Bøker av Theodor W. Adorno

This text on aesthetics includes major sections on: Art, Society, Aesthetics; the Categories of the Ugly, the Beautiful, the Technics; Natural Beauty; Coherence and Subject-Object; and Towards a Theory of the Artwork.

Essays by Adorno on art and cinema, available in English for the first time.   In Without Model, Theodor W. Adorno strikingly demonstrates the intellectual range for which he is known. Taking the premise of the title as his guiding principle, that artistic and philosophical thought must eschew preconceptions and instead adapt itself to its time, circumstances, and object, Adorno presents a series of essays reflecting on culture at different levels, from the details of individual products to the social conditions of their production. He shows his more nostalgic side in the childhood reminiscences of 'Amorbach', but also his acute sociocultural analysis on the central topic of the culture industry. He criticizes attempts to maintain tradition in music and visual art, arguing against a restorative approach by stressing the modernity and individuality of historical works in the context of their time. In all of these essays, available for the first time in English, Adorno displays the remarkable thinking of one both steeped in tradition and dedicated to seeing beyond it.

Adorno's study of Alban Berg is a unique document. Itself now a part of music history, it is a personal account, by a pre-eminent philosopher and aesthetician, of the life and musical works of his mentor, friend and composition teacher. Shortly after Berg's death in 1935, Adorno contributed several analyses to the first Berg biography. Thirty years later he incorporated these chapters and several subsequent essays into one volume. Beyond analyses of individual pieces, the book explores the historical and cultural significance of Berg's music, its relationship to that of other twentieth-century composers, and to the larger issues of contemporary life. This is a classic study, made available here for the first time in English, and it provides a key to understanding Adorno himself as well as offering an individual perspective on one of the major composers of the twentieth century.

Aspekter ved den nye høyreradikalismen er basert på en tale som Theodor W. Adorno holdt i 1967, og som ble utgitt for første gang av Suhrkamp forlag i 2019, sammen med et etterord av den tyske historikeren Volker Weiss.Adornos analyser fra 1967 er forbløffende aktuelle og gir samtidig et tidsbilde fra 1960-tallet. De samfunnsmessige forutsetningene for fascismen består fremdeles, fremholdt Adorno. I dag kan vi stille spørsmålet om det stemmer, eventuelt i hvilken grad. Høyreradikalismen er til stede nå som da, samtidig som den har tatt nye former, begrunnet i nye årsaker. Adornos analyser er et intellektuelt sterkt utgangspunkt for en videre debatt om høyreradikalismen.Pål Veiden har oversatt teksten og skrevet forord til denne utgivelsen.]]>

First published in German as Philosophische Elemente einer Theorie Der Gesellschaft, 1964.

Originally published: Ontologie und Dialektik, 1960-61. Frankfurt am Main: Suhrkamp, 2002.

Dialectic of Enlightenment is undoubtedly the most influential publication of the Frankfurt School of Critical Theory. Written during the Second World War and circulated privately, it appeared in a printed edition in Amsterdam in 1947. "e;What we had set out to do,"e; the authors write in the Preface, "e;was nothing less than to explain why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism."e;Yet the work goes far beyond a mere critique of contemporary events. Historically remote developments, indeed, the birth of Western history and of subjectivity itself out of the struggle against natural forces, as represented in myths, are connected in a wide arch to the most threatening experiences of the present. The book consists in five chapters, at first glance unconnected, together with a number of shorter notes. The various analyses concern such phenomena as the detachment of science from practical life, formalized morality, the manipulative nature of entertainment culture, and a paranoid behavioral structure, expressed in aggressive anti-Semitism, that marks the limits of enlightenment. The authors perceive a common element in these phenomena, the tendency toward self-destruction of the guiding criteria inherent in enlightenment thought from the beginning. Using historical analyses to elucidate the present, they show, against the background of a prehistory of subjectivity, why the National Socialist terror was not an aberration of modern history but was rooted deeply in the fundamental characteristics of Western civilization. Adorno and Horkheimer see the self-destruction of Western reason as grounded in a historical and fateful dialectic between the domination of external nature and society. They trace enlightenment, which split these spheres apart, back to its mythical roots. Enlightenment and myth, therefore, are not irreconcilable opposites, but dialectically mediated qualities of both real and intellectual life. "e;Myth is already enlightenment, and enlightenment reverts to mythology."e; This paradox is the fundamental thesis of the book. This new translation, based on the text in the complete edition of the works of Max Horkheimer, contains textual variants, commentary upon them, and an editorial discussion of the position of this work in the development of Critical Theory.

This volume comprises Adorno's first lectures specifically dedicated to the subject of the dialectic, a concept which has been key to philosophical debate since classical times.

* This is a re-issue of a classic book by one of the leading philosophers of the twentieth century. * While written as a critique of Husserl's phenomenology, this book is at the same time a much broader critique of philosophy and epistemology.

Adorno is one of this century's most influential thinkers in the areas of social theory, philosophy, aesthetics, and music. Throughout the essays in this book, all of which concern musical matters, he displays an astonishing range of cultural reference, demonstrating that music is invariably social, political, even ethical.

This volume comprises one of the key lecture courses leading up to the publication in 1966 of Adorno's major work, Negative Dialectics. These lectures focus on developing the concepts critical to the introductory section of that book. They show Adorno as an embattled philosopher defining his own methodology among the prevailing trends of the time.

The surviving correspondence between Walter Benjamin and Theodor W. Adorno. * This is the first time all of the surviving correspondence between Adorno and Benjamin has appeared in English. * Provides a key to the personalities and projects of these two major intellectual figures.

Kant is a pivotal thinker in Adornoa s intellectual world. Yet although he wrote monographs on Hegel, Husserl and Kierkegaard, the closest he came to an extended discussion of Kant are two lecture courses, one concentrating on the Critique of Pure Reason and the other on the Critique of Practical Reason.

This volume of lectures on aesthetics, given by Adorno in the winter semester of 1958/59, formed the foundation for his later text Aesthetic Theory, widely regarded as one of Adorno s greatest works.

Features the text in the great controversies over literature and art between thinkers who have become giants of 20th-century philosophy.

Presents a study of key musical works of the twentieth century. Here, the author brings a range of social and cultural questions to bear on the analysis of two composers he saw as polar opposites, Arnold Schoenberg and Igor Stravinsky.

"Dreams are as black as death. " -Theodor W. Adorno Adorno was fascinated by his dreams and wrote them down throughout his life. He envisaged publishing a collection of them although in the event no more than a few appeared in his lifetime.

* The correspondence of Theodor Adorno and Thomas Mann documents a rare encounter of creative tension between literary tradition and aesthetic modernism spanning the years 1943-1955. * The letters offer the reader a fascinating insight into the lives of two of the most important figures of twentieth-century intellectual life.

Beethoven is a classic study of the composer's music, written by one of the most important thinkers of our time. Throughout his life, Adorno wrote extensive notes, essay fragments and aides-memoires on the subject of Beethoven's music. This book brings together all of Beethoven's music in relation to the society in which he lived.

Despite all of humanity's failures, futile efforts and wrong turnings in the past, Adorno did not let himself be persuaded that we are doomed to suffer a bleak future for ever. One of the factors that prevented him from identifying a definitive plan for the future course of history was his feelings of solidarity with the victims and losers.

This Book, provides an invaluable introduction to his historical and conceptual engagement with sociology.

This book collects together Adornos manifold implications for musical interpretation. His reflections lead to a fundamental study of the nature of notation and musical sense. However, it is the quality of uncertainty in his reflections that indicates the scope of the discourse and its continuing relevance to musical thought today.

Makes Adorno's lectures on moral philosophy available for the first time to English-speaking readers Gives students an accessible introduction to some of the topics discussed in Adorno's more difficult work An important new resource for scholars drawing on Adorno's thought.

Makes Adornoa s lectures on metaphysics available for the first time to English--speaking readersExamines the history of metaphysics from modern to classical timesAn ideal introduction to the central preoccupations of Adornoa s difficult masterpiece, Negative Dialectics.