Bøker av Todd McGowan

Despite creating vast inequalities and propping up reactionary world regimes, capitalism has many passionate defenders-but not because of what it withholds from some and gives to others. Capitalism dominates, Todd McGowan argues, because it mimics the structure of our desire while hiding the trauma that the system inflicts upon it. People from all backgrounds enjoy what capitalism provides, but at the same time are told more and better is yet to come. Capitalism traps us through an incomplete satisfaction that compels us after the new, the better, and the more.Capitalism's parasitic relationship to our desires gives it the illusion of corresponding to our natural impulses, which is how capitalism's defenders characterize it. By understanding this psychic strategy, McGowan hopes to divest us of our addiction to capitalist enrichment and help us rediscover enjoyment as we actually experienced it. By locating it in the present, McGowan frees us from our attachment to a better future and the belief that capitalism is an essential outgrowth of human nature. From this perspective, our economic, social, and political worlds open up to real political change. Eloquent and enlivened by examples from film, television, consumer culture, and everyday life, Capitalism and Desire brings a new, psychoanalytically grounded approach to political and social theory.

"In Embracing Alienation, Todd McGowan offers a completely different take on alienation, claiming that the effort to overcome it is not a radical response to the current state of things but a failure to see the constitutive power of alienation for all of us. Instead of trying to overcome alienation and accede to an unalienated existence, it argues, we should instead redeem alienation as an existential and political program. Engaging with Shakespeare's great tragedies, contemporary films such as Don't Worry Darling, and even what occurs on a public bus, as well as thinkers such as Descartes, Hegel, and Marx, McGowan provides a concrete elaboration of how alienation frees peoplefrom their situation. Relying on the tradition of dialectical thought and psychoanalytic theory, Embracing Alienation reveals a new way of conceiving how we measure progress -- or even if progress should be the aim at all."--

Explains why the American cultural obsession with enjoying ourselves actually makes it more difficult to do so.

This unique volume collects a series of essays that link new developments in Lacanian psychoanalytic theory and recent trends in contemporary cinema. Though Lacanian theory has long had a privileged place in the analysis of film, film theory has tended to ignore some of Lacan's most important ideas. As a result, Lacanian film theory has never properly integrated the disruptive and troubling aspects of the filmic experience that result from the encounter with the Real that this experience makes possible. Many contemporary theorists emphasize the importance of the encounter with the Real in Lacan's thought, but rarely in discussions of film. By bringing the encounter with the Real into the dialogue of film theory, the contributors to this volume present a new version of Lacan to the world of film studies.These essays bring this rediscovered Lacan to bear on contemporary cinema through analysis of a wide variety of films, including Memento, Eyes Wide Shut, Breaking the Waves, and Fight Club. The films discussed here demand a turn to Lacanian theory because they emphasize the disruptive role of the Real and of jouissance in the experience of the human subject. There is a growing number of films in contemporary cinema that speak to film's power to challenge and disturb the complacency of spectators, and the essays in Lacan and Contemporary Film analyze some of these films and bring their power to light.Because of its dual focus on developments in Lacanian theory and in contemporary film, this collection serves as both an accessible introduction to current Lacanian film theory and an introduction to the study of contemporary cinema. Each essay provides an accessible, jargon-free analysis of one or more important films, and at the same time, each explains and utilizes key concepts of Lacanian theory. The collection stages an encounter between Lacanian theory and contemporary cinema, and the result is the enrichment of both.

Since the release of Do the Right Thing in 1989, Spike Lee has established himself as a cinematic icon. Lee's mostly independent films garner popular audiences while at the same time engaging in substantial political and social commentary. The author argues that Lee uses excess in his films to intervene in issues of philosophy, politics, and art.

A new temporal aesthetic in films such as Memento, Eternal Sunshine of the Spotless Mind, 2046, and The Hangover.