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  • av Tim Crouch
    174 - 189,-

    And that's the moment when I leave.The moment when the jokes fail us. When I fail. I fail.This precise moment here, look, see with your ears.The Fool leaves King Lear before the blinding. Before the killing starts. Before the ice-creams in the interval.In his new solo work, playwright Tim Crouch draws on ideas of virtual reality to send the Fool back to the future of the play that he left. Back to a world without moral leadership or integrity; a world where wealth covers vice; where the poor are dehumanised; where the jokes fall flat; where live art has become the privilege of the few.Truth's a Dog Must to Kennel is a daringly unaccommodating piece of theatre that switches between scathingly funny stand-up and an audacious act of collective imagining. King Lear meets stand-up meets the metaverse. Crouch's previous celebrated works include An Oak Tree, The Author, Adler & Gibb, Total Immediate Collective Imminent Terrestrial Salvation, and Beginners.This edition was published to coincide with the production at The Royal Lyceum Theatre Edinburgh in August 2022.

  • av Tim Crouch
    189,-

    'You'd like that, would you, your most private, pinkest, tenderest - small bird, small bird, small fragile - stolen from you, slammed down onto the slab, the block, poked at and paraded.'The children swing their legs on the chairs. The student delivers the presentation. The older woman stands with the gun. The young couple arrives at the house. The house is returning to nature. A movie is being made. The truth is being plundered. But the house is still lived in and the spirit to resist is strong.Janet Adler and Margaret Gibb were conceptual artists working in New York at the end of the last century. They were described by art critic Dave Hickey as the 'most ferociously uncompromising voice of their generation'. With Adler's death in 2004, however, the compromise began.Adler & Gibb tells the story of a raid - on a house, a life, a reality and a legacy. The play takes Tim Crouch's fascination with form and marries it to a thrilling story of misappropriation.Also includes what happens to the hope at the end of the evening by Tim Crouch and Andy Smith, a facsimile of the text as used in performance.

  • av Tim Crouch
    189,-

  • av Tim Crouch
    189,-

    'Since your daughter's death I've not been much of a hypnotist.'A man loses his daughter to a car accident. Nothing now is what it seems. It's like he's in a play - but he doesn't know the words or the moves.The man who was driving the car is a stage hypnotist. Since the accident he's lost the power of suggestion. His act's a disaster. For him, everything now is exactly what it is. For the first time since the accident, these two men meet. They meet when the Father volunteers for the Hypnotist's act. And, this time, he really doesn't know the words or the moves...An Oak Tree is a remarkable play for two actors. The Father, however, is played by a different actor - male or female - at each performance. They walk on stage having neither seen nor read a word of the play they're in...until they're in it. This is a breath-taking projection of a performance, given from one actor to another, from a hypnotist to their subject, from an audience to a person. An Oak Tree is a bold and absurdly comic play about loss, suggestion and the power of the mind.An Oak Tree premiered at the Traverse Theatre, Edinburgh in August 2005.

  • av Tim Crouch
    389,-

    Includes the plays The Author, England, An Oak Tree and My Arm. My Arm'...he is actually exploring on stage the nature of art and performance itself, taking risks in the process. At these moments, Crouch is armed and dangerous.' GuardianAn Oak Tree'Pirandello for a modern audience and better. It's philosophy inaction, playful and seriously thought-provoking.' Independent on SundayENGLAND'.created with rigorous, poetic economy. ENGLAND belongs to that wonderful genre of thoughtful plays that could be discussed for hours without exhausting its ideas.' New York TimesThe Author'This is not audience participation; it is the audience at once being the theatre and interrogating it.' Financial Times

  • av Tim Crouch
    219,-

    Contains the story of a search for a new heart, about a life saved and an illness overcome at any cost.

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