Bøker av Steve Pilkington

Everyone has their favourite Monty Python sketches, often quoted almost verbatim, whether it is 'the Parrot Sketch', 'the Cheese Shop' or 'Blackmail' - amongst many. Likewise the Python films, the mere mention of which might solicit quotes like 'Tis but a flesh wound' or 'He's not the Messiah, he's a very naughty boy'.

Some albums are simply undeniable watersheds in an artist‿s career. Artistic or commercial triumphs (or sometimes both), but most importantly seen by both the fanbase and, to a greater or lesser degree the wider world, as a defining statement in their catalogue. Such was undoubtedly the case when Supertramp released Crime Of The Century in 1974.

There were a lot of very different bands peddling their wares in the progressive rock 'golden age' of the 1970s - some tending toward symphonic grandeur, other towards jazz fusion, and others still ploughing the more immediate end of the spectrum. There were the left-field eccentrics and the tricky 'difficult' bands. Apart from it all, however, there were Van Der Graaf Generator. In a decade stuffed with a wild array of influences, styles and instrumental line-ups, there can be few tending quite so near to the definition 'unique' as the four musicians who made up the 'classic' line-up of Van Der Graaf. For a start, there was the astonishing songwriting and vocals of generally accepted 'leader' Peter Hammill, but there was much more behind that to set these men apart. Their unparalleled instrumental make-up saw little or no guitar and no bass guitar, while organist Hugh Banton handled the bass parts on pedals, David Jackson pioneered an astonishing saxophone style, playing two instruments at once, electric rather than miked up, and using a full effects pedalboard. Drummer Guy Evans filled in - well, everything else. It was and remains a sound quite like no other. This book documents their incredibly influential first decade as prog's ultimate 'outsiders'. It's quite a ride

Guitarist Gordon Giltrap came into the public eye with his 1976 album Visionary. His piece Heartsong was the BBC's long-running Holiday programme theme tune. Gordon's life in and out of the spotlight has proved to be a rollercoaster of highs and lows, which ultimately transcends his musical achievements as a story of human triumph and tragedy.

An in-depth look at the recording career of rock legends Black Sabbath, focusing on each song individually, album by album, with facts and critical assessment together with a look at the album art, chart positions etc. The book will cover every studio album recorded by the band, as well as looking at their live albums and DVD/video appearances.