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This play is thought to represent middle-age, in Wilder's unfinished cycle of The Ages of Man. On a point of land jutting into a lake in southern Wisconsin, the Carter family enjoys a summer's eve. It's an evening like many others: Nothing happens and everything happens. Each member of the family - sixteen year-old Tom, his seventeen-year-old sister Francesca and their parents, Mr. and Mrs. Carter - shares different memories somehow connected with their surroundings. These memories color the mo
Diana Colvin, 21, rich and "the finest girl in the world," is engaged to marry Roger Osterman, 27, very rich and "the finest young fellow in the world." With the help of a mystified waiter, Diana's uncle (her lawyer and guardian) sets up a play within a play to make sure Diana knows what she is getting into: marriage to a supreme tightwad who can give away millions to charity, but can't leave a tip. The action--full of high-jinks as well as a serious message--takes place in a fancy New York City hotel.
In this play, which represents "Sloth" in Wilder's projected cycle on The Seven Deadly Sins, Herb Hawkins, a jovial New Jersey - New York City commuter with iron-bound habits, has called to say he is coming home late. This news sets his wife and daughter on edge, a condition heightened when a neighbor informs them that an unidentified man is hiding in the shadows of their front lawn, staring in at them. The police arrive to arrest the supposed prowler, only to find Herb, quietly observing his family through the windows of his own home. It seems that earlier that day, he received word of a surprise inheritance, left to him by a kind, lonely elderly woman. This sudden gift of a large sum of money prompts Herb to question the meaning and purpose of his own life. He returns to his place in the family with touches of humor, irony and despair.
Millie the nursemaid brings baby Tommy to Central Park in the hopes of a rendezvous with the handsome Patrolman Avonzino. Mrs. Boker soon arrives with baby Moe, and as the two ladies trade snacks and advice on child rearing, the infants compare notes on their parents' bad behavior and pitiful lack of understanding. Babies act like grown-ups and grown-ups act like babies in this comedy about fulfilling basic human needs.
The Drunken Sisters is Wilder's satyr play that followed The Alcestiad, his adaptation of the ancient Greek "Alcestis" story. Apollo ventures into the land of the three sisters of Fate who control the threads of each man's life, and here in disguise he tricks the sisters into releasing their death hold on King Admetus. His trick: 3 flagons of wine which he declares to be Aphrodite's beauty drink but which make the sisters drunk. He then foils them with a riddle, releasing the king
Winner! 1938 Pulitzer Prize for DramaIn an important publishing event, Samuel French, in cooperation with the Thornton Wilder estate is pleased to release the playwright''s definitive version of Our Town. This edition of the play differs only slightly from previous acting editions, yet it presents Our Town as Thornton Wilder wished it to be performed. Described by Edward Albee as "...the greatest American play ever written," the story follows the small town
Meet George and Maggie Antrobus of Excelsior, New Jersey, a suburban, commuter-town couple (married for 5,000 years), who bear more than a casual resemblance to that first husband and wife, Adam and Eve: the two Antrobus children, Gladys (perfect in every way, of course) and Henry (who likes to throw rocks and was formerly known as Cain); and their garrulous maid, Sabina (the eternal seductress), who takes it upon herself to break out of character and interrupt the course of the drama at every o
An adaptation of Henrik Ibsen's most notable play about a waning marriage, and the social constructs between a husband and wife.Thornton Wilder's acting version of A Doll's House premiered on Broadway at the Morsco Theatre in December 1937, under the direction of Jed Harris.
"This play is a rewritten version of the play "The merchant of Yonkers" which was directed in 1938 ..."--P. (4).
A symbolical play about a man named Francis who bears an unspeakable burden of sin and who is now plighted to Lady Poverty-- a crazy woman who once knew a Francis and once was untrue to her husband and bears the marks and symbols of lust.
Walbeck, a thoroughly hated man who cheated hundreds of people out of their money, suddenly returns home from Joliet prison when his sentence is reduced. He is greeted by two people: his attorney, who informs him that Walbeck's wife has fled to California, taking his daughter with her, and a new maid, Bernice, the self-proclaimed "best cook in Chicago" recently hired to keep the home going. Bernice, it turns out, served time for murder, and the advice she gives Walbeck on how to deal with his future allows Wilder to explore the nature of pride. Decisions have to be made quickly when Walbeck learns that his daughter is still in Chicago and coming by to see him at any moment.
From the play by George FarquharComedyCharacters: 8 male, 5female, with doubling Various Locations The play tells the story of two young bucks who, having spent all their money by living too well, leave London and roam from town to town in search of love and fortune. In order to find a wealthy heiress for at least one of them, they pose as master and servant - exchanging roles from one town to the next. In Lichfield, Aimwell is the master and Archer the servant, and there they m
One morning in the late summer of 1930 the proprietor and several guests at the Union Hotel at Crestcrego, Texas, were annoyed to discover Biblical texts freshly written across the blotter on the public writing-desk. George Marvin Brush is a travelling textbook salesman and fervent religious convert, determined to lead the godless to a better life. With sad and sometimes hilarious consequences, his travels take him through smoking cars, bawdy houses, banks and campgrounds from Texas to Illinois and into the soul of 1930s America.
First produced and published in 1938 to wide acclaim, this is a Pulitzer Prize-winning drama of life in the small village of Grover's Corners. It is an allegorical representation of all life.
Finding the theatre of the 1920s lacking in bite and conviction, Thornton Wilder set out to bring back realism and to celebrate the innocent, simple and religious. Yet he also tried to endow individual experience with cosmic significance and Our Town is both an affectionate portrait of American life and 'an attempt to find a value above all price for the smallest events in our daily life'. The Skin of our Teeth deals with human survival in a 'comic strip' way, and The Matchmaker is a hilarious farce which urges rebellion against all the constraints that deny a rich, full life.
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