Bøker av Thomas (University of Amsterdam Elsaesser

This groundbreaking volume for the Thinking Cinema series focuses on the extent to which contemporary cinema contributes to political and philosophical thinking about the future of Europe's core Enlightenment values. In light of the challenges of globalization, multi-cultural communities and post-nation state democracy, the book interrogates the borders of ethics and politics and roots itself in debates about post-secular, post-Enlightenment philosophy. By defining a cinema that knows that it is no longer a competitor to Hollywood (i.e. the classic self-other construction), Elsaesser also thinks past the kind of self-exoticism or auto-ethnography that is the perpetual temptation of such a co-produced, multi-platform 'national cinema as world cinema'. Discussing key filmmakers and philosophers, like: Claire Denis and Jean-Luc Nancy; Aki Kaurismäki, abjection and Julia Kristeva; Michael Haneke, the paradoxes of Christianity and Slavoj Zizek; Fatih Akin, Alain Badiou and Jacques Rancière, Elsaesser is able to approach European cinema and assesses its key questions within a global context. His combination of political and philosophical thinking will surely ground the debate in film philosophy for years to come.

This book takes an innovative approach to film analysis: each chapter examines the assumptions behind one traditional theory of film, distills a method of analysis from it, and then analyses a contemporary American movie. It then goes beyond the traditional theory by analysing the same movie using a more current theory and method.

Examines various paradigms for reading Hollywood and its cinema. This volume also explores a range of topics from cinephilia and auteurs - Nicholas Ray, Sam Fuller, Orson Welles, Alfred Hitchcock, among others - to melodrama, digital cinema, and even time-travel films.