligere medslaven Paul D. dukker opp, gjør det alt litt lettere. Men en dag kommer den døde datteren tilbake for å kreve det som ble tatt fra henne, og for endelig en gang å bli elsket.

Hun kaller seg Bride, den vakre, glamorøse unge kvinnen. Hun er en uforferdet, overmodig og selvsikker forretningskvinne - og så nattsvart i huden at den nærmer seg det blå. For den lyshudede moren hennes var det så fornedrende at hun nektet barnet selv det det minste tegn på kjærlighet.Bride brant etter å bli elsket. Nå vil hun så gjerne få elske Booker, men vreden tar ham fra henne. Og Rain, det mystiske hvite barnet som krysser hennes vei, er det noen som elsker henne? Sist men ikke minst møter vi Brides egen mor, Sweetness, som bruker et liv på å innse at "det du gjør mot barn betyr noe. Og de glemmer kanskje aldri"GUD HJELPE BARNET er en heftig og utfordrende roman, og den første i Toni Morrisons forfatterskap som foregår her og nå. Den viser hvordan en barndoms lidelse kan danne, og misdanne, et voksent menneskes liv.

“Knowledge is what’s important, you know?  Not the erasure, but the confrontation of it.” — TONI MORRISON   In this wide-ranging collection of thought-provoking interviews — including her first and last — Toni Morrison (whom President Barrack Obama called a “national treasure”) details not only her writing life, but also her other careers as a teacher, and as a publisher, as well as the gripping story of her family. In fact, Morrison reveals here that her Nobel Prize-winning novels, such as Beloved and Song of Solomon, were born out of her family’s stories — such as those of her great-grandmother, born a slave, or her father, escaping the lynch mobs of the South. With an introduction by her close friend, poet Nikki Giovani, Morrison hereby weaves yet another fascinating and inspiring narrative — that of herself.

Arguably the most celebrated and revered writer of our time now gives us a new nonfiction collection--a rich gathering of her essays, speeches, and meditations on society, culture, and art, spanning four decades.The Source of Self-Regard is brimming with all the elegance of mind and style, the literary prowess and moral compass that are Toni Morrison''s inimitable hallmark. It is divided into three parts: the first is introduced by a powerful prayer for the dead of 9/11; the second by a searching meditation on Martin Luther King Jr., and the last by a heart-wrenching eulogy for James Baldwin. In the writings and speeches included here, Morrison takes on contested social issues: the foreigner, female empowerment, the press, money, "black matter(s)," and human rights. She looks at enduring matters of culture: the role of the artist in society, the literary imagination, the Afro-American presence in American literature, and in her Nobel lecture, the power of language itself. And here too is piercing commentary on her own work (including The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, and Paradise) and that of others, among them, painter and collagist Romare Bearden, author Toni Cade Bambara, and theater director Peter Sellars. In all, The Source of Self-Regard is a luminous and essential addition to Toni Morrison''s oeuvre.

Rumors had been whispered for more than a year. Outrages that had been accumulating all along took shape as evidence. A mother was knocked down the stairs by her cold-eyed daughter. Four damaged infants were born in one family. Daughters refused to get out of bed. Brides disappeared on their honeymoons. Two brothers shot each other on New Year's Day. Trips to Demby for VD shots common. And what went on at the Oven these days was not to be believed . . . The proof they had been collecting since the terrible discovery in the spring could not be denied: the one thing that connected all these catastrophes was in the Convent. And in the Convent were those women.In Paradise--her first novel since she was awarded the Nobel Prize for Literature--Toni Morrison gives us a bravura performance. As the book begins deep in Oklahoma early one morning in 1976, nine men from Ruby (pop. 360), in defense of the one all-black town worth the pain, assault the nearby Convent and the women in it. From the town's ancestral origins in 1890 to the fateful day of the assault, Paradise tells the story of a people ever mindful of the relationship between their spectacular history and a void Out There . . . where random and organized evil erupted when and where it chose. Richly imagined and elegantly composed, Paradise weaves a powerful mystery.

What exactly is goodness? Where is it found in the literary imagination? Toni Morrison, one of American letters' greatest voices, pondered these perplexing questions in her celebrated Ingersoll Lecture, delivered at Harvard University in 2012 and published now for the first time in book form.Perhaps because it is overshadowed by the more easily defined evil, goodness often escapes our attention. Recalling many literary examples, from Ahab to Coetzee's Michael K, Morrison seeks the essence of goodness and ponders its significant place in her writing. She considers the concept in relation to unforgettable characters from her own works of fiction and arrives at conclusions that are both eloquent and edifying. In a lively interview conducted for this book, Morrison further elaborates on her lecture's ideas, discussing goodness not only in literature but in society and history-particularly black history, which has responded to centuries of brutality with profound creativity.Morrison's essay is followed by a series of responses by scholars in the fields of religion, ethics, history, and literature to her thoughts on goodness and evil, mercy and love, racism and self-destruction, language and liberation, together with close examination of literary and theoretical expressions from her works. Each of these contributions, written by a scholar of religion, considers the legacy of slavery and how it continues to shape our memories, our complicities, our outcries, our lives, our communities, our literature, and our faith. In addition, the contributors engage the religious orientation in Morrison's novels so that readers who encounter her many memorable characters such as Sula, Beloved, or Frank Money will learn and appreciate how Morrison's notions of goodness and mercy also reflect her understanding of the sacred and the human spirit.

What is race and why does it matter? Why does the presence of Others make us so afraid? America's foremost novelist reflects on themes that preoccupy her work and dominate politics: race, fear, borders, mass movement of peoples, desire for belonging. Ta-Nehisi Coates provides a foreword to Toni Morrison's most personal work of nonfiction to date.

Is who we are really only skin deep? In this book, the author unravels race through the stories of those debased and dehumanised because of it. It also includes the story of a young black girl longing for the blue eyes of white baby dolls that spirals into inferiority and confusion.