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United Artists was a unique motion picture company in the history of Hollywood. Providing the history of United Artists from 1919 through 1951, this title chronicles the company's struggle for survival, its rise to prominence as the Tiffany of the industry, and its near extinction in the 1940s.
Presenting the history of United Artists, this title examines the turnaround of the company in the hands of Arthur Krim and Robert Benjamin in the 1950s, when United Artists devised a successful strategy based on the financing and distribution of independent production that transformed the company into an industry leader.
From Roberto Rossellini's Open City in 1946 to Bernardo Bertolucci's Last Tango in Paris in 1973, Tino Balio tracks the critical reception in the press of such filmmakers as Francois Truffaut, Jean- Luc Godard, Federico Fellini, Michelangelo Antonioni, Tony Richardson, Ingmar Bergman, Akira Kurosawa, Luis Bunuel, Satyajit Ray, and Milos Forman.
Examines the challenges facing the contemporary film industry, exploring the merging of the major old-line studios such as Warner Bros. and Paramount into entertainment conglomerates; the impact of globalization; new distribution methods; franchises; attempts to reach new markets. Filled with case studies, this comprehensive study is a must-read.
The advent of color, big musicals, the studio system, and the beginning of institutionalized censorship made the thirties the defining decade for Hollywood. In this fifth volume of the series "History of the American Cinema", the author examines various aspects of the filmmaking and film exhibition system as it matured during the Depression era.
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