Bøker av Timothy Miller

To crack the case the time around, Sherlock Holmes must return to the place he swore he'd never revisit and face his demons. . . literally . . .1923: In his last years, Sherlock Holmes has abandoned his strict method of logic for the practice of spiritualism, to the everlasting shame of his old friend Dr. Watson. When Lord Carnarvon dies unexpectedly, barely two months after opening the tomb of Tutankhamun, Holmes blames his death—and a string of others, from an American millionaire to an Egyptian prince, on an ancient curse. But Watson, never one for the supernatural, decides to finally part ways with the formerly great detective. However, shortly after his departure from Holmes, Lord Carnarvon’s daughter, Lady Evelyn, approaches Watson with a plea: accompany Holmes to Tutankhamun’s tomb to uncover the truth of her father’s death, whether natural, supernatural, or cold-blooded murder. Watson reluctantly accepts the challenge. But much to his displeasure, there’s a third member of their company—Mrs. Estelle Roberts, who communicates with the dead. Although divided by different beliefs, the trio must band together to unravel the extraordinary secret of the boy king and the treasure missing from his tomb that men have killed for. Their journey takes them from London to Monte Carlo to Cairo and Luxor, and finally to the place that haunts Sherlock Holmes’s dreams, the place he swore never to return to: the Reichenbach Falls, where the spirit of the one man he killed in his long career may be awaiting its revenge: Moriarty.

This is a source of reliable information on the most important new and alternative religions covering history, theology, impact on the culture, and current status. It includes a chapter on the Branch Davidians.

Provides a perceptive and original study of the evolution of orphanages in the Byzantine Empire. After a thorough discussion of each element of the Byzantine child care system, the book closes by showing how Byzantine orphanages provided models for later Western group homes, especially in Italy.

Paris, 1890. When Sherlock Holmes finds himself chasing an art dealer through the streets of Paris, he's certain he's smoked out one of the principals of a cunning forgery ring responsible for the theft of some of the Louvre's greatest masterpieces. But for once, Holmes is dead wrong. He doesn't know that the dealer, Theo Van Gogh, is rushing to the side of his brother, who lies dying of a gunshot wound in Auvers. He doesn't know that the dealer's brother is a penniless misfit artist named Vincent, known to few and mourned by even fewer. Officialdom pronounces the death a suicide, but a few minutes at the scene convinces Holmes it was murder. And he's bulldog-determined to discover why a penniless painter who harmed no one had to be killedand who killed him. Who could profit from Vincent's death? How is the murder entwined with his own forgery investigation? Holmes must retrace the last months of Vincent's life, testing his mettle against men like the brutal Paul Gauguin and the secretive Toulouse-Lautrec, all the while searching for the girl Olympia, whom Vincent named with his dying breath. She can provide the truth, but can anyone provide the proof? From the madhouse of St. Remy to the rooftops of Paris, Holmes hunts a killerwhile the killer hunts him.

Sherlock Holmes, safe in the bee-loud glades of the Sussex downs, is lured back to London when a problem is posed to him by Dr. Watson and Watson''s friend, Col. Higgins. Posing as a rich American gangster, Holmes infiltrates the Higgins household. He meets Freddy, a seemingly ubiquitous suitor, and the mysterious Baron Von Stettin, Bavarian attache. He brushes up against a doctor whose potions can turn Eliza from a spitfire into a kitten. And he faces a deadly enemy who had been thought dead for twenty years. The world of Sherlock Holmes will never be the same.

And because of its complexity, it has become a test case in literary studies as a focal point for changing critical assumptions and literary values. The volume is organized in chapters devoted to particular centuries, with each chapter presenting a selection of reviews and critical essays from that period.