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The Abbotsford Convent becomes more than the setting, 'the grey mince-meat walls', of this collection. It emerges as presence, intimate and familiar as well as constraining and forbidding. But it is childhood itself which becomes the subterranean geography and pulse. Subject to an overworld of lay and religious adults, 'the razor of power having such adult force', the voices in these poems create multiple pathways through memory and time as they map and navigate the many-stranded mysteries of their institutionalised lives.
Modewarre is the indigenous Wathaurong word for musk duck. Through this icon of land and water, Patricia Sykes explores various histories - her own, her forebears, the wider histories of identity and place,in poems that are as concentrated as pearls. It sweeps its subjects along in a flow of striking images and strong feelings, these buoyed by an intelligent sense of poetic structure and modulated by a sometimes ironic eye.
Circus as drama and risk, as exuberance and irrepressible spirit, is the central metaphor Patricia Sykes uses to open a world where public and private share the same tightrope. The poems speak of women searching for footholds along the spectrums of politics, power, history, culture and relationships. Theirs are performances of celebration and hope as they wire dance through circumcision and incest, madness and suicide, genocide and war. There is passion and resistance, hot comedy and fire in the belly. Falling is the first victory, balance is the ultimate skill.
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