Bøker av Tom Weaver

What does Producer: RICHARD GORDON mean to you?If you're a fan of classic horror films, you know he's the only living producer to have worked with the genre's most valuable players Boris Karloff and Bela Lugosi--not to mention the Fiend Without a Face, the First Man into Space and other black-and-white beasties of the Fabulous Fifties.If you take your fright flicks on the ghastlier side, you remember his more gory goblins, from the Silicates on the Island of Terror to the mad slasher of the Tower of Evil, and the interstellar shocks delivered by Inseminoid.A master of both worlds, Richard Gordon has been a behind-the-scenes titan of terror for over a half-century, collaborating during his years of active production (1956-1981) with some of the field's most formidable names: Boris and Bela, Peter Cushing and Christopher Lee, Michael Gough, Terence Fisher and more.Go on a film-by-film excursion through his cinematic chamber of horrors in this definitive book-length interview....

Chester and Percy journey to destroy a coven of witches at the king's request. After encountering numerous and harrowing obstacles, the true nature of their mission is revealed. Things were never as they seemed, and they must join forces with a supposed enemy to battle those they thought to trust the most.

Mummy Is the root of all evil! Monster Kids' favorite movie mummy Kharis scream-iered in 1940's The Mummy's Hand and returned in a new chiller-diller two years later, dealing out more cruel and violent death. But the sequel's title The Mummy's Tomb is a misnomer, Kharis have left his Saharan resting place more than 5000 miles behind. Now the full moon, lighting his way from one midnight murder to the next, rides high in the sky over the U.S. of A.: Mapleton, Massachusetts, is the crumbling creeper's new stalking ground! The Mummy's Tomb is set 30 years after Hand, but Egypt's ancient gods are still in a royal huff that archaeologist Steve Banning (Dick Foran) plundered Princess Ananka's tomb. With Banning, his family and his colleague Babe (Wallace Ford) on his hit list, a fanatic High Priest (Turhan Bey) transports Kharis to the States and unleashes the mad mummy upon them. Lon Chaney, the Universal Horror Factory's new go-to guy for monster roles, fills the cloth-wrapped shoes of Kharis, a one-mummy crime wave casting his sinister shadow across the New England village.

Gary D. Rhodes guides a ghostly ship through the bayous and backwaters of Louisiana, casting his lantern's light on the vampires of Universal's 1943 classic Son of Dracula. Also illuminated are the film's production history and its original script. Unmoored from the errors of the past, Rhodes, Tom Weaver, Robert Guffey and Robert J. Kiss do that research voodoo that they do so well. "An engaging, thoroughly researched and accessible book that will appeal to film researchers and fans alike. Son of Dracula is finally receiving the attention it deserves." - Dr. Alison Peirse, After Dracula: The 1930s Horror Film "This is the ultimate tribute to Son of Dracula, an underrated jewel in Universal's 1940s horror pantheon: a reproduction of director Robert Siodmak's annotated script, plus some superb bonuses. Sink y9our fangs into it now!" - Steve Kronenberg, Universal Terrors 1951 - 1955 Contains the script, production history, fun facts, the pressbook, and essays by Robet Siodmak and Curt Siodmak.

Gary D. Rhodes guides a ghostly ship through the bayous and backwaters of Louisiana, casting his lantern's light on the vampires of Universal's 1943 classic Son of Dracula. Also illuminated are the film's production history and its original script. Unmoored from the errors of the past, Rhodes, Tom Weaver, Robert Guffey and Robert J. Kiss do that research voodoo that they do so well. "An engaging, thoroughly researched and accessible book that will appeal to film researchers and fans alike. Son of Dracula is finally receiving the attention it deserves." - Dr. Alison Peirse, After Dracula: The 1930s Horror Film "This is the ultimate tribute to Son of Dracula, an underrated jewel in Universal's 1940s horror pantheon: a reproduction of director Robert Siodmak's annotated script, plus some superb bonuses. Sink y9our fangs into it now!" - Steve Kronenberg, Universal Terrors 1951 - 1955 Contains the script, production history, fun facts, the pressbook, and essays by Robet Siodmak and Curt Siodmak.

He made the Universal back lot his own personal preyground: Rondo Hatton, who attained B-movie stardom at the very end of his life via the role of the spine-snapping serial killer The Creeper. The victim of a disfiguring disease, Hatton needed no makeup when he played this night stalker in The Pearl of Death (1944), House of Horrors (1946) and The Brute Man (1946). A lot of misery and physical pain were packed into Rondo Hatton's 51 years on Earth and he met his challenges with courage. This book tells his full story and pays tribute with a biography chapter, the lowdown on The Brute Man's production and theatrical release, artist George Chastain's tribute to other "brute men" of the movies, and more. Also: Rondo's miraculous 21st-century "rebirth" as a coveted award for the finest in Monster Kid achievement.

He made the Universal back lot his own personal preyground: Rondo Hatton, who attained B-movie stardom at the very end of his life via the role of the spine-snapping serial killer The Creeper. The victim of a disfiguring disease, Hatton needed no makeup when he played this night stalker in The Pearl of Death (1944), House of Horrors (1946) and The Brute Man (1946). A lot of misery and physical pain were packed into Rondo Hatton's 51 years on Earth and he met his challenges with courage. This book tells his full story and pays tribute with a biography chapter, the lowdown on The Brute Man's production and theatrical release, artist George Chastain's tribute to other "brute men" of the movies, and more. Also: Rondo's miraculous 21st-century "rebirth" as a coveted award for the finest in Monster Kid achievement.

Close Encounters of the Brr Kind Beneath the polar ice, seven submarines have been mysteriously destroyed. The Navy must stem this tide of undersea disasters. They send the fleet's killer sub, the atom-powered Tiger Shark, to the 5,000,000 square miles of Arctic Ocean to neutralize our nation's newest enemy. BATTLE STATIONS! BATTLE STATIONS!! Their adversary is not foreign but alien: an undersea flying saucer which they dub Cyclops. The Tiger Shark rams Cyclops, its bow piercing the saucer's hull, and the two crafts, locked together, sink to the frigid depths. To free their sub, the men of the Tiger Shark must coldly go where no man has gone before: into the saucer. Where the greatest horror awaits. TOP SECRET CARGO MANIFEST - Original Shooting Script! - "Making Of" Chapter - Tribute to Producer Alex Gordon - Pressbook and much more!

Close Encounters of the Brr KindBeneath the polar ice, seven submarines have been mysteriously destroyed. The Navy must stem this tide of undersea disasters. They send the fleet's killer sub, the atom-powered Tiger Shark, to the 5,000,000 square miles of Arctic Ocean to neutralize our nation's newest enemy.BATTLE STATIONS! BATTLE STATIONS!!Their adversary is not foreign but alien: an undersea flying saucer which they dub Cyclops.The Tiger Shark rams Cyclops, its bow piercing the saucer's hull, and the two crafts, locked together, sink to the frigid depths. To free their sub, the men of the Tiger Shark must coldly go where no man has gone before: into the saucer.Where the greatest horror awaits.TOP SECRETCARGO MANIFEST- Original Shooting Script!- "Making Of" Chapter- Tribute to ProducerAlex Gordon- Pressbookand much more!

A collection of conversations with movie industry veterans, with over 60 interviewees describing their experiences on the sets of sci-fi and horror movies and television series. The discussions offer a frank and fascinating behind-the-scenes look at the genres' classic and lesser-known interpretations both.

What does Producer: RICHARD GORDON mean to you?If you're a fan of classic horror films, you know he's the only living producer to have worked with the genre's most valuable players Boris Karloff and Bela Lugosi--not to mention the Fiend Without a Face, the First Man into Space and other black-and-white beasties of the Fabulous Fifties.If you take your fright flicks on the ghastlier side, you remember his more gory goblins, from the Silicates on the Island of Terror to the mad slasher of the Tower of Evil, and the interstellar shocks delivered by Inseminoid.A master of both worlds, Richard Gordon has been a behind-the-scenes titan of terror for over a half-century, collaborating during his years of active production (1956-1981) with some of the field's most formidable names: Boris and Bela, Peter Cushing and Christopher Lee, Michael Gough, Terence Fisher and more.Go on a film-by-film excursion through his cinematic chamber of horrors in this definitive book-length interview....

This is the hardback version. On a South American rubber plantation stands the home of Klaas Van Gelder-a house whose claim to fame is murder. Barney the foreman, beguiled by Van Gelder's beautiful young wife Dina, pushed his employer into the afterlife, took Dina as his bride and made himself master of Van Gelder Manor. But a witch-like servant gives him a dose of jungle justice: She places a curse on him so that he transforms by night into the deadliest of jungle demons, the succarath. Curt Siodmak, creator of The Wolf Man and Donovan's Brain, devised this outlandish monster melodrama, basically an exotic remake of The Wolf Man, co-starring the Wolf Man himself, Lon Chaney. The Fabulous Fifties' first horror hit, it rates deluxe Scripts from the Crypt treatment: a "Making Of" article, a tribute to Siodmak, detailed release information, an essay on the music score, an interview with producer Herman Cohen, a Lon Chaney Timeline, Production Code correspondence, script, pressbook and more.

Revised and updated since its first publication in 1990, this acclaimed critical survey covers the classic chillers produced by Universal Studios during the golden age of hollywood horror, 1931 to 1946. The authors offer a definitive study of the 86 films produced during this era and present a general overview of the period.

"Butcher" Benton, a crook who pulled a Los Angeles armored car robbery, trudges to San Quentin's gas chamber filled with loathing for his double-crossing partners in crime. Things take a turn for the weird when his corpse is carted off to the laboratory of a medical researcher who gives it a 287,000 volt zap, unintentionally restoring Benton to life and making his skin as hard as armor plate. The Butcher's psychopathic itch, also reborn, still needs scratching so he returns to L.A. a volatile mix of super-strength and white-hot rage. Benton is murder looking for a place to happen: Inhuman! Invincible! Inescapable! Horror legend Lon Chaney puts his considerable all into his performance as the Indestructible Man in this sci-fi/action drive-in favorite. On the 60th anniversary of its 1954 production, the thriller gets the full Scripts from the Crypt treatment: a lengthy "Making Of" essay, quotes from its writers and its producer-director, cast members memories, Production Code correspondence, a dissertation on the music, release information, pressbook and the ultra-rare script.

Contains interviews with the men and women who made the horror and sci-fi favorites of the 1940s, '50s and '60s, including actors such as Mike Connors, Brett Halsey, Natalie Trundy and Richard Kiel; writers; producers and directors, who recall legendary genre figures Lugosi, Chaney, Tod Browning and James Whale.

In this one-of-a-kind volume, you'll learn everything under the sun about producer-director-star Robert Clarke's 1959 monster classic: Clarke's in-depth account of the making of his low-budget independent movie; reprints of TWO versions of the script, the first set in the jungles of Guatemala; the full story of SUN DEMON's world premiere at a Texas drive-in; anecdotal memories of the frantic filmmaking process from nearly a dozen cast-and-crew participants; the original "Showmanship Manual"; an outline for a follow-up SUN DEMON film proposed by Clarke in the 1970s; scores of rare and never-seen photographs; even an afterword from sexquisite co-star Nan Peterson! This is the first in a series of such books from longtime genre fan and chronicler Tom Weaver.